Sally Rumsey shares her reflections on the changing open access environment and experiences from the University of Oxford. Cast your mind back 15 years to the earlier days of open access. In 2002 the University of Oxford contributed to the SHERPA project, with a collaborative pilot between the then OULS (Oxford University Library Services) and OUP. In 2006 we set up a new institutional repository service that launched very quietly in early 2007.
This Halloween we turn our sights to the phantoms haunting the libraries and private collections of Britain. From a headless ghost, to numerous abnormalities surrounding a vast collection of magical literature from a late ghost hunter, here are some stories around apparitions that have been glimpsed among the stacks – you can choose whether or not you believe them to be true….
Last Friday the Harry Potter: A History of Magic exhibition opened at the British Library. It is a much anticipated showcase of Harry Potter artefacts, including many from the vaults of Bloomsbury and J.K. Rowling herself.
Comics is both a medium—although some would say it’s an art form—as well as the texts produced in that medium. Publication formats and production modes differ: for instance, comics can be short-form or long-form, serialized or stand-alone, single panel or sequential panels, and released as hardcovers, trade paperbacks, floppies, ‘zines, or in various digital formats. […]
In our household, reading came as easily as breathing. It was a part of our identity, ingrained and passed down through generations of scholars, writers, and thinkers in our family tree. It was a joy and it felt necessary to life. Bedtime stories, visits to the bookstore, talks about books, and buying books on trips abroad with our parents were second nature to my sister and me.
It would be an understatement to say that the modern world is moving toward a more digital future. We are constantly bombarded with the persistent presence of technology, and for librarians, this change is a daily challenge.
With the rise of the internet and electronic research resources, it is not uncommon for a librarian to hear that libraries are no longer necessary. “You can find anything on the internet” is an often heard phrase. What most of those people do not realize is how integrated librarians (and information scientists) are in organizing and providing information to the public.
I was lucky enough to be able to attend the NASIG (formerly the North American Serials Interest Group, Inc.) 32nd Annual Conference in Indianapolis this year as a first time attendee. I’ve only ever heard good things about the annual NASIG conference, so I knew what to expect, and I was not disappointed.
Dawn Bartram is Library Development Area Supervisor, Skills and Learning, at Wakefield Libraries in the UK, and was the winner of our CILIP competition. Here Dawn expands on her winning entry, and talks us through the benefits and approach to setting up a library outreach programme in order to spread the word about the online resources available at your local library.
Essentials for war: supplies, soldiers, strategy, and…libraries? For the United States Army during both World War I and World War II, libraries were not only requested and appreciated by soldiers, but also established as a priority during times of war. In the midst of battle and bloodshed, libraries continued to serve American soldiers and citizens in the several different factions of their lives.
Libraries often feel like magical places, the numerous books on every shelf holding the ability to transport their reader to new and wonderful worlds. In the words of Terry Pratchett: “They thought the Library was a dangerous place because of all the magical books…but what made it really one of the most dangerous places there could ever be was the simple fact that it was a library.”
This January, Lemony Snicket’s first four critically acclaimed novels of the A Series of Unfortunate Events were adapted as a Netflix original series, starring Neil Patrick Harris. Although famously known as a book series built upon three children’s misery and misfortune, the stories do contain one consistent factor on which the kids can always rely: the library.
Diversity continues to be a huge topic in the media. Each year seems to spark new debates about everything from the racial makeup of award nominee lists, to the people who are allowed into different countries. The wave of popularity surrounding this subject impacts upon every sphere of life and culture, including books and libraries.
King Abdullah University of Science Technology (KAUST) is based in Thuwal, Saudi Arabia, on the east shore of the Red Sea. It was founded by King Abdullah and opened its doors in 2009, with the vision of being a destination for scientific and technological education and research, to inspire discoveries that address global challenges and striving to be a beacon of knowledge that bridges peoples and culture for the betterment of humanity.
I’ve watched the film National Treasure twenty more times than I probably needed to, but I can’t ignore my fascination with the history of the US presidents. In the movie, the directors place a strong emphasis on the importance of historical documents and artifacts, and a working knowledge of the importance and content of these items, to help the main protagonists complete a centuries-long treasure hunt.
Readers’ advisory librarians are the ultimate literary matchmakers. We listen to our patrons, get to know their interests, set them up with a book, and hope they hit it off. If we do our jobs effectively, our patrons will fall in love with multiple partners. And they’ll keep coming back for more. “Blind Date with a Book” offers librarians the perfect way to showcase our readers’ advisory services.