Recently I was talking to a younger colleague, a recent PhD, about what we and our peers read for pleasure. He noted that the only fiction that most of his friends read is young adult fiction: The Hunger Games, Twilight, that kind of thing. Although the subject matter of these series is often dark, the appeal, hypothesized my colleague, lies elsewhere: in the reassuringly formulaic and predictable narrative arc of the plots.
A ‘slobbering valentine to a member of the upper classes’, ‘an orgy of snobbery’, and ‘the apotheosis of brown-nosing’: Angela Carter’s excoriating dismissal of Virginia Woolf’s Orlando (1928), delivered in Tom Paulin’s notorious televisual polemic, J’accuse Virginia Woolf (1991), serves as a reminder that this work has as much potential as any of her novels to provoke heated disagreements.
In April 2009, Barack and Michelle Obama met Queen Elizabeth I during their first state visit to England. At one point during their encounter, Michelle Obama put her arm around the Queen’s lower back and rubbed her shoulder, and the Queen reciprocated. It was the kind of gesture that might seem quite unremarkable when exchanged by friends, or even casual acquaintances: but, given the participants on this particular occasion, it unsurprisingly attracted a great deal more attention.
News that a previously unknown copy of the first collected edition of Shakespeare’s plays has been discovered in a French library has been excitedly picked up by the worldwide press. But apart from the treasure-hunt appeal of this story, does it really matter that instead of the 232 copies of this book listed by Eric Rasmussen and Anthony West in their The Shakespeare First Folios: A Descriptive Catalogue (Palgrave Macmillan, 2012), there are now, apparently, 233? A book that was never particularly rare is now just a little bit less rare.
From wicked step-mothers to fairy god-mothers, from stock phrases such as “once upon a time” to “happily ever after”, fairy-tales permeate our culture. Disney blockbusters have recently added another chapter to the history of the fairy-tale, sitting alongside the 19th century, saccharine tales published by the Brothers Grimm and the 17th century stories written by Charles Perrault. Inspired by Marina Warner’s Once Upon a Time, we asked OUP staff members to channel their inner witches, trolls, and princesses, and reveal who their favourite fairy-tale character is and why.
To read Chaucer today is, in some measure, to read him historically. For instance, when the poet tells us in the ‘General Prologue’ to the Canterbury Tales that the Knight’s crusading experiences include service with the Teutonic Order in ‘Lettow’ (i.e. Lithuania), comprehension of the literal sense or denotation of the text requires some knowledge of fourteenth-century institutions, ideas and events.
In continuation of our Word of the Year celebrations, I’m presenting my annual butchering of Shakespeare (previous victims include MacBeth and Hamlet). Of the many terms of endearment the Bard used — from lambkin to mouse — babe was not among them.
Literary criticism in the present day has become a profession,—but it has ceased to be an art. Its object is no longer that of proving that certain literary work is good and other literary work is bad, in accordance with rules which the critic is able to define. English criticism at present rarely even pretends to go so far as this.
Roman literature often derived from Greek sources, but took Greek models and made them its own. It includes some of the best known classical authors such as Ovid and Virgil, as well as a Roman emperor who found time to write down his philosophical reflections.
This selection of ancient Greek literature includes philosophy, poetry, drama, and history. It introduces some of the great classical thinkers, whose ideas have had a profound influence on Western civilization.
The ancient writers of Greece and Rome are familiar to many, but what do their voices really tell us about who they were and what they believed? In Twelve Voices from Greece and Rome, Christopher Pelling and Maria Wyke provide a vibrant and distinctive introduction to twelve of the greatest authors from ancient Greece and Rome, writers whose voices still resonate strongly across the centuries.
Every Friday this October we’ve unveiled a part of Fitz-James O’Brien’s tale of an unusual entity in What Was It?, a story from the spine-tingling collection of works in Horror Stories: Classic Tales from Hoffmann to Hodgson, edited by Darryl Jones. Today we’re wrapping up the story with the final installment. Last we left off the narrator, Harry, and his friend, Hammond, tied up an invisible entity, shocking the boarders of the haunted home where they had been staying. Will they learn more about the mysterious creature?
People have enjoyed the horror genre for centuries, reveling in the spooky, toe-curling, hair-raising feelings this genre elicits—perfect for Halloween! Whether you’re trick-or-treating, attending a costume party, or staying home, we’ve put together a list of Oxford World’s Classics that will put you in the mood for this eerie night.
Today, 27 October sees the centenary of the birth of the poet, Dylan Marlais Thomas. Born on Cwmdonkin Drive, Swansea, and brought up in the genteel district of Uplands, Thomas’s childhood was suburban and orthodox — his father an aspirational but disappointed English teacher at the local grammar school.
On 27th October 1914 Dylan Thomas was born in Swansea, South Wales. He is widely regarded as one the most significant Welsh writers of the 20th century.Thomas’s popular reputation has continued to grow after his death on 9th November, 1953, despite some critics describing his work as too ‘florid’. He wrote prolifically throughout his lifetime but is arguably best known for his poetry. His poem The hand that signed the paper is taken from Jon Stallworthy’s edited collection The Oxford Book of War Poetry.
From the narrow twisting streets of the old town centre to the shady docklands, Copenhagen Tales captures the essence of Copenhagen and its many faces. Through seventeen tales by some of the very best of Denmark’s writers past and present, we travel the length and breadth of the Danish capital examining famous sights from unique perspectives. A guide book usefully informs a new visitor to Copenhagen but these stories allow the reader to experience the city and its history from the inside.