Oxford University Press's
Academic Insights for the Thinking World
In AD 14, two thousand years ago this summer, the emperor Augustus, having dominated Rome for over forty years, finally breathed his last. The new emperor was his step-son Tiberius. While Augustus’ achievement in ending civil war and discreetly transforming a republic into one-man rule provokes grudging admiration even from those who aren’t keen on autocracy, Tiberius has very few fans.
People have enjoyed the horror genre for centuries, reveling in the spooky, toe-curling, hair-raising feelings this genre elicits—perfect for Halloween! Whether you’re trick-or-treating, attending a costume party, or staying home, we’ve put together a list of Oxford World’s Classics that will put you in the mood for this eerie night.
Not every scholar of medieval English has the privilege of translating a major poetic text, and fewer still have the chance to do it all over again, eighteen years later. My first edition of the Poetic Edda was published in 1996 and about two years ago, I was invited to think about a second edition, one which would expand the number of poems and which could be brought up to date in other ways.
Browsing my parents’ bookshelves recently, in the dog days that followed sending Anna Karenina off to press, I found myself staring at a row of small hardback volumes all the same size. One in particular, with the words Romola and George Eliot embossed in gold on the dark green spine, caught my attention.
The horror of the First World War produced an extraordinary amount of poetry, both during the conflict and in reflection afterwards. Professor Tim Kendall’s anthology, Poetry of the First World War, brings together work by many of the well-known poets of the time, along with lesser-known writing by civilian and women poets and music hall and trench songs.
On Tuesday 19 August 2014, Garnette Cadogan, freelance writer and co-editor of the forthcoming Oxford Handbook of the Harlem Renaissance, leads a discussion on Frederick Douglass’s Narrative of the Life of Frederick Douglass, an American Slave.Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading Word for Word Book Club.
In the England of the past archery was the basis of military and political power, most famously enabling the English to defeat the French at Agincourt. In the later nineteenth century it is now a leisure pursuit for upper-class women.
On Tuesday 5 August 2014, Ammon Shea, author of Reading the OED and Bad English, leads a discussion on Shakespeare’s King Lear. Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading series Word for Word Book Club.
How much do you know about the works of one of our best-loved classic authors? What really motivates the characters, and what is going on beneath the surface of the story? Using So You Think You Know Jane Austen? A Literary Quizbook by John Sutherland and Deirdre La Faye, we’ve selected twelve questions covering all six of Austen’s major novels for you to pit your wits against.
Whether your version of the perfect summer read gives your cerebrum a much needed breather or demands contemplation you don’t have time for in everyday life, here is a mix of both to consider for your summer reading this year.
On Tuesday 8 July 2014, Rebecca Mead, author of My Life in Middlemarch, leads a discussion on George Eliot’s Middlemarch. Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading series Word for Word Book Club.
By Maura Kelly
Great Expectations is arguably Charles Dickens’s finest novel – it has a more cogent, concise plot and a more authentic narrator than the other contender for that title, the sprawling masterpiece Bleak House. It may also enjoy another special distinction – Best Title for Any Novel Ever. Certainly, it might have served as the name for any of Dickens’s other novels, as the critic G. K. Chesterson has noted before me.
Jean de La Fontaine’s verse fables turned traditional folktales into some of the greatest, and best-loved, poetic works in the French language. His versions of stories such as The Shepherd and the Sea” and “The Hen that Laid the Eggs of Gold” are witty and sophisticated, satirizing human nature in miniature dramas in which the outcome is unpredictable. Here we compare La Fontaine’s versions of the popular tales, to the enduring tradition of Aesop’s fables from the Oxford World’s Classics edition.
With The Beggar’s Opera, Gay invented a new form, the ballad opera, and the daring mixture of caustic political satire, well-loved popular tunes, and a story of crime and betrayal set in the urban underworld of prostitutes and thieves was an overnight sensation.
By Jerome Loving
More than a century ago, on October 25, 1902, we lost a major novelist by the name of Frank Norris, author of McTeague: A Story of San Francisco (1899). Like Stephen Crane, he died in his prime, but not before writing at least one of the great American novels in the naturalist tradition of Thomas Hardy and Theodore Dreiser.
By Michael Newton
“The trouble with you,” an old friend recently declared to me, “is that you have always been a conformist.” He meant that I had never undertaken that necessary radical break with my parents and their ideals and interests. Without such a generational rupture, it seemed to him, nobody could claim to be a fully independent, realised person. While he had been dropping acid and dropping (temporarily) out of college, I’d been reclining under a tree with John Keats. And surely there was nothing rebellious in that.