One of the most striking structural weaknesses uncovered by the euro crisis is the lack of consistent banking regulation and supervision in Europe. Although the European Banking Authority has existed since 2011, its influence is often trumped by national authorities. And many national governments within the European Union do not seem anxious to submit their financial institutions to European-wide regulation and supervision.
If you like your prophecies pin sharp then look away now. The 16th century celebrity seer Nostradamus excelled at the exact opposite, couching his predictions in terms so vague as to be largely meaningless. This has not, however, prevented his soothsayings attracting enormous and unending interest, and his book – Les Propheties – has rarely been out of print since it was first published 460 years ago. Uniquely, for a renaissance augur, the writings of Nostradamus are perhaps as popular today as they were four and a half centuries ago.
Our earliest etymologists did not realize how much trouble the adjective bad would give later researchers. The first of them—John Minsheu (1617) and Stephen Skinner (1671)—cited Dutch quaad “bad, evil; ill.” (Before going on, I should note that today quad is spelled kwaad, which shows that a civilized nation using the Roman alphabet can do very well without the letter q.)
A new film adaptation of Far From the Madding Crowd by Thomas Hardy was recently released, starring Carey Mulligan as the beautiful and spirited Bathsheba Everdene and Matthias Schoenaerts, Tom Sturridge, and Michael Sheen as her suitors.
In support of Independent Bookshop Week, a campaign run by the Booksellers Association that supports independent bookstores, we asked the Oxford University Press UK office what their favorite independent bookstores were.
From time to time, we try to give you a glimpse into our offices around the globe. This week, we are excited to introduce three members of our Institutional Marketing team for Latin America. Seth, Molly, and Juan work with libraries and other institutions around the world, from setting up educational webinars to holding Library Advisory councils, from updating librarians on new journals and websites to providing them with tools to help faculty and students.
The latest incarnation (I chose that word advisedly!) of the Jurassic Park franchise has been breaking box-office records and garnering mixed reviews from the critics. On the positive side the film is regarded as scary, entertaining, and a bit comedic at times (isn’t that what most movies are supposed to be?). On the negative side the plot is described as rather ‘thin’, the human characters two-dimensional, and the scientific content (prehistoric animals) unreliable, inaccurate, or lacking entirely in credibility.
In the near future I’ll have more than enough to say about bad, an adjective whose history is dismally obscure, but once again, and for the umpteenth time, we have to ask ourselves why there are words of undiscovered and seemingly undiscoverable origin. Historical linguists try to reconstruct ancient roots.
Early summer in London is heralded by the Chelsea Flower Show. This year, the winner of the Best Fresh Garden was the Dark Matter Garden, an extraordinary design by Howard Miller. Dark matter is invisible and thought to constitute much of the universe, but can only be observed through the distortion of light rays, an effect represented in the garden by a lattice of bent steel rods and lines of bamboo, swaying in the wind.
The Liar paradox arises when we consider the following declarative sentence: This sentence is false. Given some initially intuitive platitudes about truth, the Liar sentence is true if and only if it is false. Thus, the Liar sentence can’t be true, and can’t be false, violating out intuition that all declarative sentences are either true or false (and not both). There are many variants of the Liar paradox. For example, we can formulate relatively straightforward examples of interrogative Liar paradoxes, such as the following Liar question: Is the answer to this question “no”?
In recognition of Pride Month, we’re looking at some of the many oral history projects focused on preserving the memories of LGBTQ communities. The LGBTQ Oral History Digital Collaboratory is connecting archives across North America to produce a digital hub for the research and study of LGBTQ oral histories. The University of Chicago is cataloguing the history of students, faculty, and alumni for its “Closeted/Out in the Quadrangles” project. The University of Wisconsin – Madison continues to collect the histories of Madison’s LGBT Community, and has even prepared mini-movies to make the materials more accessible.
Now that the second season of the Oxford World’s Classics Reading Group is drawing to a close, let’s see how much you’ve learnt from reading Bram Stoker’s Dracula. Test your knowledge of all things Vampire with our quiz.
On 15th June 2015, Magna Carta celebrates its 800th anniversary. More has been written about this document than about virtually any other piece of parchment in world history. A great deal has been wrongly attributed to it: democracy, Habeas Corpus, Parliament, and trial by jury are all supposed somehow to trace their origins to Runnymede and 1215. In reality, if any of these ideas are even touched upon within Magna Carta, they are found there only in embryonic form.
As a rule, I try not to deal with the words whose origin is supposedly known (that is, agreed upon). One can look them up in any dictionary or on the Internet, and no one needs a blog for disseminating trivialities. The etymology of bed has reached the stage of an uneasy consensus, but recently the accepted explanation has again been called into question.
Please welcome another newbie to the Social Media team at Oxford University Press, Yasmin Coonjah, who joined the gang in May 2015 as an OUPblog Editor and Social Media Marketing Assistant!
Historical fiction, the form Walter Scott is credited with inventing, is currently experiencing something of a renaissance. It has always been popular, of course, but it rarely enjoys high critical esteem. Now, however, thanks to Hilary Mantel’s controversial portraits of Thomas Cromwell (in Wolf Hall and Bring Up the Bodies), James Robertson’s multi-faceted studies of Scotland’s past (in The Fanatic and And the Land Lay Still), and Richard Flanagan’s Narrow Road to the Deep North, winner of the 2014 Man Booker Prize, the genre has recovered serious ground, shrugging off the dubious associations of bag-wig, bodice, and the dressing-up box.