Oxford University Press's
Academic Insights for the Thinking World

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Breaking Bad’s Faustian Cast

In a Reddit AMA session a few months ago, Bryan Cranston was asked when he thought his character on Breaking Bad broke bad. His response: “My feeling is that Walt broke bad in the very first episode. It was very subtle but he did because that’s when he decided to become someone that he’s not in order to gain financially. He made the Faustian deal at that point and everything else was a slippery slope.”

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Edmund Gosse: nonconformist?

By Michael Newton
“The trouble with you,” an old friend recently declared to me, “is that you have always been a conformist.” He meant that I had never undertaken that necessary radical break with my parents and their ideals and interests. Without such a generational rupture, it seemed to him, nobody could claim to be a fully independent, realised person. While he had been dropping acid and dropping (temporarily) out of college, I’d been reclining under a tree with John Keats. And surely there was nothing rebellious in that.

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Heaney, the Wordsworths, and wonders of the everyday

By Lucy Newlyn
Here is one of the poems Dorothy wrote from her sick room. Dated by her as 1836 (and copied out for the Wordsworths’ friend and neighbour Isabella Fenwick in 1839), it gives us some insight into her state of mind as she looked back on a crisis in 1832-3 when her life was in danger.

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James Fenimore Cooper: thoughts on a life

By John McWilliams
Cooper’s daunting, lifelong energies led him to venture down still other fictional paths, nominally imaginary but rendered realistic through trenchant social commentary. He experimented with unreliable first person narrative, with the biography of an inanimate object, with urban satire, with the beast fable (The Monikins), and with dystopian fiction (The Crater).

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On the Man Booker Prize 2013 shortlist

By Robert Eaglestone
So here’s the first thing about the books on the Booker Prize lists, both short and long: until the end of August, it was hard-to-impossible to get hold of most of them. Only one was in paperback in July (well done, Canongate). And while some were in very pricey hardback, several hadn’t even been published. This begs the question: who is the Booker Prize for?

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Ezra Pound and James Strachey Barnes

By David Bradshaw and James Smith
The extent of Ezra Pound’s involvement with Italian fascism during the Second World War has been one of the most troubling and contentious issues in modernist literary studies.

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Burlesque in New York: The writing of Gypsy Rose Lee

In celebration of the anniversary of the first burlesque show in New York City, I reread a fun murder mystery, The G-String Murders, by Gypsy Rose Lee. “Finding dead bodies scattered all over a burlesque theater isn’t the sort of thing you’re likely to forget. Not quickly, anyway,” begins the story.The editors at Simon & Schuster liked the setting in a burlesque theater and appreciated Gypsy’s natural style, with its unpretentious and casual tone. Her knowledge of burlesque enabled her to intrigue readers, who were as interested in life within a burlesque theater as in the mystery.

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Six methods of detection in Sherlock Holmes

Between Edgar Allan Poe’s invention of the detective story with ‘The Murders in the Rue Morgue’ in 1841 and Sir Arthur Conan Doyle’s first Sherlock Holmes story ‘A Study in Scarlet’ in 1887, chance and coincidence played a large part in crime fiction. Conan Doyle resolved to be different in future.

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Adapting Henry V

By Gus Gallagher
In the Autumn of 2011 I found myself at something of a loose end in the beautiful city of Tbilisi, Georgia, working with the Marjanishvili Theatre there on a production of Captain Corelli’s Mandolin. Unsure of what my next project might be, my attention turned to an old love, Shakespeare’s Henry V.

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The poetry of Federico García Lorca

By D. Gareth Walters
It is apt that Spain’s best-known poet, Federico García Lorca, should have been born in Andalusia. Castile may claim to be the heart and the source of Spain, both historically and linguistically, but in broad cultural terms Andalusia has become for many non-Spaniards the very embodiment of Spain. Lorca’s poetry abundantly reflects this perception.

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10 questions for David Gilbert

Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading series Word for Word Book Club. On Tuesday 27 August 2013, writer David Gilbert leads a discussion on Babbitt by Sinclair Lewis.

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Shakespeare’s hand in the additional passages to Kyd’s Spanish Tragedy

By Douglas Bruster
Why should we think that Shakespeare wrote lines first published in the 1602 quarto of The Spanish Tragedy, a then-classic play by his deceased contemporary Thomas Kyd? Our answer starts 180 years ago, when Samuel Taylor Coleridge—author of ‘Kubla Khan’ and The Rime of the Ancient Mariner—said he heard Shakespeare in this material.

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Whose Odyssey is it anyway?

By Justine McConnell
The death of Martin Bernal in June attracted less media attention than one might have hoped for the man who brought an unprecedented attention to the contemporary study of Classics. His 1987 work, Black Athena, was not the first to argue for a strong, pervasive African influence on the culture of ancient Greece, but it was the first to receive widespread notice.

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10 questions for Wayne Koestenbaum

Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading series Word for Word Book Club. On Tuesday 16 July 2013, writer Wayne Koestenbaum leads a discussion on The Metamorphosis and Other Stories by Franz Kafka.

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