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Academic Insights for the Thinking World
The realization started with the word akimbo. I had first learned it as meaning a stance with hands on the hips, and I associated the stance with the comic book image of Superman confronting evildoers. Body language experts sometimes call this a power pose, intended to project confidence or dominance.
Happy April Fool’s Day! I’m pleased to announce that the winner of this year’s Grove Music Online Spoof Article Contest is “Back to Bolivia” by Steven Griffin.
Simon Wright digs into the curious history of an almost forgotten Tudor composer, Nicholas Bugsworthy. Thanks to an insert in OUP’s in-house magazine, ‘The Dominant’, published on 1 April 1928, Sir Richard Runciman Terry was able to bring the music of this prolific composer into the public domain. Simon Wright picks up where Terry left off, considering, amongst other things, the origins of a curious tune almost certainly shows the earliest version of musical patterns later to become threaded within Irving Berlin’s 1911 hit ragtime song “Everybody’s Doin’ It Now.”
The Oxford Etymologist ruminates on the origins and meanings of idioms including “to go to hell in a handbasket.”
The making of Façade “Poetry is more like a crystal globe, with Truth imprisoned in it, like a fly in amber. The poet is the magician who fashions the crystal globe. But the reader is the magician who can find in these scintillating flaws, or translucent depths, some new undiscovered land.” Osbert Sitwell, writing in 1921 […]
In episode 81 of The Oxford Comment, we discussed the environmental resilience of the Maya with scholar Kenneth E. Seligson and contemporary China and sustainability with scholar Scott M. Moore.
The world is literally on fire; authoritarianism threatens multiple countries; racism and xenophobia are rampant; women’s and LGBTQ rights are under threat—why on earth would anyone spend time reading a 3,000-page novel by a man who’s been dead (exactly) a hundred years?
Now the dust has settled on another eventful year, it’s time to look back on some of the words that characterised 2022.
Possibly the most dangerous play William Shakespeare wrote was The Tragedie of Macbeth. The drama is packed with illegality: assassination of kings; prophecies about kings; supernatural women; and necromancy. To add to the danger, Shakespeare’s employer, King James, was a prickly patron of the performing arts and notorious for his sensitivity to slights, real and perceived. […]
The Oxford Etymologist replies to etymology questions from readers.
Luis Moreno Ocampo provides a unique perspective on the International Criminal Court and its interaction with the War on Terror.
Although typically treated separately, slavery and the environment naturally intersect in complex and powerful ways, leaving lasting effects from the period of emancipation through modern-day reckonings with racial justice. David Silkenat’s Scars on the Land provides an environmental history of slavery in the American South from the colonial period to the Civil War.
“The Foxes of Harrow” (1946), a Southern historical romance by Black Irish-American author Frank Yerby (1916–1991), writes back to Margaret Mitchell’s bestselling novel, “Gone with the Wind” (1936). Although Yerby and Mitchell were both raised in Georgia during segregation by mothers of Irish descent, their socially assigned racial identities created divergent approaches to representing the pre- and post-Civil War South in their respective novels.
2023 marks the 400th anniversary of the publication the First Folio of William Shakespeare’s plays, which has since acquired the status of a cultural touchstone.
To celebrate British Science Week, join in the conversation and keep abreast of the latest in science by delving into our reading list. It contains five of our latest books on plant forensics, the magic of mathematics, women in science, and more.
The historical evolution of peace has led to the development of a substantial International Peace Architecture (IPA). However, the IPA’s historical development has overall been very slow, hidden, and fraught.