Search Term: oseo

Jacob Tonson the elder, international spy and businessman

By Stephen Bernard

Few have heard of him today, but Jacob Tonson the Elder (1656?-1736) was undoubtedly one of the most important booksellers in the history of English literature. He numbered Addison, Behn, Congreve, Dryden, Echard, Oldmixon, Prior, Steele, and Vanbrugh among those canonical authors whom he published. His reputation was international, and the quality and range of his classical editions remained a benchmark throughout the eighteenth century.

“A dream, which was not all a dream”: dark reflections from June 1816

By Nicholas Halmi

Two hundred years ago, on 16 June 1816, one of the most remarkable gatherings in English literary history occurred in a villa just outside Geneva. Present at the occasion were Lord Byron, who had left England in April to escape (unsuccessfully, in the event) the scandal surrounding his separation from Lady Byron; John Polidori, whom Byron had engaged as his personal physician.

The mysterious search for the Cardinal’s girlfriend

By Lesley Higgins

From the goosebump-producing thrills of Wilkie Collins’s fiction and the melodramas on offer at the Royal Princess’ Theatre to the headlines blaring in the Illustrated Police News, the Victorians savoured the sensational. The attention-seeking title above is patently untrue, yet, for more than five decades, John Henry Newman (the Cardinal) was emotionally, spiritually, and textually connected with Maria Rosina Giberne, a wholly intriguing figure.

A history of the poetry of history

By Patrick Finglass

History and poetry hardly seem obvious bed-fellows – a historian is tasked with discovering the truth about the past, whereas, as Aristotle said, ‘a poet’s job is to describe not what has happened, but the kind of thing that might’. But for the Romans, the connections between them were deep: historia . . . proxima poetis (‘history is closest to the poets’), as Quintilian remarked in the first century AD. What did he mean by that?

Emma in Macedonia

By Kathryn Sutherland

Like Mansfield Park, the novel that precedes it, Emma is a closely defended study of English life. Begun, according to Cassandra Austen’s chronology of her sister’s compositions, 21 January 1814, before the Fall of Paris and Napoleon’s exile to Elba, it was completed on 29 March 1815, just months before the battle of Waterloo (June 1815) and Napoleon’s second and final abdication.

5 academic books that will shape the future

What is the future of academic publishing? We’re celebrating University Press Week and Academic Book Week with a series of blog posts on scholarly publishing from staff and partner presses. Following on from our list of academic books that changed the world, we’re looking to the future and how our current publishing could change lives and attitudes in years to come.

The literary fortunes of the Gunpowder Plot

By Gordon Campbell

The conspirators in what we now know as the Gunpowder Plot failed in their aspiration to blow up the House of Lords on the occasion of the state opening of parliament in the hope of killing the King and a multitude of peers. Why do we continue to remember the plot? The bonfires no longer articulate anti-Roman Catholicism, though this attitude formally survived until 2013 in the prohibition against the monarch or the heir to the throne marrying a Catholic.

“There is figures in all things”: Historical revisionism and the Battle of Agincourt

By Andrew Zurcher

Young Cressingham, one of the witty contrivers of Thomas Middleton’s and John Webster’s comedy Anything for a Quiet Life (1621), faces a financial problem. His father is wasting his inheritance, and his new stepmother – a misogynistic caricature of the wayward, wicked woman – has decided to seize the family’s wealth into her own hands, disinheriting her husband’s children.

Can you get X out of X in our Latin poetry quiz?

By Hannah Charters

The shadow of the Roman poets falls right across the entire western literary tradition: from Vergil’s Aeneid, about the fall of Troy, the wooden horse, and the founding of Rome; through the great love poets, Catullus, Propertius, and Tibullus; Ovid’s Metamorphoses, treasure-house of myth for the Renaissance and Shakespeare; to Horace’s Dulce et decorum est, echoing through the twentieth century. We all take it for granted … so now’s the time to check your working.

A comma in Catullus

By Patrick Finglass

Only Oscar Wilde could be quite so frivolous when describing a matter as grave as the punctuation of poetry, something that causes particular grief in our attempts to understand ancient texts. Their writers were not so obliging as to provide their poems with punctuation marks, nor to distinguish between capitals and small letters.

Devising data structures for scholarly works

By Mark Dunn

For over 100 years, Oxford University Press has been publishing scholarly editions of major works. Prominent scholars reviewed and delivered authoritative versions of authors’ work with notes on citations, textual variations, references, and commentary added line by line—from alternate titles for John Donne’s poetry to biographical information on recipients of Adam Smith’s correspondence.

The myth-eaten corpse of Robert Burns

By Gerard Carruthers

‘Oh, that this too, too solid flesh would melt,’ so wrote the other bard, Shakespeare. Scotland’s bard, Robert Burns, has had a surfeit of biographical attention: upwards of three hundred biographical treatments, and as if many of these were not fanciful enough hundreds of novels, short stories, theatrical, television, and film treatments that often strain well beyond credulity.

Shakespeare’s ‘Dark Bae’ sonnets

By Alice Northover

In continuation of our Word of the Year celebrations, I’m presenting my annual butchering of Shakespeare (previous victims include MacBeth and Hamlet). Of the many terms of endearment the Bard used — from lambkin to mouse — babe was not among them.

Whose muse mews?

By Hannah Charters

What could be more fun than an internet quiz about cats? We sat down with Oxford Scholarly Editions Online, and fired up the search, looking for cats stalking the pages of literature. We found some lovely stuff, and something more – a literary reflection of the cat’s unstoppable gambol up the social ladder: a mouser and rat-catcher in the seventeenth century, he springs up the stairs in the eighteenth century to become the plaything of smart young ladies and companion of literary lions such as Cowper, Dr Johnson, and Horace Walpole.

Getting to know Sir Philip Sidney

By Roger Kuin
What does Sir Philip Sidney’s correspondence teach us about the man and his world? You have to realise what letters were, what they were like, and what they were for. Some of them were like our e-mails: brief and to the point. Other letters are long and more like a personal form of news media: meant to inform the recipient (often Sidney himself) about what is happening in the world of politics.

Shakespeare’s 450th birthday quiz

William Shakespeare was born 450 years ago this month, in April 1564, and to celebrate Oxford Scholarly Editions Online is testing your knowledge on Shakespeare quotes. Do you know your sonnets from your speeches? Find out…