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How to write a classic

By Mark Davie
Torquato Tasso desperately wanted to write a classic. The son of a successful court poet who had been brought up on the Latin classics, he had a lifelong ambition to write the epic poem which would do for counter-reformation Italy what Virgil’s Aeneid had done for imperial Rome.

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Putin in the mirror of history: Crimea, Russia, empire

By Mark D. Steinberg
Contrary to those who believe that Vladimir Putin’s political world is a Machiavellian one of cynical “masks and poses, colorful but empty, with little at its core but power for power’s sake and the accumulation of vast wealth,” Putin often speaks quite openly of his motives and values—and opinion polls suggest he is strongly in sync with widespread popular sentiments.

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Entitling early modern women writers

By Andrew Zurcher
As Women’s History Month draws to a close in the United Kingdom, it is a good moment to reflect on the history of women’s writing in Oxford’s scholarly editions. In particular, as one of the two editors responsible for early modern writers in the sprawling collections of Oxford Scholarly Editions Online (OSEO), I have been going through the edited texts of women writers included in the OSEO project.

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Ovid the naturalist

By Jane Alison
Ovid was born on the 20th of March (two thousand and fifty-some years ago): born on the cusp of spring, as frozen streams in the woods of his Sulmo cracked and melted to runnels of water, as coral-hard buds beaded black stalks of shrubs, as tips of green nudged at clods of earth and rose, and rose, and released tumbles of blooms.

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When art coaxed the soul of America back to life

By Sheila D. Collins
Writing in the New York Times recently, art critic Holland Cotter lamented the fact that the current billionaire-dominated market system, “is shaping every aspect of art in the city; not just how artists live, but also what kind of art is made, and how art is presented in the media and in museums.”

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The great Oxford World’s Classics debate

By Kirsty Doole
Last week the Oxford World’s Classics team were at Blackwell Bookshop in Oxford to witness the first Oxford World’s Classics debate. Over three days we invited seven academics who had each edited and written introductions and notes for books in the series to given a short, free talk in the shop. This then culminated in an evening event in Blackwell’s famous Norrington Room where we held a balloon debated, chaired by writer and academic Alexandra Harris.

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The Black Book: Phillis Wheatley and the information revolution

By Richard Newman
The noble ideal of Black History Month is that by extracting and examining key people and moments in the African American grain, we learn much about black achievement. But it is equally powerful to set black history in the grand swirl of events to see the many ways that African-Americans have impacted the nation’s political and cultural development.

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Love: First sights in Ovid

By Jane Alison
Among the myriad transformations in Ovid’s Metamorphoses—transformations of girls to trees or stars, boys to flowers or newts, women to rivers, rocks to men—the most powerful can be those wrought by erotic desire. Woods, beaches, and glades in Ovid’s poem are ecologies of desire and repulsion: one character spots another through the trees, and you can almost see the currents of desire flow as one figure instantly wants what he sees—and the other starts running away.

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Celebrating Charles Darwin’s birthday

February 12th has been coined Darwin Day because it marks the anniversary of the birthday of Charles Darwin. One could come up with several creative ways to celebrate the life of such an influential and revered scientist—baking a cake with 73 candles in honor of Darwin’s 73 years of life, or taking a walk through a local park or nature reserve in an attempt to make observations about wild animals, to name a few.

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Robert Burns, digital whistle-blowing, and Scottish independence

By Robert Crawford
For the first time since 1707 (more than half a century before Burns was born), the population of Scotland is being given the chance to vote in a referendum that asks the question, ‘Should Scotland be an independent country?’ The referendum won’t be held until 18 September, but already people are arguing about which side Robert Burns would have been on.

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The Banks O’ Doon

Robert Burns was born on 25 January 1759 in Alloway, a small village near the river Doon just south of the town of Ayr, in the south-west of Scotland. As Scots and Scotophiles to world over prepare to celebrate Burns Night tomorrow, here’s an excerpt from the new Oxford World’s Classics edition of his Selected Poems and Songs, dedicated to that river near which he grew up.

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Bernstein’s disturbing vision

By Jeremy Begbie
On my office wall I keep two photos together in a single frame. They show two teachers who inspired me more than any others—my first theology teacher, James Torrance (1923–2003), and next to him the American conductor, composer and pianist, Leonard Bernstein (1918–1990).

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How to stop looking for a French Michelangelo

By Phillip John Usher
British comedian Eddie Izzard — known for his Francophilia and for performing standup in French and in France — once made a quip during a show in New York that at first seemed rather Franco-sceptic: why, he asked, do we talk about the “Renaissance” using a word of French origin when France itself had no such moment of Re-birth?

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Holiday party conversation starters from OUP

The time for holiday dinner parties is approaching. Bring more than a smile and a sweater to your next soiree. Offer your family and friends the most powerful libation: knowledge. Here are some gems that you can drop to keep the conversation sparkling.

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Lost writings of Latin literature

By Peter Knox and J.C. McKeown
Once upon a time, the Greek city of Cyrene on the coast of Libya grew prosperous through the export of silphium, a plant much used in cookery and medicine. But then the farmers learned that there was more money to be made through rearing goats.

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