Search Term: notes from africa

Closeted/Out in the quadrangles

By Monica L. Mercado
“That was my radio show!” narrator David Goldman exclaimed, looking at copies of classified ads placed in the University of Chicago’s student newspaper during the late 1960s and early 1970s, when he was an undergraduate student. Goldman, a retired math teacher and one of the founders of the gay liberation movement at the University of Chicago, recently contributed his story to the Center for the Study of Gender and Sexuality (CSGS) research project.

A National Poetry Month reading list from Oxford World’s Classics

In this month’s Oxford World’s Classics reading list, we decided to celebrate National Poetry Month by selecting some of our bilingual poetry editions. In each of the below books, the poems are laid out as parallel texts, with the original language on the left and the English translation on the right. This means that you can enjoy the works either in the original language, in translation, or even compare the two.

Whitman today

By Jerome Loving
Walt Whitman died 121 years ago today. The Bruce Springsteen of his age, he sang about and celebrated what he called “the Divine Average”. And it was always on equal terms, the woman the same as the man, as he suggests in “America”.

Remembering Marie-Claire Alain

By James David Christie
The world lost one of its greatest and most beloved musicians on 26 February 2013, when the great teacher, recording artist and organist, Marie-Claire Alain, passed away in her 87th year. She was among the very few organists known in households around the world. She was usually referred to as the “First Lady of the Organ” and she was definitely that, but I always thought she should have been more appropriately called the “Greatest Organist in the World”

A feminist reading list from Oxford World’s Classics

By Kirsty Doole
March is International Women’s History Month, so what better time to suggest some feminist-friendly classics from our Oxford World’s Classics series? Below you’ll find a mixture of fiction, politics, and religion, and while some will probably be familiar, I’ve thrown in a couple of less conventional choices for a feminist list. Agree with these choices? Disagree? What have I missed out? Let us know in the comments.

Appreciating the perspective of Rastafari

By Ennis B. Edmonds

Recently, I was discussing my academic interest with an acquaintance from my elementary school days. On revealing that I have researched and written about the Rastafarian movement, I was greeted with a look of incredulity. He followed this look with a question: “How has Rastafari assisted anyone to progress in life?”

Why does “Ol’ Man River” still stop Show Boat?

By Todd Decker
Show Boat is back on the boards, visiting four major opera companies in a new production of yet another new version. Originally debuted on Broadway in 1927, apparently Show Boat will never stop being remade. The new production, directed by Francesca Zambello, had its premiere at the Chicago Lyric Opera a year ago, an appropriate starting place as much of the second act takes place in the Windy City.

Oral historians and online spaces

By Caitlin Tyler-Richards
In November 2012, a thread appeared on the H-Net Oral history listserv with the enticing subject line “experimental uses of oral history.” Amid assorted student projects and artistic explorations, two projects in particular caught my eye: the VOCES Oral History Project and the Freedom Mosaic. As we work towards our upcoming special issue on Oral History in the Digital Age, I’ve been mulling over oral historians negotiate online spaces.

The Subject is Jazz

By Ron Rodman

The New Year is a time of looking forward to the future and back to the past. Looking back, last year witnessed the death of Dave Brubeck, one of the all time great jazz musicians. Brubeck became famous through his live performances and his recordings, especially the seminal Time Out album released in 1958. But he also became famous through his many appearances on American and international television.

The discourse of the blues

Happy New Year, everyone! The Oral History Review is ringing in 2013 with a second oral history podcast. This week, managing editor Troy Reeves speaks with Roger Davis Gatchet about his Oral History Review article, “‘I’ve Got Some Antique in Me’: The Discourse of Authenticity and Identity in the African American Blues Community in Austin, Texas.” (Vol 39, issue 2). And if that isn’t enough to entice you, there’s also (what Troy assures me is) a really hilarious Weird Al Yankovic joke.

The Dirty Dozens

English has two great rhyming slanguages, cockney rhyming slang and the dozens, the African American insult game. We’ll leave the parsing of cockney phrases for now and examine the dirty, bawdy, and wonderful world of verbal street duels. While its origins lie in “yo’ mama” jokes, this is language meant for music, as rap and hip-hop today can attest. Here’s a taste with an excerpt from Elijah Wald’s The Dozens: A History of Rap’s Mama.

Mars and music

By Kyle Gann
By long tradition, sweet Venus and mystical Neptune are the planets astrologically connected with music. The relevance of Mars, “the bringer of war” as one famous composition has it, would seem to be pretty oblique. Mars in the horoscope has to do with action, ego, how we separate ourselves off from the world; it is “the fighting principle for the Sun,” in the words of famous astrologer Liz Greene.

An interview with Emanuel Tov

In this interview conducted for Oxford Biblical Studies Online (OBSO), Professor Marc Brettler (Brandeis University) discusses with Professor Tov his early days as a scholar of Biblical studies, his research into the Qumran scrolls, and the legacy of his work — most notably his landmark book Textual Criticism of the Hebrew Bible, which continues to set the standard for his field.

Tarzan of the planet earth

Jason Haslam
October 2012 marked the 100th anniversary of the first publication, in the pulp-fiction magazine All-Story, of Edgar Rice Burroughs’ best known novel, Tarzan of the Apes. The complete novel published in the October 1912 issue, was given the cover image (where it was described as “A Romance of the Jungle”), and became an immediate hit among the All-Story’s readers. In the months following Tarzan’s appearance, dozens of readers’ letters were published, many of which asked for (or even demanded) a sequel, a request Burroughs would fulfill, eventually writing over two-dozen Tarzan novels.

How to survive election season, oral history style

By Caitlin Tyler-Richards
Every presidential election, similar concerns arise: Don’t the campaign ads seem especially vicious? Has the media coverage always been this crazed? Will we ever actually get to vote? While I know many who become more motivated the more absurd the election season becomes, I tend to become disenchanted with the whole process, wondering how my one small vote could compete against the Koch Brothers or Morgan Freeman.

Sounds of the swing era

By Catherine Tackley

The sound of a big band in full flight must surely rank as one of the defining timbres of twentieth century music. It continues to be preserved by, among many others, Wynton Marsalis’ Lincoln Center Jazz Orchestra, remixed by DJs and artists like Matthew Herbert, re-popularised by stars including Michael Bublé, rejuvenated for a new teen audience by West Coast composer Gordon Goodwin