Oxford Music in 2012
2012 has been an eventful year for the OUP music teams. We’re in reflective mood as the year draws to a close, so we thought we’d share our highlights of 2012.
Charting success: The Beatles, December 1962
The Beatles were unlikely successes on London’s record charts in December 1962. Northerners with schoolboy haircuts who wrote and performed their own songs, their first record “Love Me Do” had risen slowly up British charts, despite lack of significant promotion by their publisher and record company, and without an appearance on national television.
Selling the Beatles, 1962
By Gordon R. Thompson
As a regional businessman and a fledgling band manager, Brian Epstein presumed that the Beatles’ record company (EMI’s Parlophone) and Lennon and McCartney’s publisher (Ardmore and Beechwood) would support the record. This presumption would prove false, however, and Epstein would need to draw on all of the resources he could spare if he were to make the disc a success.
The women of Les Miz
On Christmas Day, the eagerly-awaited movie musical Les Misérables — “A Musical Phenomenon” the advertisement promises — will open across the United States. If it makes half the splash that its Broadway source did in 1987, we’re in for a long ride. The musical ran for 6680 performances, and won Tony awards for Best Musical, Best Book, and Best Score. It closed and then re-opened for another 463-performance run in 2006. It continues to tour the US.
Football, festivity, and music
Sports fans eagerly anticipate television broadcasts of their favorite sports, whether it is baseball, basketball, soccer, hockey, boxing, golf, auto racing, or any of the other events aired on the tube. In the USA, the biggest television sports event is undoubtedly (American) professional football: the National Football League. In 2011, NBC’s “Sunday Night Football” was the highest-rated program on American TV.
Foil thy Foes with Joy
One of Benjamin Britten’s strengths as a composer was writing music for children. Not just music for children to enjoy — many of his works, particularly his operas, are not really kid-friendly affairs — but for them to perform. I’m thinking particularly of choral music, where he excelled at writing songs that I found both beautiful and really fun to sing when I was very young.
No jingles: an alternative Christmas playlist
Christmas is, almost inescapably, a time of music. A lot of it is familiar and much-loved, but for those who might be looking for some more adventurous listening this year – beyond Slade, the Messiah, and Victorian carols – here are some pointers to alternative Christmas music from down the ages.
Top ten Christmas carols of 2012
Christmas is the busiest time of year for the Oxford University Press Music Hire Library. With everyone wanting to include festive music in their December concerts the three Library worker elves are kept scurrying around the mile-long stretch of music shelves from September to December, busily packing up orders in time for Christmas concert rehearsals.
Beethoven’s creativity in the 21st century
By William Kinderman
Our fascination with creativity is a timeless and universal phenomenon. Since Greek antiquity, its most telling embodiment has been Prometheus: that heroic benefactor of humanity who stole the fire whose vital sparks sustain science and the arts. In more modern times, it is the fire of the imagination that is understood to illuminate and guide the creative mind, transforming the conventions of culture.
The Beethoven question: How does a musician cope with hearing loss?
By Anwen Greenaway
Hearing is clearly the most important sense for a musician, particularly a composer, so the trauma of experiencing difficulties with this sense is hard to imagine. Beethoven famously suffered deteriorating hearing for much of his adult life; an affliction which brought him to despair at times. The cause of his deafness is still unknown, although much speculated upon, but the composer’s feelings about his situation are well-documented.
In memoriam: Charles Rosen
Charles Rosen, a titan of the music world, passed away on Sunday. He was a fine concert pianist, groundbreaking musicologist, and a thoughtful critic who wrote prolifically, including regular articles for the New York Review of Books, not just on music but on its broader cultural contexts. We’re excerpting his entry in Grove Music Online below.
Mars and music
By Kyle Gann
By long tradition, sweet Venus and mystical Neptune are the planets astrologically connected with music. The relevance of Mars, “the bringer of war” as one famous composition has it, would seem to be pretty oblique. Mars in the horoscope has to do with action, ego, how we separate ourselves off from the world; it is “the fighting principle for the Sun,” in the words of famous astrologer Liz Greene.
Ten things you didn’t know about Ira Gershwin
By Philip Furia
Today marks the 116th anniversary of the birth of Ira Gershwin, lyricist and brother to composer George Gershwin. There are many fascinating details about Ira, ten of which are collected here.
1. When Ira was growing up, he held a lot of odd jobs, one of which was shipping clerk at the B. Altman department store housed in the same building where today Oxford University Press has its offices.
In memoriam: Dave Brubeck
By Ted Gioia
I first met Dave Brubeck when I was in my twenties, and writing my book on West Coast jazz. Dave deeply impressed me, and not just as a musician. How many celebrities have a marriage that lasts 70 years? I think Dave is the only one. He was a very caring family man, a good dad and husband – never a given in the entertainment industry. He was a pioneer on civil rights, threatening to cancel concerts when faced with complaints about his integrated band.
Is it music? A listener’s journey
2012 has been a poignant year for avant-garde music. German composer Hans Werner Henze passed away in October at age 86; a little over a week later American composer Elliott Carter passed away at the age of 103. The late John Cage was, as Musical America put it, “feted beyond his own wildest dreams” this year in celebration of his birth centenary. All three of these composers wrote music that challenged listeners to reconsider the boundaries of what qualifies as music.
Musical ways of interacting with children
By Professor Jane Edwards
As a music therapy scholar, teacher, and practitioner for more than 20 years, I have been able to learn from many sources about the crucial role our early years play in our lives. The ability to reflect on challenges experienced in our adult lives by linking back to childhood experiences is an essential aspect of the way that many music therapists practice. Rather than using descriptions of family histories to apportion blame, the therapist tries to understand the current experience of the patient and their worldview through the lens of past experience, to see if there is some way to make sense of self-destructive behaviours, or difficulties experienced in creating meaningful and satisfying relationships with others.