Game on – Episode 28 – The Oxford Comment
Listen closely and you’ll hear the squeak of sneakers on AstroTurf, the crack of a batter’s first hit, and the shrill sound of whistles signaling Game on! Yes, it’s that time of year again.
Listen closely and you’ll hear the squeak of sneakers on AstroTurf, the crack of a batter’s first hit, and the shrill sound of whistles signaling Game on! Yes, it’s that time of year again.
From baristas preparing pumpkin spiced lattes to grocery store aisles lined with bags of candy, the season has arrived for all things sweet-toothed and scary. Still, centuries after the holiday known as “Halloween” became cultural phenomenon, little is known to popular culture about its religious, artistic, and linguistic dimensions.
Aside from announcing the start of another academic semester, September also marks an essential, if lesser-known, national holiday celebrated since 1987: Library Card Sign-up Month. Once a year, the American Library Association (ALA)—working in conjunction with public libraries across the country—makes an effort to spotlight the essential services provided by libraries now and throughout history. But what, exactly, are the origins of the American public library?
In recognition of Pride Month, we’re looking at some of the many oral history projects focused on preserving the memories of LGBTQ communities. The LGBTQ Oral History Digital Collaboratory is connecting archives across North America to produce a digital hub for the research and study of LGBTQ oral histories. The University of Chicago is cataloguing the history of students, faculty, and alumni for its “Closeted/Out in the Quadrangles” project. The University of Wisconsin – Madison continues to collect the histories of Madison’s LGBT Community, and has even prepared mini-movies to make the materials more accessible.
Since 1873, Grove Music has expanded from one piece of hardbound reference detailing the work and lives of musicians to becoming a powerful online encyclopedic database that serves to educate the world about music. George Grove, founder of the Grove dictionaries, was motivated by the lack of music reference works available to scholars and music professionals.
This year, Authors for Indies Day takes place on Saturday, 2 May. To celebrate, the staff at Oxford University Press Canada have decided to highlight some of their favourite independent bookstores. Here are some of Canada’s favourite literary hangouts, and where you can find them. * * * Novel Idea 156 Princess Street, Kingston, Ontario […]
Given the scope and the length of time I’ve been working on the African American National Biography (over 13 years and counting), selecting just a few biographies that were somehow “representative” of the overall project would have been an impossible task. Instead, working with The Root’s managing editor, Lyne Pitts, I chose four entries that showcased some of the diversity of the collection, but focused on hidden or barely remembered figures in black history.
I sat down with Samantha Snyder, a Student Assistant at the University of Wisconsin-Madison Archives, to talk about her work. From time to time, the UW Archives has students test various voice recognition programs, and for the last few months Samantha has been testing the software program Dragon NaturallySpeaking. This is an innovative way of processing oral histories, so we were excited to hear how it was going.
Fifty years ago today, a most unlikely figure was called to speak at the Oxford Union Debating Society: Mr. Malcolm X. The Union, with its historic chamber modeled on the House of Commons, was the political training ground for the scions of the British establishment. Malcolm X, by contrast, had become a global icon of black militancy, with a reputation as a dangerous Black Muslim.
On 28th November 1814 The Times in London was printed by automatic, steam powered presses for the first time. These presses, built by the German inventors Friedrich Koenig and Andreas Friedrich Bauer, meant that newspapers were now available to a new mass audience, and by 1815 The Times had a circulation of approximately 5,000 people.
The publication of the Oxford Dictionary of National Biography in September 2004 was a milestone in the history of scholarship, not least for crossing from print to digital publication. Prior to this moment a small army of biographers, myself among them, had worked almost entirely from paper sources, including the stately volumes of the first, Victorian ‘DNB’ and its 20th-century print supplement volumes. But the Oxford DNB of 2004 was conceived from the outset as a database and published online as web pages, not paper pages reproduced in facsimile.
There are many exciting things coming down the Oral History Review pipeline, including OHR volume 41, issue 2, the Oral History Association annual meeting and a new staff member.
Living memory of the First World War is rapidly slipping away. During this centenary year, letters uniquely offer a glimpse into what life was really like at the time. In this collection of extracts from letters written by the Slater family, they deal with the pressures of separation, rationing, deaths of friends, and a growing fear that their eldest son would grow to fight on the Western Front.
By Anatoly Liberman
I will begin with a short summary of the previous post. In English texts, the noun baron surfaced in 1200, which means that it became current not much earlier than the end of the twelfth century. It has been traced to Semitic (a fanciful derivation), Celtic, Latin (a variety of proposals), and Germanic. The Old English words beorn “man; fighter, warrior” and bearn “child; bairn” are unlikely sources of baron.
By Shanna Farrell
The cocktail is an American invention and was defined in 1806 as “a stimulating liquor composed of spirits of any kind, sugar, water, and bitters.” Cocktail culture took root on the West Coast around the Gold Rush; access to a specific set of spirits and ingredients dictated by trade roots, geography, and agriculture helped shape the West Coast cocktail in particular.
By Ronald Schechter
Let me begin with a confession. I used to be a snob when it came to comics. I learned to read circa 1970 and even though my first books were illustrated, there was something about the comic format – the words confined to speech and thought bubbles and the scenes subdivided into frames – that felt less than serious. The only time I remember being allowed to buy comic books was when I had just been to the doctor’s office.