Julius Eastman (27 October 1940-28 May 1990)—composer, pianist, vocalist, improviser, conductor, actor, choreographer, and dancer—has left a musical legacy worthy of special attention. Now is a prime moment to attend to Eastman and his work, as we recognize and honor the loss of this significant musical figure just twenty-five years ago from today.
“Blurred Lines” and Thicke’s overwhelming success have been eclipsed by the popularity of the recent federal court case, in which a jury decided that its creators infringed upon the copyright of Marvin Gaye’s 1977 Billboard Hot 100 chart topper, “Got to Give It Up.”
Popular music is much more than mere entertainment—it helps us make sense of who we are or who we hope to be. Although music is but one of pop culture’s media outlets, our tendency to embody and take ownership of sound—whether through our headphones, MP3 downloads, dancing, or singing—often makes it difficult to separate our personal connection to popular music from the cultural context in which it was created.