Music

The Beatles and “Please Please Me,” 11 January 1963

By Gordon R. Thompson
Although “Love Me Do” had been the Beatles’ induction into Britain’s recording industry, “Please Please Me” would bring them prominently into the nation’s consciousness. The songwriters, the band, the producer, and the manager all thought that they had finally found a winning formula. An advertisement in the New Musical Express proclaimed that the disc would be the “record of the year,” even as it raised a chuckle among industry insiders; but the hyperbole would prove prophetic.

The changing face of opera

By Meghann Wilhoite

Outreach and innovation are two buzzwords that pop up again and again in relation to established “classical” music institutions such as symphony orchestras and opera companies. In an effort to build younger audiences, many of these institutions have introduced new programs that attempt to do away with the of the concert-going experience, such as expensive tickets or the need for a certain type of attire, that might discourage younger or less experienced listeners from attending.

On music and mentorship

By Trevor Wiggins
As part of my freelance existence, I mentor a number of musically gifted teenagers. They operate in a varied and difficult-to-negotiate world, especially if they possess a great talent but are not in a highly protected ‘hothouse’ environment. As musicians, they are expected to behave with total professionalism, changing from kids having fun on a beach to soloing in front of 10,000 people in a few minutes. (I have seen them do just that on many occasions.)

The Dirty Dozens

English has two great rhyming slanguages, cockney rhyming slang and the dozens, the African American insult game. We’ll leave the parsing of cockney phrases for now and examine the dirty, bawdy, and wonderful world of verbal street duels. While its origins lie in “yo’ mama” jokes, this is language meant for music, as rap and hip-hop today can attest. Here’s a taste with an excerpt from Elijah Wald’s The Dozens: A History of Rap’s Mama.

Music: a proxy language for autistic children

By Adam Ockelford

I spend around 12 hours a week – every week – sharing thoughts, feelings, new ideas, reminiscences and even jokes with some very special children who have extraordinary musical talents, and many of whom are severely autistic.

Oxford Music in 2012

By Anwen Greenaway

2012 has been an eventful year for the OUP music teams. We’re in reflective mood as the year draws to a close, so we thought we’d share our highlights of 2012.

Charting success: The Beatles, December 1962

By Gordon R. Thompson

The Beatles were unlikely successes on London’s record charts in December 1962. Northerners with schoolboy haircuts who wrote and performed their own songs, their first record “Love Me Do” had risen slowly up British charts, despite lack of significant promotion by their publisher and record company, and without an appearance on national television.

Selling the Beatles, 1962

By Gordon R. Thompson
As a regional businessman and a fledgling band manager, Brian Epstein presumed that the Beatles’ record company (EMI’s Parlophone) and Lennon and McCartney’s publisher (Ardmore and Beechwood) would support the record. This presumption would prove false, however, and Epstein would need to draw on all of the resources he could spare if he were to make the disc a success.

The women of Les Miz

By Stacy Wolf

On Christmas Day, the eagerly-awaited movie musical Les Misérables — “A Musical Phenomenon” the advertisement promises — will open across the United States. If it makes half the splash that its Broadway source did in 1987, we’re in for a long ride. The musical ran for 6680 performances, and won Tony awards for Best Musical, Best Book, and Best Score. It closed and then re-opened for another 463-performance run in 2006. It continues to tour the US.

Football, festivity, and music

By Ron Rodman

Sports fans eagerly anticipate television broadcasts of their favorite sports, whether it is baseball, basketball, soccer, hockey, boxing, golf, auto racing, or any of the other events aired on the tube. In the USA, the biggest television sports event is undoubtedly (American) professional football: the National Football League. In 2011, NBC’s “Sunday Night Football” was the highest-rated program on American TV.

Foil thy Foes with Joy

By Jessica Barbour

One of Benjamin Britten’s strengths as a composer was writing music for children. Not just music for children to enjoy — many of his works, particularly his operas, are not really kid-friendly affairs — but for them to perform. I’m thinking particularly of choral music, where he excelled at writing songs that I found both beautiful and really fun to sing when I was very young.

No jingles: an alternative Christmas playlist

By Tim Rutherford-Johnson

Christmas is, almost inescapably, a time of music. A lot of it is familiar and much-loved, but for those who might be looking for some more adventurous listening this year – beyond Slade, the Messiah, and Victorian carols – here are some pointers to alternative Christmas music from down the ages.

Top ten Christmas carols of 2012

By Iain Mackinlay

Christmas is the busiest time of year for the Oxford University Press Music Hire Library. With everyone wanting to include festive music in their December concerts the three Library worker elves are kept scurrying around the mile-long stretch of music shelves from September to December, busily packing up orders in time for Christmas concert rehearsals.

Beethoven’s creativity in the 21st century

By William Kinderman
Our fascination with creativity is a timeless and universal phenomenon. Since Greek antiquity, its most telling embodiment has been Prometheus: that heroic benefactor of humanity who stole the fire whose vital sparks sustain science and the arts. In more modern times, it is the fire of the imagination that is understood to illuminate and guide the creative mind, transforming the conventions of culture.

The Beethoven question: How does a musician cope with hearing loss?

By Anwen Greenaway

By Anwen Greenaway
Hearing is clearly the most important sense for a musician, particularly a composer, so the trauma of experiencing difficulties with this sense is hard to imagine. Beethoven famously suffered deteriorating hearing for much of his adult life; an affliction which brought him to despair at times. The cause of his deafness is still unknown, although much speculated upon, but the composer’s feelings about his situation are well-documented.

In memoriam: Charles Rosen

Charles Rosen, a titan of the music world, passed away on Sunday. He was a fine concert pianist, groundbreaking musicologist, and a thoughtful critic who wrote prolifically, including regular articles for the New York Review of Books, not just on music but on its broader cultural contexts. We’re excerpting his entry in Grove Music Online below.