Oxford University Press's
Academic Insights for the Thinking World
By Louis René Beres
“In the end,” says Goethe, “we are creatures of our own making.” Although offered as a sign of optimism, this insight seems to highlight the underlying problem of human wrongdoing. After all, in the long sweep of human history, nothing is more evident and palpable than the unending litany of spectacular crimes.
In January 2013 Oxford University Press published a beautiful setting of Salve Regina by Portuguese composer Diogo Dias Melgás (1638-1700). This edition, part of the Musica Dei donum series, is the first published version of the work and includes detailed performance and editorial notes by early music specialist Sally Dunkley. In this video, Harry Christophers […]
Philip Carter
Today, 11 February 2013, marks the 50th anniversary of the death of the poet Sylvia Plath (1932-1963). It is an event that has significantly shaped biographies and critical studies of her work — particularly following the publication of Ariel (1965), her posthumous collection edited and prepared by Ted Hughes. Then, as now, many reviewers regarded these poems as foretelling the circumstances of her death. Plath’s biography in the Oxford DNB offers an alternative perspective.
Today represents a red letter day — and a black mark – for US cultural history. Exactly 98 years ago, D.W. Griffith’s Birth of a Nation premiered in Los Angeles. American cinema has been decisively shaped, and shadowed, by the massive legacy of this film.
Did you know that ‘croissant’ literally means ‘crescent’ or that oranges are native to China? Do you realize that the word ‘pie’ has been around for seven hundred years in English or that ‘toast’ comes from the Latin word for ‘scorch’? John Ayto explores the word origins of food and drink in The Diner’s Dictionary. We’ve made a little quiz based on the book. Are you hungry for it?
Sinclair Lewis was the first US writer to be awarded the Nobel Prize in Literature. Known for his insightful and critical depictions of American society, one of Lewis’ most famous works was Babbitt. In honor of the anniversary of Lewis’ birth (7 February 1885), we’ve crept into the archives and dug up some pages from Babbitt for you to enjoy.
By Arthur P. Shimamura
This year’s academy award nominations of Argo, Lincoln, and Zero Dark Thirty, attest to our fascination of watching “true stories” depicted on the screen. We adopt a special set of expectations when we believe a movie is based on actual events, a sentiment the Coen Brothers parodied when they stated at the beginning of Fargo that “this is a true story,” even though it wasn’t.
How can modern singers recreate Renaissance music? The Musica Dei donum series by Oxford University Press explores lesser known works of the Renaissance period. Early music specialists and series editors Sally Dunkley and Francis Steele have gone back to the original manuscripts to create authentic editions in a practical format for the 21st century singer.
By Anthony Scioli, Ph.D.
“Just look at the gladiators… and consider the blows they endure! Consider how they who have been well-disciplined prefer to accept a blow than ignominiously avoid it! How often it is made clear that they consider nothing other than the satisfaction of their [coach] or the [fans]! Even when they are covered with wounds they send a messenger to their [coach] to inquire his will.
By Todd Decker
Show Boat is back on the boards, visiting four major opera companies in a new production of yet another new version. Originally debuted on Broadway in 1927, apparently Show Boat will never stop being remade. The new production, directed by Francesca Zambello, had its premiere at the Chicago Lyric Opera a year ago, an appropriate starting place as much of the second act takes place in the Windy City.
By Krin Gabbard
If you remember a time when there was no Tonight Show, then you probably remember a time when there was no American television industry. In 1954, NBC took Steve Allen’s local New York TV show, broadcast it nationally five days a week, and called it Tonight. The show did not become an institution until Johnny Carson became its host exactly fifty years ago in October 2012.
By Finn Fordham
Joyce was obsessed with birthdays. Today, February 2nd, is his. An emerging secular saint’s day, it will be remembered and alluded to round the world – especially in Dublin – in the corners of newspapers and pubs, in blogs (like this one), tweets and the odd talk. Born in 1882, Joyce’s cake – if he could have one, let alone eat it – would have a hundred and thirty one candles; a hundred years ago, therefore, he would have been celebrating his 31st birthday. The image of candles is suitable, since Joyce’s birthday fell on ‘Candlemas’, a holy day which commemorates Christ’s first appearance in a synagogue with his mother, forty days after his birth, in part by the lighting of candles.
By Chloe Foster
After more than three months of students carefully planning and creating their entries, the Very Short Film competition has closed and the longlisted submissions have been announced.
By Virginia Garrard-Burnett
After the judge’s ruling Monday in Guatemala City, the crowd outside erupted into cheers and set off fireworks. The unthinkable had happened: Judge Miguel Ángel Gálvez had cleared the way for retired General Efraín Ríos Montt, who between 1982 and 1983 had overseen the darkest years of that nation’s 36-year long armed conflict, would stand trial for genocide.
I have a confession to make: I have a terrible memory. Well, for some things, anyway. I can name at least three movies and TV shows that Mary McDonnell has been in off the top of my head (Evidence of Blood, Donnie Darko, Battlestar Galactica), and rattle off the names of the seven Harry Potter books, but you take away that Beethoven piano score that I’ve been playing from since I was 14, and my fingers freeze on the keyboard.
On 28 January 1813, Pride and Prejudice by Jane Austen was published. Originally titled ‘First Impressions’, Austen was forced to re-title it with a phrase from Frances Burney’s Cecilia after the publication of Margaret Holford’s First Impressions. We’ve paired an extract from the book with a scene from the most recent dramatization to see how Austen’s words have survived the centuries.