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Academic Insights for the Thinking World

  • Tag: novel

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Burlesque in New York: The writing of Gypsy Rose Lee

In celebration of the anniversary of the first burlesque show in New York City, I reread a fun murder mystery, The G-String Murders, by Gypsy Rose Lee. “Finding dead bodies scattered all over a burlesque theater isn’t the sort of thing you’re likely to forget. Not quickly, anyway,” begins the story.The editors at Simon & Schuster liked the setting in a burlesque theater and appreciated Gypsy’s natural style, with its unpretentious and casual tone. Her knowledge of burlesque enabled her to intrigue readers, who were as interested in life within a burlesque theater as in the mystery.

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Bestsellers: a snapshot of an age

To celebrate World Book Day this week, we take a look at what John Sutherland thinks about why we read bestsellers and what they say about the age in which they were published, in his Very Short Introduction to Bestsellers.

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Anna Karenina’s conduct

One of the greatest novels ever written, Anna Karenina sets the impossible and destructive triangle of Anna, her husband Karenin, and her lover Vronsky against the marriage of Levin and Kitty, thus illuminating the most important questions that face humanity. A new film adaptation of the novel, starring Keira Knightly and directed by Joe Wright, opens today in the United States. We’ve paired a scene from the film with an excerpt of the novel below.

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The Crowd in the Capuchin Church

Today in 1775, Matthew Lewis, author of The Monk, was born. Set in the sinister monastery of the Capuchins in Madrid, The Monk is a violent tale of ambition, murder, and incest. The great struggle between maintaining monastic vows and fulfilling personal ambitions leads its main character, the monk Ambrosio, to temptation and the breaking of his vows, then to sexual obsession and rape, and finally to murder in order to conceal his guilt.

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A Child of the Jago, Freud, and youth crime today

By Peter Miles
As every schoolchild knows, never give more than one explanation: rather than uncertainty, it suggests a conscious or unconscious smokescreen. In The Interpretation of Dreams (1899), Sigmund Freud demonstrated as much by reference to a “defence offered by a man who was accused by his neighbour of having returned a kettle in a damaged condition. In the first place, he said, he had returned the kettle undamaged; in the second place it already had holes in it when he borrowed it; and in the third place, he had never borrowed it at all.”

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