There is a moment in the George Miller film Mad Max: Beyond Thunderdome (1985) that has stuck with me over the two decades since I first saw it. A bedraggled Max (Mel Gibson) is escorted through the crumbling desert outpost of Bartertown.
Biblical scholar Sara Japhet has been a leading authority on the two books of Chronicles since the publication of her landmark works The Ideology of the Book of Chronicles and Its Place in Biblical Thought (Hebrew 1977; English translation 1989), followed by I and II Chronicles: A Commentary in 1993.
What do you get when you combine Hollywood, African American actors, gritty urban settings, sex, and a whole lot of action? Some would simply call it a recipe for box office success, but since the early 1970s, most people have known this filmmaking formula by the name “Blaxploitation.” Blaxploitation cinema occupies a fascinating place in the landscape of American pop culture.