Oxford University Press's
Academic Insights for the Thinking World
By Anne Secord
White’s classic text can be read as a shrewd exercise to encourage readers to follow a startlingly novel approach to studying the natural world. Most naturalists at that time based their natural systems and classifications of all living beings on the study of dead specimens in collections.
By G. O. Hutchinson
How could you have one novel, poem, children’s book, that wasn’t influenced by others? But people haven’t much considered what distinguishes literary interaction that jumps across languages and countries.
The ancient Greeks were enormously innovative in many respects, including art and architecture. They produced elaborate illustrations on everything from the glory of the Parthenon to a simple wine cup. Given its epic nature and crucial role in Greek education, many of the characters in the Iliad can be found in ancient art. From the hero Achilles to Hector’s charioteer, these depictions provide great insight into Greek culture and art.
By Fiona Robertson and Anthony Mellors
Closely associated with a group of writers dedicated to refashioning American fictional style, and with his roots in journalism and popular entertainment, Crane produced in his Civil-War tale The Red Badge of Courage an uncompromisingly spare modern account of the first-hand experience of battle.
Noli temere, Seamus Heaney texted to his wife in his last hours of life, ‘Have no fear’.
By David Constantine
In Cornish towns and villages you may find a street or a district called Plain-an-Gwarry. The name (in the old tongue plân-an-guare), means ‘a playing place’, and it commemorates the former existence of a round, or small amphitheatre, in which entertainments of one sort and another – including the miracle plays – were staged and public meetings held.
By Michael R. Katz
In his classic study Problems of Dostoevsky’s Poetics (1929), the literary theorist, scholar, and philosopher of language, Mikhail Bakhtin included a brilliant “exercise” in literary “what-ifs.” In the chapter entitled “The Hero in Dostoevsky’s Art,” Bakhtin analyzes as a characteristic example of the Leo Tolstoy’s “monologic manner” and poses the following question
In the first book of The Iliad, Homer calls for a muse to help him recount the story of Achilles, the epic Greek hero of the Trojan War. The poet begins his account nine years after the start of Trojan war, with the capture of two maidens, Chryseis by Agamemnon, the commander of the Achaean Army, and Briseis by the hero Achilles.
By Tim Allen
Albert Camus, author of those high school World Literature course staples The Stranger and The Myth of Sisyphus, would have been 100 years old today.
By Martha J. Cutter
My nephew Jake Silverman is a brainy, confident, energetic, and strong-willed six-year-old. He eats more food than I ever thought it was possible for a six-year-old boy to consume, loves my iPad with a passion, and sometimes has temper tantrums when he doesn’t get precisely what he wants. He already knows he wants to be a doctor, and I have no doubt that he will be an unruly teenager who will mature into a brilliant, handsome, and talented young man. At least that is my hope.
While The Iliad is a fictional tale of the Trojan War between the Trojan and Achaean warriors during the Late Bronze Age (circa 1500-1200 BC), it is set in a real location: the eastern Mediterranean, along the Aegean Sea. We present a brief slideshow of maps from Barry B. Powell’s new translation of the ancient epic, which illustrate the geographic regions mentioned, from towns and cities, to character origins, and even allied battle grounds.
By Peter Miles
First, a word to Google. Dead people do not have birthdays. I hate to be a party-pooper in the eyes of any zombies still celebrating Halloween, but Google will insist on informing me that today is Nietzsche’s 169th birthday or the 143rd birthday of the chap who first put a metal strip in a banknote or the 158th birthday of the Czech inventor of the bicycle seat — when it never is.
Fancy a spot of ghost hunting? Try to ignore the hairy hand in the corner of your eye and curl up with M.R. James this Halloween. Darryl Jones, editor of the Oxford World’s Classics edition of The Collected Ghost Stories of M.R. James, provides an excellent guide to his strange imagination and menace. Join Jones in the Trinity College Dublin Library to discuss James’s life and work.
The nights darken, the wind howls, and branches (or ghostly fingers?) tap against your windowpane. This can only mean one thing – Halloween approaches! To celebrate the day of ghouls, ghosts and other creatures which go bump in the night, we’ve compiled a list of University Press Scholarship Online‘s most spine-chilling chapters (available free for a limited time).
With the 31st of October quickly approaching, scores of costumes and vast amounts of candy are disappearing from stores as we prepare for Halloween. But, with all the time and money put into the decorations and celebration, how much do we really know about this widely celebrated tradition? How many of us can even define the term, Halloween?
By Lizzie Shannon-Little
What better way to send shivers down your spine this Halloween than to curl up with a spooky tale? These Classics have been putting the frighteners on people for quite some time, and we’ve got the collywobbles just thinking about them.