Oxford University Press's
Academic Insights for the Thinking World
To help prepare their patrons for the long hours of studying, writing, and prepping, librarians have created anti-procrastination, stress-relieving events that seek to ease the pain of the finals push. We chatted with librarians from the United States, United Kingdom, and Canada about their specific programs, and the impact they have on students’ health and well-being during this tense time.
Many people both in and out of Japan may be acquainted with the word “manga,” even if they don’t follow it. Manga has played a significant role in Japanese culture for the last century and has recently gained the respect of a wider audience.
After working for 26 years as academic librarians, we have reached a point in our careers where we are right-sizing professionally and personally. This year, we requested and were granted a nine-month contract, enabling us to pursue our dream of cycling across the United States, from Washington, D.C., to Astoria, Oregon.
When Grove Music Online launched its new website last December, it marked the beginning of a new era for the encyclopedic dictionary that serves as a primary reference tool for music scholars. Grove has been in continuous publication since 1879 and online since 2001, but the version of Grove that was published on December 2017 remade the dictionary for the first time as “digital first”—that is, with online prioritized over print—and is thus Grove’s first truly digital edition.
The COUNTER Code of Practice is the industry-standard format for usage reporting of electronic resources. COUNTER has published a new Code of Practice, Release 5. We spoke with Lorraine Estelle, COUNTER’s Director and Company Secretary, to gain an insight into COUNTER, the new Code of Practice, and what it means for libraries.
Librarians have been rising to the challenge of helping users discover content as long as libraries have existed, and evolving discovery solutions are an interesting byproduct of the information dissemination challenges of the time. Before the printing press, medieval libraries were typically geographically isolated with a small number of hand-copied texts. Discovery tools included handwritten omnibus catalogs listing collections from the libraries of other nearby cloisters or monasteries, so the limited number of books could be more widely discoverable.
To celebrate Earth Day, Katie D. Bennet takes a look at how environmentally conscious libraries from all over the world are using using sustainable architectural methods to achieve their green-goals. The team at the Vancouver Community Library shed some light on the steps they have taken to build an environmentall sustainable library that aligns with the ideals of the community.
For university libraries, it can sometimes be difficult to get students—especially new students— comfortable with coming into the library and engaging with library staff. We asked some librarians how they get creative with their student outreach to welcome students to campus and to the library. By welcoming students back with these events every quarter, librarians remind them that they are the reason university libraries are here.
Sally Rumsey shares her reflections on the changing open access environment and experiences from the University of Oxford. Cast your mind back 15 years to the earlier days of open access. In 2002 the University of Oxford contributed to the SHERPA project, with a collaborative pilot between the then OULS (Oxford University Library Services) and OUP. In 2006 we set up a new institutional repository service that launched very quietly in early 2007.
This Halloween we turn our sights to the phantoms haunting the libraries and private collections of Britain. From a headless ghost, to numerous abnormalities surrounding a vast collection of magical literature from a late ghost hunter, here are some stories around apparitions that have been glimpsed among the stacks – you can choose whether or not you believe them to be true….
Last Friday the Harry Potter: A History of Magic exhibition opened at the British Library. It is a much anticipated showcase of Harry Potter artefacts, including many from the vaults of Bloomsbury and J.K. Rowling herself.
Comics is both a medium—although some would say it’s an art form—as well as the texts produced in that medium. Publication formats and production modes differ: for instance, comics can be short-form or long-form, serialized or stand-alone, single panel or sequential panels, and released as hardcovers, trade paperbacks, floppies, ‘zines, or in various digital formats. […]
In our household, reading came as easily as breathing. It was a part of our identity, ingrained and passed down through generations of scholars, writers, and thinkers in our family tree. It was a joy and it felt necessary to life. Bedtime stories, visits to the bookstore, talks about books, and buying books on trips abroad with our parents were second nature to my sister and me.
It would be an understatement to say that the modern world is moving toward a more digital future. We are constantly bombarded with the persistent presence of technology, and for librarians, this change is a daily challenge.
With the rise of the internet and electronic research resources, it is not uncommon for a librarian to hear that libraries are no longer necessary. “You can find anything on the internet” is an often heard phrase. What most of those people do not realize is how integrated librarians (and information scientists) are in organizing and providing information to the public.
I was lucky enough to be able to attend the NASIG (formerly the North American Serials Interest Group, Inc.) 32nd Annual Conference in Indianapolis this year as a first time attendee. I’ve only ever heard good things about the annual NASIG conference, so I knew what to expect, and I was not disappointed.