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Syria’s civil war: historical forces behind regional realities

By Michael Hunt
Critics of the Obama administration’s Syrian policy have lamented its failure to take into account regional realities. With surprising speed those realities have put the brakes on US intervention. The anti-regime forces in Syria have remained deeply divided — indeed turned violently against each other — and resistant to outside guidance.

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Between ‘warfare’ and ‘lawfare’

By Carsten Stahn
The Syria crisis has challenged the boundaries of international law. The concept of the ‘red line’ was used to justify military intervention in response to the use of chemical weapons. This phenomenon reflects a trend to use law as a strategic asset or instrument of warfare (‘lawfare’).

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Ancient Syria: trouble-prone and politically volatile

By Trevor Bryce
I have long been fascinated with Syria. Like other Middle Eastern regions, it has many layers of civilization and has seen many conquerors and raiders tramp and gallop through its lands over the centuries. That of course has been the fate of lots of countries, ancient and modern.

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Reflections on Disko Bay

By Patricia Seed
Miniature icebergs that would fit in the palm of my hand float along the water’s edge, but the air is cold enough to resist the impulse to crouch down and remove my gloves to pick them up. Looking up across the glass-like surface, I spot hundreds of similar chunks like pieces of frozen vanilla popsicle that have fallen just out of reach.

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Alice’s top 10 OUPblog posts of 2012

By Alice Northover
One of the great advantages of being OUPblog editor is that I read practically everything that was published on the blog in 2012: the 1,088 articles, Q&As, quizzes, slideshows, podcasts, videos, and more from the smartest minds in the scholarly world. When I first attempted the list, I had 30 articles bookmarked and I’d only made it six months back. I’m sure I’ll hate myself for missing a piece tomorrow.

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Written in the stars

By Marilyn Deegan
The new discoveries of the Mars rover Curiosity have greatly excited the world in the last few weeks, and speculation was rife about whether some evidence of life has been found. (In actuality, Curiosity discovered complex chemistry, including organic compounds, in a Martian soil analysis.) Why the excitement?

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The discovery of Mars in literature

By David Seed
Although there had been interest in Mars earlier, towards the end of the nineteenth century there was a sudden surge of novels describing travel to the Red Planet. One of the earliest was Percy Greg’s Across the Zodiac (1880) which set the pattern for early Mars fiction by framing its story as a manuscript found in a battered metal container. Greg obviously assumed that his readers would find the story incredible and sets up the discovery of the ‘record’, as he calls it, by a traveler to the USA to distance himself from the extraordinary events within the novel.

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Mars and music

By Kyle Gann
By long tradition, sweet Venus and mystical Neptune are the planets astrologically connected with music. The relevance of Mars, “the bringer of war” as one famous composition has it, would seem to be pretty oblique. Mars in the horoscope has to do with action, ego, how we separate ourselves off from the world; it is “the fighting principle for the Sun,” in the words of famous astrologer Liz Greene.

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Journey into Darkness: The 2025 Eurovision Song Contest Basel, Switzerland

How very different the bridges of the first- and second-place songs, JJ’s “Wasted Love” for Austria and Yuval Raphael’s “New Day Will Rise” for Israel, were at Eurovision 2025. And how uncannily the same. Does love survive when tested by the seas and floods threatening to inundate it? The survival of love is both denied and affirmed, threatened but still buoyed by the precarity of hope.

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Pride isn’t arrogance; it’s love

Shae Washington, a Black queer Christian woman, struggled to reconcile her sexuality and her spirituality. Her church had always taught that you cannot be both Christian and queer.

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Title cover of "Origin Uncertain: Unraveling the Mysteries of Etymology" by Anatoly Liberman

A vicious beehive

I have “sauntered,” I have paid some respect to “lust” (see the previous two posts), and now I am ready “to cringe.” The most interesting part of today’s story is not even the origin of the verb cringe but the multitude of words, possibly related to it and explaining nothing.

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Title cover of "Dangerous Crooked Scoundrels: Insulting the President from Washington to Trump" by Edwin L. Battistella, published by Oxford University Press

What I learned from reading Harlan Ellison

When I was in high school, I went through a Harlan Ellison phase. Ellison, who died in 2017, was a prolific science fiction and screenwriter and the author of such stories as “‘Repent, Harlequin!’ Said the Ticktockman,” “I Have No Mouth, and I Must Scream,” and “A Boy and His Dog,” as well as the celebrated Star Trek episode “The City on the Edge of Forever.”

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Title cover of "Origin Uncertain: Unraveling the Mysteries of Etymology" by Anatoly Liberman

The four-letter word lust

Years ago, I wrote about our four-letter words, and the comments were, as could be expected, numerous. Incidentally, the origin of those words is nether too interesting nor (in at least one case) too complicated. Lust is not l*** or l**t, and one can speak about it, without hurting anyone’s sensibilities.

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Cover image of "Crafting Feminism from Literary Modernism to the Multimedia Present" by Amy E. Elkins

Crafting the queer citational turn

It’s a crisp summer morning, and I’ve just made the half hour walk from Sommerville, Massachusetts, to Harvard University. The grounds are majestic, as you’d expect, but everything is fragmented by iron fence railings (gates all locked or staffed by security) and garish white tents that have been installed for graduation festivities. I show my ID and make my way into the Houghton Library reading room where I’ll continue my research on craftwork for a project on queer modernist materialities. As a fan of the show Dickinson, which aired on Apple TV+ for three seasons from 2019-2021, I’ve asked to see the scrapbook set designer Marina Parker made for the archive. I’m fascinated by contemporary adaptations of literary pasts, and Parker’s scrapbook suggests how craft itself might be fundamental to those queer reworkings.

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