Five years ago, Kaitlyn Regehr and Matilda Temperley, documentarian and photographer respectively, set off for Las Vegas to interview members of the League of Exotic Dancers. At the Burlesque Hall of Fame, these legends—thriving sixty years past the supposed prime of burlesque—have created a community in “Old Vegas” where they continue to perform half-century-old routines.
Is burlesque an expression of sex-positive feminism, or is it inherently sexist? In the following excerpt from The League of Exotic Dancers: Legends from American Burlesque, documentarian Kaitlyn Regehr and photographer Matilda Temperley share narratives by burlesque dancers who embraced this form of art as an early expression of women’s rights.
On a sticky afternoon in June of 2015 I, with friend and photographer, Matilda Temperley, drove through downtown Las Vegas and into the driveway of the El Cortez Hotel and Casino. The midday sun exposed some rust on the hotel’s neon signage as well as a missing light bulb on the giant red, rotating high healed shoe, which framed an advertisement for $10.95 Prime Rib at the hotel’s diner.