Later interviews as counter narratives: Treblinka and the ardent lover
Oral historians differ on the utility of retrieving participants’ full life stories, but we agree that “full” is a relative term. There is always much unsaid in any life’s retelling, and for a wide range reasons. Drawing on forty years of interviewing Holocaust survivors, I emphasize here that what is unsaid in early interviews often emerges in later ones. Indeed, later interviews may even become counter narratives to earlier recounting—a way for participants to tell us not to “peg” them too easily or too soon.