Oxford University Press's
Academic Insights for the Thinking World

Racism, jazz, and James Baldwin’s “Sonny’s Blues”

Reading is good; rereading is better. I can’t say with certainty how many times—forty? fifty?—I’ve read James Baldwin’s “Sonny’s Blues,” only that for more than thirty-five years I’ve been reading and teaching the story, each time with an undiminished sense of awe and appreciation for how Baldwin issues a prophetic warning about the outcome of racism while making deeply felt gestures of hope and reconciliation.

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Rediscovering Piano Time

It’s an eventful time in the OUP Music office, as we’ve just sent to press the latest editions of the Piano Time method books by Pauline Hall. It’s always exciting to see the publication of a new title, but these books feel extra special.

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Summertime musicking

Many families imagine summer as a time of endless fun and warmth. But summer is full of parenting challenges, including disrupted schedules and kids having more free time while parents have less. Such parenting challenges make this a great moment to consider how to weave music into activities and routines of family life to make things a little easier and a little more fun—an approach I call “parenting musically.”

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Here’s Johnny––and Bette!

New York-based talk shows in the 1970s offered plentiful opportunities for quirky young talents like Bette Midler to sing a song or two and maybe kibitz with the host, regardless of whether they had a Broadway show or film or new record to promote. Midler had none of these when her manager Budd Friedman got her booked on The Tonight Show starring Johnny Carson not long after she began her legendary run at the Continental Baths.

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The musician’s journey: preparing our students as entrepreneurs

Today, our college and university music students are facing a rapidly changing global market place. There are new technologies, career options, virtual education, and so forth. As educators, we continue to focus on the highest standards of pedagogy. Nevertheless, we need to also expand our curricula to include the necessary preparatory training for skills that will transcend a dizzying rate of change.

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Cello and the human voice: A natural pairing

I’ve heard the phrase “It’s the instrument most like the human voice and that’s why it’s so expressive” countless times over the years. As a cellist myself I’m probably biased to some degree, but I truly believe that the cello has a unique voice which wonderfully synergises with the human voice.

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Fiddle Time Duets, edited by Kathy Blackwell and David Blackwell, published by Oxford University Press

The joy of playing duets

“There is an irresistible appeal to playing with another musician.” In this blog post, Kathy Blackwell discusses the history of duet playing in classical music, and the benefits it can have for musicians.

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