Oxford University Press's
Academic Insights for the Thinking World
In Hollywood Aesthetic: Pleasure in American Cinema, film studies professor Todd Berliner explains how Hollywood delivers aesthetic pleasure to mass audiences. The following quiz is based on information found in chapter 12, “Complexity and Experimentation in the Western.”
On a recent trip to Hong Kong, however, I decided to take a risk by departing from my standard viewing practice to watch Oliver Stone’s Snowden, a political thriller about the whistleblower who pulled back the curtain of the surveillance state by exposing how the NSA threatens the privacy of just about everyone. Would this movie set me on edge, making me fearful and paranoid for the remainder of the flight?
Alfred Hitchcock’s films foreground a conflict that I call “the feminine versus the queer.” The heterosexual heroine, fighting for love and often for her own survival, finds a surprising rival in a queer character, who simultaneously understands and thwarts her.
This March, the Oxford University Press cinema and media studies editorial and marketing team will see you in chilly Chicago for the SCMS annual conference. We’ve listed our favorite sessions below. And, don’t forget to test your film expertise with our film quotes quiz.
Today we celebrate what would have been American composer Samuel Barber’s 107th birthday. Upon the composer’s death in 1981, New York Times music critic Donal Henahan, penned an obituary that asserted “probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim.”
American screenwriter, author, and director of over 20 films, Sam Fuller influenced the work of filmmakers the likes of Jim Jarmusch, Quentin Tarantino, and Luc Moullet.
Hitchcock’s famous Psycho (1960) has an enduring legacy in the slasher-horror genre. Its impact on this genre is an enduring one, as suggested by the A&E series Bates Motel, culminating with Rihanna cast in Janet Leigh’s indelible role (Figure 1). Perhaps its most striking contribution, however, is its thematization of a figure I call the death-mother.
In 2017, the winners of two of the four Oscars given to actors were African Americans. This represents a remarkable turn in the history of the Oscars. It is not, however, a historical accident. Instead, it is due to social media campaigns and activism. In 2015, an activist named April Reign started the hashtag #OscarsSoWhite in response to the overwhelmingly white Oscar nominees that year.
For a long time, people in other countries had to watch American war films. Now they are making their own. In recent years, Russia and Germany have produced dueling filmic visions of their great contest on World War II’s Eastern Front. Paid for with about $30 million in state money, Stalingrad, directed by Feder Bondarchuk grossed around $50 million within weeks of hitting Russian screens in October, 2013.
Some decades ago, British film scholar Laura Mulvey showed us that movies possessed a male gaze. That is, the viewer was assumed to be a man — a straight, white one — and films were created by men to entertain men like them.We’ve made some progress. Among this year’s Academy Award nominees are eighteen African Americans, five Asian Americans, and one native-born Hispanic American.
Say what you will about the strong fan base of La La Land and its probable domination of the upcoming Oscars after sweeping so many of the guild awards, not to mention the critical backlash against it that I have seen in the press and among scholars on Facebook, but Damien Chazelle certainly knows the history of the Hollywood film musical!
On 20 February 2017, Sidney Poitier—“Sir Sidney” both in the colloquial and in reality (he was knighted in 1974), and just “Sir” in one of his biggest hits, To Sir, With Love (1967)—will turn ninety years old. Even today, Poitier continues a decades long career of collecting accolades for his pioneering role as Hollywood’s first Black movie star.
How are farm animals treated and should one care? For the record, I am not vegetarian and I follow something similar to a paleo diet high in animal proteins and fats. But whether or not one believes animals have rights, libertarian philosopher Loren Lomasky once gave me the most succinct argument for caring about the welfare, at least some, of animals: “You wouldn’t put your cat in a microwave, would you?”
From dreams of Prince Charming or dashing doctors in white coats, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types or simply good companions, female fantasies about men tell us as much about the history of women as about masculine icons. The timeline below highlights ten heartthrobs, fictional and real, that set hearts aflutter over the decades.
On 6 February 2017, François Truffaut (1932-1984) would have been 85 years old. As it was, he died tragically from a brain tumor at the age of 52, thus depriving the world of cinema of one of its brightest stars. His legacy, nevertheless, continues, being particularly evident in his influence on the current generation of filmmakers.
Every year we worship at the altar of the Super Bowl. It’s the Big Game with the Big Halftime Show and the Big-Name Advertisers. That we do this, explains why Donald Trump is now president. I’ll get to that shortly. But for now, back to the show. From an advertising perspective, the Super Bowl is the most expensive commercial on television. This year, Fox charged upwards of $5 million per 30-second spot according to Sports Illustrated