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It’s almost that time of year again, when families, friends and acquaintances get together to host a Burns supper, and celebrate the life and poetry of Robert Burns. Variously known as Rabbie Burns, the Bard of Ayrshire or the Ploughman Poet, Burns is widely regarded as the national poet of Scotland and indeed celebrated worldwide.
Only a few years after the death of Robert Burns in 1796, local enthusiasts began to hold celebrations on or about his birthday, on 25 January, called Burn’s Night. These have continued ever since, spreading from Scotland across the world. From the earliest occasions, a focal point of the Burns supper was, of course, the haggis.
‘Oh, that this too, too solid flesh would melt,’ so wrote the other bard, Shakespeare. Scotland’s bard, Robert Burns, has had a surfeit of biographical attention: upwards of three hundred biographical treatments, and as if many of these were not fanciful enough hundreds of novels, short stories, theatrical, television, and film treatments that often strain well beyond credulity.
By Robert Crawford
For the first time since 1707 (more than half a century before Burns was born), the population of Scotland is being given the chance to vote in a referendum that asks the question, ‘Should Scotland be an independent country?’ The referendum won’t be held until 18 September, but already people are arguing about which side Robert Burns would have been on.
By Robert P. Irvine
As we sit down to enjoy our Burns Suppers on Friday, it is worth pausing to ask ourselves just how well we know some of the songs and poems that are a feature of the occasion. Editing and presenting a selection of his texts in the order in which they were published, taking as my copy-text the version of the poem or song published on that occasion, has given me many new insights into the original contexts of Burns’s work.
Scottish poetry produced in the long eighteenth century might strike you as at once familiar and unknown. Hundreds of poets, balladists, and songwriters born or raised in Scotland throughout the long eighteenth century need to find new readerships.
It is Wednesday morning, my wife and kids have left for work and school and I am sitting in my home office, which has a beautiful view of the Gudenå river valley. I have the whole day to myself, no teaching, no meetings, no administrative drudgery. I am currently working on three books, all under contract with Oxford University Press, and it is one of those bright spring mornings that are perfect for writing. What’s not to like?
On the day before a yearly celebration of Scottish heritage (Tartan Day), Robert Burns brings us the first Duan (division) of his poem The Vision, an extract from Selected Poems and Songs.
By Anwen Greenaway
The twenty-fifth of January is the annual celebration of the Scottish poet Robert Burns. Legend has it that in 1801 a group of men who had known Burns gathered together to mark the fifth anniversary of his death and celebrate his life and work. The event proved a great success, so they agreed to meet again the following January on the poet’s birthday, and thus the tradition of Burns Night Supper was born.
Scotland: A Very Short Introduction author Rab Houston talks about the history of Burns Suppers.
In time for Burns Night, here is everything you need to know about the history of Burns Clubs.
Since 1801, the fifth anniversary of his death, January 25 has become synonymous with the poet Robert Burns, widely regarded as the national poet of Scotland and celebrated worldwide. One of the lesser-known aspects of Burns’ life is that he almost moved to Jamaica to become an overseer; his tumultuous relationship with ‘ungrateful’ Jean Armour also attributed to his resolution to sail as an emigrant to Jamaica.
Scotland has inspired much celebrated poetry over the ages, from the stirring verses of Robert Burns, to the imaginative tales of Robert Louis Stevenson and Walter Scott. These poets are now household names, but how many outside of Scotland have heard of William Dunbar or James Hogg?
Over the years since it was written, many millions must have sung ‘Auld Lang Syne’ (roughly translated as ‘days long past’) while sharing Mr. Micawber’s ignorance of what of its words actually mean. Most of us go through the year without singing a single song by Robert Burns, and then, within the space of 25 days, sing this one twice on January 1st and 25th
Depending on your tastes, bagpipes are primal and evocative, or crude and abrasive. Adore or despise them, they are ubiquitous across the city centers of Scotland (for tourists or locals?). In anticipation of St Andrews Day, and your Robert Burns poetry readings with a certain woodwind accompaniment, here are 10 facts you may not have known about the history of the bagpipes.
I want an independent Scotland that is true to the ideals of egalitarianism articulated in some of the best poetry of Robert Burns. I want a pluralist, cosmopolitan Scotland accountable to its own parliament and allied to the European Union. My vote goes to Borgen, not to Braveheart. I want change.