Arts & Humanities

“We could build a future where people are free”: reflections on the Eurovision Song Contest

By Philip V. Bohlman

Spectacle at its grandest has long been crucial to the Eurovision Song Contest’s projection of its own importance for Europe and, increasingly in the past two decades, a unified Europe’s position in the world. Each year’s competition outstrips that of the year before, as song styles multiply and nations are added to the spectacle of nation competing against nation with the hope of representing Europe musically to the world.

How to be good

By John Harris

Recently philosophers and scientists have tried to identify how to make the world better by making people more likely to do good rather than evil. This same problem has also faced those interested in artificial intelligence. As Giuseppe di Lampedusa had Tancredi say in The Leopard, “If we want things to stay as they are things will have to change”… and that goes for people also!

The Hamilton musical and historical unknowns

By Andrew Porwancher

With a record-breaking sixteen Tony Award nominations for his hit musical “Hamilton,” Lin-Manuel Miranda will soon have to clear some space on his trophy shelf next to his Grammy and Pulitzer. But there is something remarkable about the play that all the critical acclaim has missed entirely. Reviewers have rightfully celebrated Miranda for telling the life story of one of America’s greatest Founders using energetic numbers, a multiethnic cast, and a strong emphasis on hip-hop.

Can nineteenth-century literature explain the rise of Donald Trump?

By J. Gerald Kennedy

Historians and political scientists have quite the task ahead in making sense of the bizarre 2016 presidential race. Fissures in both major parties betray pervasive hostilities. The rise of Donald Trump from investment mogul to television personality to presidential candidate—a process that once horrified GOP insiders—has produced one kind of theater: the spectacle of anger and resentment.

Radiohead’s A Moon Shaped Pool (XL, 2016): reflecting, looking forward

By Brad Osborn

With the exception of Kid A/Amnesiac, Radiohead has reinvented itself sonically on every album since OK Computer. Saying that a new release represents a departure from their previous style is therefore paradoxical—the only possible departure would be non-departure.

Father and son, inspired: Joshua and Paul Laurence Dunbar

By Gene Andrew Jarrett

Despite the biographical clues that historical fact and fiction may afford in excavating Joshua’s life, the investigation itself rests on a set of assumptions that implicate literary studies of slavery and, in particular, the social and intellectual historiography by which we delineate the agency of slaves themselves. The attractive notion that we can access the life of Joshua by way of the literature of Paul betrays the complexity of that actual investigation.

Hilary Putnam and the mind of Aristotle

By William Jaworski

Aristotle’s ideas had been dismissed in many quarters of the philosophical world as expressions of a bygone pre-scientific age. But Putnam saw through the dismissive haze to the empirically- and philosophically-respectable core of Aristotle’s philosophy: hylomorphism.

Death in Shakespeare’s sonnets and plays [quiz]

Mortality is not a theme that Shakespeare shies away from in his works, and in many cases death serves an integral part of a play’s plot. Occasionally his deaths are tragic, others are gruesome and violent, and others are just creative (we’re looking at you, Antigonus), but they play move the play along or resolve its final conflict.

Labour and the legacy of antisemitism

By Steven Beller

We are currently living through a period when “antisemitism” seems to be on the rise in Europe, and is now a hot topic of debate in Britain, because of a few clumsy statements by some prominent Labour politicians (along with a very few statements that do appear to have an actual antisemitic animus).

Desire & sexuality in the work of Émile Zola

By Brian Nelson

The second series of the BBC Radio 4 dramatization of the novels of Émile Zola (Blood, Sex and Money) is just coming to a close. The central theme of the present series is Sex. Sex is all-pervasive in Zola. It encapsulates the themes of desire, pleasure, and perversion; and it is inseparable from Zola’s social themes.

A brief history of corpuscular discoveries [timeline]

By J.D. Trout

Philosophers of science are in the business of explaining the special features of science, like the unifying power of scientific explanation and the wonderful sense of understanding it produces. We try to explain the amazing success of modern scientific theories, the structure of inductive inference in the science, and extract systematic positions – like realism, constructivism, and empiricism – from the evidence of theoretical success.

Come Together: communities and divisions at Eurovision 2016

By Jonathyne Briggs

This week, the 61st Eurovision Song Contest, more affectionately Eurovision, will be broadcast to a global audience (including for the first-time a live telecast in the United States) with 42 countries competing in a series of semi-finals before the final, live show on 14 May. Established in 1956 as part of the then-fledgling European Broadcast Union, the contest has continued to grow in popularity and some would argue in cultural significance.

Ten things you didn’t know about Argentine tango music

By Kacey Link and Kristin Wendland

Tango is a multidimensional art form including music, dance and poetry. It grew out of the confluence of cultures in the Río de la Plata region in South America and has since had over a century-long history. Here are ten things that you might not know about Argentine tango music.

Émile Zola and the Rougon-Macquart

By Amy Jelf

Listen to, and read a transcript of an interview from Nicola Barringer with Valerie Minogue, translator of Money by Émile Zola, part of the Rougon-Macquart cycle. In the interview, she introduces the Rougon-Macquart, Zola’s epic cycle of twenty novels.

Tolstoy in art and on film

By Rosamund Bartlett

The portrait of Tolstoy currently on view at London’s National Portrait Gallery as part of the ‘Russia and the Arts: The Age of Tolstoy and Tchaikovsky’ exhibition shows the writer sitting at his desk, pen in hand, head bowed. Only six years after Anna Karenina was first published as a complete novel, Tolstoy had already cast aside his career as a professional writer in favour of proselytizing his ethics-based brand of Christianity.

Disguises and ‘bed-tricks’: Shakespeare’s love of deception [quiz]

Although Shakespeare employed disguises in many of his plays for the sake of comedic effect — take Sir Falstaff dressed as the obese aunt of Mistress Ford’s maid, for example — many more of his characters are entangled in other serious, deceptive plots. The majority of disguises are assumed with the sole purpose of concealing the individual’s true identity, many times for the assurance of his or her safety.