Music

Plagiarized or original: A playlist for the contested music of Ira B. Arnstein

By Gary Rosen

From the 1920s to the 1950s, Ira B. Arnstein was the unrivaled king of music copyright litigants. He spent the better part of those 30 years trying to prove that many of the biggest hits of the Golden Age of American Popular Song were plagiarized from his turn-of-the-century parlor piano pieces and Yiddish songs. “I suppose we have to take the bad with the good in our system which gives everyone their day in court,” Irving Berlin once said, but “Arnstein is stretching his day into a lifetime.”

C is for Coloratura

By Jessica Barbour

Marilyn Horne, world-renowned opera singer and recitalist, celebrated her 84th birthday on Wednesday. To acknowledge her work, not only as one of the finest singers in the world but as a mentor for young artists, I give you one of my favorite performances of hers:

The music industry, change, and copyright

What happens when the creative world, technology, and the law combine? Look to the introduction of radio in the 1920s and a long-forgotten composer named Ira B. Arnstein. The long and tortured career of Arnstein, “the unrivaled king of copyright infringement plaintiffs,” opens a curious window into the evolution of copyright law in the United States and the balance of power in Tin Pan Alley.

The Beatles and “Please Please Me,” 11 January 1963

By Gordon R. Thompson
Although “Love Me Do” had been the Beatles’ induction into Britain’s recording industry, “Please Please Me” would bring them prominently into the nation’s consciousness. The songwriters, the band, the producer, and the manager all thought that they had finally found a winning formula. An advertisement in the New Musical Express proclaimed that the disc would be the “record of the year,” even as it raised a chuckle among industry insiders; but the hyperbole would prove prophetic.

The changing face of opera

By Meghann Wilhoite

Outreach and innovation are two buzzwords that pop up again and again in relation to established “classical” music institutions such as symphony orchestras and opera companies. In an effort to build younger audiences, many of these institutions have introduced new programs that attempt to do away with the of the concert-going experience, such as expensive tickets or the need for a certain type of attire, that might discourage younger or less experienced listeners from attending.

On music and mentorship

By Trevor Wiggins
As part of my freelance existence, I mentor a number of musically gifted teenagers. They operate in a varied and difficult-to-negotiate world, especially if they possess a great talent but are not in a highly protected ‘hothouse’ environment. As musicians, they are expected to behave with total professionalism, changing from kids having fun on a beach to soloing in front of 10,000 people in a few minutes. (I have seen them do just that on many occasions.)

The Dirty Dozens

English has two great rhyming slanguages, cockney rhyming slang and the dozens, the African American insult game. We’ll leave the parsing of cockney phrases for now and examine the dirty, bawdy, and wonderful world of verbal street duels. While its origins lie in “yo’ mama” jokes, this is language meant for music, as rap and hip-hop today can attest. Here’s a taste with an excerpt from Elijah Wald’s The Dozens: A History of Rap’s Mama.

Music: a proxy language for autistic children

By Adam Ockelford

I spend around 12 hours a week – every week – sharing thoughts, feelings, new ideas, reminiscences and even jokes with some very special children who have extraordinary musical talents, and many of whom are severely autistic.

Oxford Music in 2012

By Anwen Greenaway

2012 has been an eventful year for the OUP music teams. We’re in reflective mood as the year draws to a close, so we thought we’d share our highlights of 2012.

Charting success: The Beatles, December 1962

By Gordon R. Thompson

The Beatles were unlikely successes on London’s record charts in December 1962. Northerners with schoolboy haircuts who wrote and performed their own songs, their first record “Love Me Do” had risen slowly up British charts, despite lack of significant promotion by their publisher and record company, and without an appearance on national television.

Selling the Beatles, 1962

By Gordon R. Thompson
As a regional businessman and a fledgling band manager, Brian Epstein presumed that the Beatles’ record company (EMI’s Parlophone) and Lennon and McCartney’s publisher (Ardmore and Beechwood) would support the record. This presumption would prove false, however, and Epstein would need to draw on all of the resources he could spare if he were to make the disc a success.

The women of Les Miz

By Stacy Wolf

On Christmas Day, the eagerly-awaited movie musical Les Misérables — “A Musical Phenomenon” the advertisement promises — will open across the United States. If it makes half the splash that its Broadway source did in 1987, we’re in for a long ride. The musical ran for 6680 performances, and won Tony awards for Best Musical, Best Book, and Best Score. It closed and then re-opened for another 463-performance run in 2006. It continues to tour the US.

Football, festivity, and music

By Ron Rodman

Sports fans eagerly anticipate television broadcasts of their favorite sports, whether it is baseball, basketball, soccer, hockey, boxing, golf, auto racing, or any of the other events aired on the tube. In the USA, the biggest television sports event is undoubtedly (American) professional football: the National Football League. In 2011, NBC’s “Sunday Night Football” was the highest-rated program on American TV.

Foil thy Foes with Joy

By Jessica Barbour

One of Benjamin Britten’s strengths as a composer was writing music for children. Not just music for children to enjoy — many of his works, particularly his operas, are not really kid-friendly affairs — but for them to perform. I’m thinking particularly of choral music, where he excelled at writing songs that I found both beautiful and really fun to sing when I was very young.

No jingles: an alternative Christmas playlist

By Tim Rutherford-Johnson

Christmas is, almost inescapably, a time of music. A lot of it is familiar and much-loved, but for those who might be looking for some more adventurous listening this year – beyond Slade, the Messiah, and Victorian carols – here are some pointers to alternative Christmas music from down the ages.

Top ten Christmas carols of 2012

By Iain Mackinlay

Christmas is the busiest time of year for the Oxford University Press Music Hire Library. With everyone wanting to include festive music in their December concerts the three Library worker elves are kept scurrying around the mile-long stretch of music shelves from September to December, busily packing up orders in time for Christmas concert rehearsals.