Oxford University Press's
Academic Insights for the Thinking World
By Anatoly Liberman
Those who look up the origin of a word in a dictionary are rarely interested in the sources of the information they find there. Nor do they realize how debatable most of this information is. Yet serious research stands behind even the controversial statements in a modern etymological dictionary.
by Anatoly Liberman Once out of school, we stop noticing the vagaries of English spelling and resign ourselves to the fact that rite, right, Wright (or wright in playwright), and write are homophones without being homographs. In most cases such words sounded different in the past, then changed their pronunciation, but retained their spelling. Such […]
This blog column has existed for a month. It was launched with the idea that it would attract questions and comments. If this happens, at the end of each month the rubric “Monthly Gleanings” will appear. Although in March I have not been swamped with the mail, there is enough for a full post. Also, one question was asked privately, but in connection with the blog, so that I think I may answer it here.
by Anatoly Liberman Modern English is swamped with words borrowed from other languages. One does not have to be a specialist to notice the presence of the Romance element in it or to guess that samovar has come from Russian and samurai, from Japanese. It is the details that, as usual, pose problems. Not only […]
by Anatoly Liberman Etymology has a place in the world because people want to know why a certain combination of sounds carries the meaning accepted by their community but, as a rule, have no clue to the answer. However, the degree of opacity differs from word to word. Compounds like newspaper and daredevil are more […]
by Anatoly Liberman The entries in the great Oxford English Dictionary (OED) reveal, although, naturally, in broad outline, the documented history of thousands of words. Some of them surfaced in texts more than a millennium ago, others emerged in Chaucer’s works and later, and still others were added to the vocabulary of English within the […]
On Tuesday on his blog Whatever, John Scalzi announced the arrival of the NOAD and The American Writer’s Thesaurus in his mailbox. In addition to giving the customary compliments to Erin McKean, Editor of Oxford’s US Dictionary program, Scalzi was surprised to find both books “delightful” and “fun to read.” He then turns to the […]
There was a time when historical linguistics was one of the most prestigious disciplines in the humanities. At school, Latin and Classical Greek were shoved down young boys’ unwilling throats, and it seemed natural to look at languages with the eyes of a historian. Early in the 19th century, regular sound correspondences between languages were […]
William Safire calls The Oxford American Writer’s Thesaurus his “favorite new word-finder” and lists it as one of his “books on language” gift books for 2005. He goes on to say it is “chockablock with useful advice: “Novel manages to pack into five positive letters that ‘unusual,’ ‘unfamiliar,’ ‘unconventional,’ ‘untested,’ ‘untried,’ ‘unknown’ and ‘unorthodox’ have […]
by Erin McKean You have probably heard by now (it’s one of the most-linked to items online) that the Oxford American Dictionary has selected “podcast” as the word of the year, or, as we refer to it in the lexicogging biz, the WOTY (pronounced “whoa-tee”, that is, it would be pronounced that way if anyone […]
That New Yorker article on the use of phony words to protect a dictionary’s copyright got some belated play on the seminal weblog Boing-Boing today. The article focuses on the search for the phony word in the New Oxford American Dictionary, 2nd Edition (NOAD). Erin McKean, the editor-in-chief of NOAD, whimsically likens a lexicographer’s copyright […]