Oxford University Press's
Academic Insights for the Thinking World
By Luke Swindler
At the University of North Carolina at Chapel Hill (UNC) Libraries, it took well over a century, from the university’s founding in 1789, to reach a collection of one million volumes. In the last five years alone, the campus has added nearly one million “volume-equivalents”, mainly due to massive e-book acquisitions.
By Simon Eliot
All powered printing machines needed an effective means of inking type at speed. In most cases this was done by the use of rollers. The earliest prototypes had been covered with leather but, as a sheet of leather had to be joined to create covering for a cylinder, there was always a sewn seam that did not distribute the ink evenly.
By Matthew Flinders
Without a whistle or a bang from a starter’s gun, the 2015 general election campaign is now well under way. Labour’s proposed freeze on energy prices marks a first tentative attempt to seize the pre-election agenda, while the Chancellor’s autumn statement next month looks set to respond by including measures aimed at cutting the cost of living.
By Judith Luna
Actually, editing classics is just what I don’t do. My job can be a bit of a mystery to people who wonder whether I rephrase the occasional Jane Austen sentence, or improve Virginia Woolf’s punctuation. Most days I am looking for living authors, not dead ones: the editors and translators who are responsible for the introductions and notes, and who actually do make decisions about how best to present the texts for modern readers.
By John Feather
From 1715 to 1758, Stephen and Zaccheus Richardson were successively the ‘Warehouse Keepers’ for Oxford University Press. The seemingly innocuous title conceals more than it reveals and yet is telling. In William Laud’s original vision of a university press at Oxford in the 1630s at the heart of the enterprise was to be an individual known as the ‘Architypographus’.
By Sophie Goldsworthy
Back in 2001, there was a whole host of reference products online, and journals were well down that digital road. But books? Who on earth would want to read a whole book online? When the idea that grew into Oxford Scholarship Online was first mooted, it faced a lot of scepticism, in-house as well as out.
Oxford University has been involved with the printing trade since the 15th century and our Archive holds the records of the University’s printing and publishing activities from the 17th century to date. This week our archivists have generously unearthed some pictures to share with you.
By Ian Gadd
No visit to the Sheldonian Theatre would be complete without craning your neck to admire Robert Streater’s painted ceiling. Entitled Truth Descending upon the Arts and Sciences and comprising thirty-two panels, the painting was completed in Whitehall in 1668–9 and shipped to Oxford by barge. We don’t know the terms of the commission but Streater’s personification of Truth triumphing over Envy, Rapine, and Ignorance fitted well with a University looking to reassert its cultural ambitions in the aftermath of the Civil Wars and Interregnum.
By Ian Gadd
Determining the precise beginning of Oxford University Press is not as easy a question as it may seem. It’s not enough to brandish triumphantly the first book printed in Oxford, Expositio in symbolum apostolorum, as all that proves is that there was a printing press in Oxford in 1478…
By Ian Gadd
‘This Lane is commonly called Pie Lane, but I will call it Winking Lane’. So noted the Christ Church canon, Leonard Hutten, in his perambulatory Antiquities of Oxford, written at some point in the early seventeenth century.
To celebrate the publication of the first three volumes of The History of Oxford University Press on Thursday and University Press Week, we’re sharing various materials from our Archive and brief scholarly highlights from the work’s editors and contributors. To begin, we’d like to introduce a silent film made in 1925 by the Federation of British Industry.
By Jean Adams
When we set out to quantify the volume of alcohol marketing in televised English football, I knew there would be some, but I was caught off guard by quite how much there was.
By Yair Amichai-Hamburger
I believe that the Internet has special characteristics which together create an exceptional environment for the user. To start with, many websites allow you to maintain your anonymity. You may do this by assuming a pseudonym, using your initials or just “leaving the space blank”. This characteristic frees people from many of the issues that constrict them in their day to day offline lives.
This mesmerizing video has received over 21 million views, and is spreading rapidly through social media. The baby is 10 month-old Mary Lynne Leroux, who weeps as her mother Amanda sings My Heart Can’t Tell You No, a song most recently popularized by Sara Evans.
By Matthew Flinders
Out Paxo’ing Paxman might be one thing but it is quite another to make the leap from comedian to serious political commentator.
By Andrew Pettinger
I was recently invited by Oxford University Press (OUP) to have my book, The Republic in Danger, published on the online open access library OAPEN. After a few general questions, I happily accepted. Why?