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Academic Insights for the Thinking World
The most recent issue of the Oral History Review will be zipping across the world soon. To hold you over until it arrives, we interviewed one of the authors featured in this edition, Jennifer Helgren, about her article, “A ‘Very Innocent Time’: Oral History Narratives, Nostalgia and Girls’ Safety in the 1950s and 1960s.”
In the most recent issue of the Oral History Review, Linda Shopes started an important discussion about changes she has seen in the field of oral history in “‘Insights and Oversights’: Reflections on the Documentary Tradition and the Theoretical Turn in Oral History”. Linda’s article sparked many interesting arguments on curation versus collection, critical analysis versus volume, and framing individual experiences in wider contexts. Below, we bring to you a continuation of this conversation through an email interview.
By Caitlin Tyler-Richards
This summer, our editor-in-chief Kathy Nasstrom is taking a well-deserved break, and leaving the Oral History Review and related cat-herding in the hands of the extremely capable Stephanie Gilmore. As some may have read in the Oral History Association’s most recent newsletter, Stephanie is a multitalented historian who works to combat sexual assault on university campuses.
By Steven Sielaff
Throughout my time as Oral History Review (OHR) editorial assistant at the Oral History Association’s (OHA) annual conference in Oklahoma City, OK, I saw a number of prevailing themes. In the recent past, the push towards digitization and web-based portals has dominated the professional landscape. This was certainly the case again at this year’s conference.
By Caitlin Tyler-Richards
The Oral History Review staff returns triumphant! A bit tanner, a bit wiser, and ready for another round of exploration into the theory and practice of oral history. We’ve already started arranging interviews, reviews, and commentary for the fall and look forward to engaging with you all once more.
By Caitlin Tyler-Richards
Dear readers, the time has come for the Oral History Review (OHR) social media team to say so long for now. We’ve had a fantastic time bringing you the latest and greatest on scholarship in oral history and its sister fields. However, all sorts of summer adventures are calling our names, so we’re taking a brief hiatus from the world wide web. In fact, as you are reading this, I am on my way to Nigeria for two months!
To celebrate the imminent release of Oral History Review (OHR)’s latest issue, 40.1, on oral history in the digital age, we’re delighted to share a chat between managing editor Troy Reeves and contributor Lindsey Barnes. Barnes and her colleague Kim Guise are co-authors of “World War Words: The Creation of a World War II–Specific Vocabulary for the Oral History Collection at The National WWII Museum,” a case study of developing controlled vocabulary for the oral history collections at the National WWII Museum.
Happy New Year, everyone! The Oral History Review is ringing in 2013 with a second oral history podcast. This week, managing editor Troy Reeves speaks with Roger Davis Gatchet about his Oral History Review article, “‘I’ve Got Some Antique in Me’: The Discourse of Authenticity and Identity in the African American Blues Community in Austin, Texas.” (Vol 39, issue 2). And if that isn’t enough to entice you, there’s also (what Troy assures me is) a really hilarious Weird Al Yankovic joke.
As part of our 50th anniversary issue of the OHR, Abigail Perkiss explored the impact of oral history in the aftermath of a Hurricane Sandy in her article Staring Out to Sea and the Transformative Power of Oral History for Undergraduate Interviewers.
As is becoming tradition, we want to use this, our last blog post of the year, to look back over last 12 months and remember all the fun we’ve had together. We have been drawn in by the “seductive intimacy” of oral history, and inspired by the power of audio to move “oral history out of the archives and back into communities.”
We spend a lot of time in this space pointing to particular people or projects that we think are doing interesting things with oral history. In June we talked to Josh Burford, who is using oral history to start important conversations in North Carolina. In April, we heard from Shanna Farrell, who discussed Berkeley’s Oral History Summer Institute.
Wednesday, 22 July 2015, marks the tenth anniversary of the OUPblog. In one decade our authors, staff, and friends have contributed over 8,000 blog posts, from articles and opinion pieces to Q&As in writing and on video, from quizzes and polls to podcasts and playlists, from infographics and slideshows to maps and timelines. Anatoly Liberman alone has written over 490 articles on etymology. Sorting through the finest writing and the most intriguing topics over the years seems a rather impossible task.
“When I went to the Iv’ry Coast, about thirty years ago, I remember coming off the plane and just being assaulted with not only the heat but the color.” These were the first words of the most moving story I have ever heard—but it wasn’t the story I was there to collect. For me, the best oral histories are the ones that sound a human chord, stories that blur the spaces between historically significant narrative and personal development.
Since we’re still recovering from eating way too much yesterday, Managing Editor Troy Reeves and I would like to sit back and just share a few of the things we’re thankful for.
The 2014 Oral History Association Annual Meeting featured an exciting musical plenary session led by Michael Honey and Pat Krueger. They presented the songs and stories of John Handcox, the “poet laureate” of the interracial Southern Tenant Farmers Union, linking generations of struggle in the South through African American song and oral poetry traditions.
Dearest readers, I am sorry to say that the time has come for me to say goodbye. I have had a wonderful time meeting you all, not to mention learning more than I ever thought I would know about the fantastic field of oral history.