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Arts & Humanities

60 years of Guinness World Records

By Ellie Gregory

On 27 August 1955, the first edition of the Guinness Book of Records–now Guinness World Records, was published. Through listing world records of both human achievements and of the natural world, what started as a reference book became an international franchise, gaining popular interest around the globe. In celebration of this anniversary of weird and wonderful world records, we’ve selected a few favourites from talented individuals featured in our online products.

Ten facts about the steel drum

By Victoria Davis

The steel drum originated in the late 1930s on the island of Trinidad and was played as part of a steel band, a percussion ensemble contrived by lower-class rebellious teens. Learn more about the steel drum’s complex history, development, and current form with our 10 fun facts.

Creativity and mental health

By Albert Rothenberg

I am constantly perplexed by the recurring tendency in western history to connect creativity with mental disability and illness. It cannot be denied that a number of well-known creative people, primarily in the arts, have been mentally ill—for example, Vincent Van Gogh, Virginia Woolf, Robert Schumann, Robert Lowell, and Sylvia Plath.

Great Expectations: novel vs. miniseries adaptation

By Connie Ngo

After finishing this season’s Oxford World’s Classics reading group season, I obsessed over the characters, Dickens’s literary finesse– nothing was out of bounds of curiosity. The adaptation that caught my attention the most was BBC’s television miniseries that broadcasted on PBS in the US.

Good health is a creative act

By Pedro de Alcantara

Musicians lead demanding lives. Practicing, sight-reading, rehearsing, and auditioning all can be stressful and, at times, actually painful. How to stay healthy and free from pain? I think the answer lies in realizing that your health is completely tied in with your creative efforts, or the way you respond to music itself. In brief, good health is a creative act. Here are seven tips to get you started.

The top ten films all aspiring lawyers need to see

By Martin Partington

Preparing for law school doesn’t have to be purely academic; there’s plenty you can learn from film and TV if you look in the right places. We asked Martin Partington, author of Introduction to the English Legal System, for his top ten film recommendations for new law students and aspiring lawyers.

Why we like to blame buildings

By Kenny Cupers

On 27 October 2005, two French youths of Tunisian and Malian descent died of electrocution in a local power station in the Parisian suburb of Clichy-sous-Bois. Police had been patrolling their neighborhood, responding to a reported break-in, and scared that they might be subject to an arbitrary interrogation, the youngsters decided to hide in the nearest available building. Riots immediately broke out in the high-rise suburbs of Paris and in hundreds of neighborhoods across the country.

The value of knowledge

By John Hyman

Traditionally, the story that opens chapter three of Genesis is called The Fall. In the Christian tradition, both the name and the interpretation of the story associated with it were made canonical by Saint Augustine in the first decades of the fifth century AD, about fourteen hundred years after Genesis was written down.

Moral responsibility and the ‘honor box’ system

By John M. Doris

If you’ve worked in an office, you’re probably familiar with “honor box” coffee service. Everyone helps themselves to stewed coffee, adds to the lounge’s growing filth, and deposits a nominal sum in the honor box, with the accumulated proceeds being used to replenish supplies. Notoriously, this system often devolves into a tragedy of the commons, where too many people drink without paying.

How much do you know about the American Revolution? [quiz]

By Robert J. Allison

Do you know your George Washingtons from your Thomas Jeffersons? Do you know your British tyrants from your American Patriots? Test your knowledge of the American Revolution with this quiz, based on Robert J. Allison’s The American Revolution: A Very Short Introduction.

Misty Copeland dances On the Town

By Carol J. Oja

Misty Copeland captured the world’s attention this summer when she became the first black female principal dancer at the American Ballet Theatre. In late August, Copeland will once again be in the headlines when she stars in Leonard Bernstein’s On the Town for a limited engagement at New York’s Lyric Theatre, where she will bring the show’s nearly year-long run to a close.

Discussion questions for Great Expectations by Charles Dickens

By Robert Douglas-Fairhurst

We’re just over a fortnight away from the end of our third season of the Oxford World’s Classics Reading Group. It’s still not too late to join us as we follow the story of young Pip and his great expectations. If you’re already stuck in with #OWCReads, these discussion questions will help you get the most out of the text.

Will we ever need maths after school?

By Snezana Lawrence

What is the purpose of mathematics? Or, as many a pupil would ask the teacher on a daily basis: “When are we going to need this?” There is a considerably ruder version of a question posed by Billy Connolly on the internet, but let’s not go there.

Technology and the evolving portrait of the composer

By Robert Raines

It’s a cartoon image from my childhood: a man with wild hair, wearing a topcoat, and frantically waving a baton with a deranged look on his face. In fact, this caricature of what a composer should look like was probably inspired by the popular image of Beethoven: moody, distant, a loner… a genius lost in his own world.

Individuals as groups, groups as individuals

By Brian Hedden

People exist at different times. My life, for instance, consists of me-at-age-five, me-as-a-teenager, me-as-a-university-student, and of course many other temporal stages (or time-slices) as well. In a sense, then, we can see a single person, whose life extends over time, as akin to a group of people, each of whom exists for just a short stretch of time.

A comma in Catullus

By Patrick Finglass

Only Oscar Wilde could be quite so frivolous when describing a matter as grave as the punctuation of poetry, something that causes particular grief in our attempts to understand ancient texts. Their writers were not so obliging as to provide their poems with punctuation marks, nor to distinguish between capitals and small letters.