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The ghost of Sherlock Holmes

By Douglas Kerr
The ghost of Sherlock Holmes started life (if that’s the word) early. Conan Doyle sent the detective plunging over the Reichenbach Falls in the grip of Professor Moriarty in “The Final Problem,” published in the Strand magazine in December 1893. The following year, music-hall audiences were joining in the chorus of a popular song, written by Richard Morton and composed and sung by H. C. Barry.

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10 questions for Domenica Ruta

Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading series Word for Word Book Club. The Bryant Park Reading Room offers free copies of book club selections while supply lasts, compliments of Oxford University Press, and guest speakers lead the group in discussion. On Tuesday 18 June, author Domenica Ruta leads a discussion on The Turn of the Screw by Henry James.

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What is a poem?

By William Fitzgerald
In 1934 William Carlos Williams famously published what seems to be a note left on the refrigerator for a spouse to read, only now set typographically to look like a poem. It’s called ‘This is Just to Say’.

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New Generation Thinkers 2013

By Gregory Tate
The research that went into my monograph was, like most academic scholarship, very specific: it focused on the ways in which Victorian poets drew on, contributed to, and resisted the development of the scientific discipline of psychology in the mid-nineteenth century. However, as is invariably the case with even the most recondite research, it also addressed larger issues.

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The marginalized Alexander Pope

By Dr. Robert V. McNamee
Spring 2013 marks two significant anniversaries for Alexander Pope, perhaps the most representative and alien English poet of the 18th century. Pope is memorialized both for the 325th anniversary of his birth, on 21 May 1688, and for the 300th anniversary of two significant literary acts: one a publication, the other a proposal to publish.

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The dire offences of Alexander Pope

There’s never been a shortage of readers to love and admire Alexander Pope. But if you think you don’t, or wouldn’t, like his poetry, you’re in good company there too. Ever since his own day, detractors have stuck their oar in, some blasting the work and some determined to write off the writer. A noted poet and anthologist, James Reeves, wrote an entire book in 1976 to assail Pope’s achievement and influence.

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An Oxford Companion to surviving a zombie apocalypse

Sons are eating their mothers’ brains. Brothers are eating each other’s brains, and the baby is eating the brain of the pet cat. It has finally happened. The zombie apocalypse is here. As May is International Zombie Awareness Month, I offer my bloodied hand to guide you through the five things you need to know to survive a zombie apocalypse.

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Panning for etymological gold: “aloof”

By Anatoly Liberman
It may not be too widely known how hard it is to discover the origin of even “easy” words. Most people realize that the beginning of language is lost and that, although we can sometimes reconstruct an earlier stage of a word, we usually stop when it comes to explaining why a given combination of sounds is endowed with the meaning known to us.

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Monthly etymological gleanings for April 2013

By Anatoly Liberman
Thief again. One comment on thief referred to an apparently admissible Lithuanian cognate. It seems that if we were dealing with an Indo-European word of respectable antiquity, more than a single Baltic verb for “cower” or “seize” would have survived in this group. I also mentioned the possibility of borrowing, and another correspondent wondered from whom the Goths could learn such a word.

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Sympathy in modernist literature

By Kirsty Martin
In Virginia Woolf’s 1931 modernist novel ‘The Waves’ her character Neville, looking around in a chapel service at school, is suddenly transfixed by his friend Percival: “But look – he flicks his hand to the back of his neck. For such gestures one falls hopelessly in love for a lifetime.” Neville is captivated, and overwhelmed, by Percival’s gesture here. Capturing this moment, Woolf’s language becomes gesturative too…

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Understanding the Muslim world

By Robert Repino
While interest in Islam has grown in recent years—both in the media and in educational institutions—there remains a persistent misunderstanding of the religion’s practices, beliefs, and adherents, who now number over one and half billion people. Addressing this problem is not simply an academic exercise, for the past decade especially has shown that our understanding of Islam can have enormous consequences on foreign and domestic policies, as well as on social relations.

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Whitman today

By Jerome Loving
Walt Whitman died 121 years ago today. The Bruce Springsteen of his age, he sang about and celebrated what he called “the Divine Average”. And it was always on equal terms, the woman the same as the man, as he suggests in “America”.

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Erasmus Darwin: sex, science, and serendipity

By Patricia Fara
The world, wrote Darwin, resembles ‘one great slaughter-house, one universal scene of rapacity and injustice.’ Unexpectedly, that fine image of competitive natural selection was created not by Charles Darwin (1809-1882), but by his grandfather Erasmus (1731-1802)

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Responding to Homer: women’s voices

By Fiona Cox and Elena Theodorakopoulos
When George Steiner was musing in 2002 (in his review of Logue’s War Music) on the shapes and forms that responses to Homer seemed likely to take in the new millennium, he welcomed the work of Louise Glück and Jorie Graham as the first shoots of a female reworking of Homer. In Glück’s Meadowlands (1998) we find a lyric Odyssey in the depiction of a modern marriage disintegrating, while in The End of Beauty (1987) Graham’s Penelope delights in unravelling and thereby deconstructing earlier poetic forms. The fact that both writers draw on the Odyssey rather than the Iliad appears to lend substance to Samuel Butler’s conviction, remembered by Steiner, that the Odyssey is ‘woman’s work.’

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Controlling the fable-makers

Along with Plato, Aristotle (384–322 bc) was one of the two greatest philosophers of antiquity, and in the view of many he was the greatest philosopher of all time. His Poetics is the most influential book on poetry ever written and is a founding text of European aesthetics and literary criticism. We present a brief extract from Republic, Books Two and Three.

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Beastly Eastleigh and the ‘None-of-the-Above’ Party

By Matthew Flinders
I’d never even heard of Eastleigh, let alone been there, until a couple of weeks ago. When I did go there I wished that I hadn’t. The fact that I am told that the ‘notable residents’ of Eastleigh include Benny Hill and Stephen Gough (the ‘naked rambler’ no less) did little to quell the stench of good-times-past that hung in the air. But last week the people of Eastleigh spoke – in record numbers – and their message was clear: ‘sod off’.

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