Where have you gone, Jimmy Gatz? Roman Catholic haunting in American literary modernism
The year is 1924: the restriction acts designed to turn the tide of Eastern and Southern European immigration into a trickle have been signed into US law. However, nativist panic continues apace. In quick succession three titans of US literary modernism weigh in, each with the novel still judged their best: F. Scott Fitzgerald’s The Great Gatsby (1925), Willa Cather’s The Professor’s House (1926), Ernest Hemingway’s The Sun Also Rises (1926).