Oxford University Press's
Academic Insights for the Thinking World
Reading a book on the 1992 chess match between Boris Spassky and Bobby Fischer, I came across this sentence: “Twenty years ago, to the very day, Fischer had swept to victory, to become crowed as the 11th World Champion, against the self-same Spassky, then the Soviet World Champion.”
I got a book of New York Times crossword puzzles, edited by Will Shortz, as a gift. I had never been a crossword addict or even an aficionado, but a gift is meant to be enjoyed, so I began working through the puzzles in the evenings as I watched the news.
One of the quirkier features of the English syntax has to do with the simple word all. All is a quantity word, or quantifier in the terminology of grammarians and logicians. It indicates an entirety of something.
A while back, a philosopher friend of mine was fretting about the adjective “existential.” She was irked by people using it to refer to situations which threaten the existence of something, as when someone refers to climate change as an “existential crisis,” or more commonly, as “an existential threat.”
One of the quirkier features of the English syntax has to do with the simple word all. All is a quantity word, or quantifier in the terminology of grammarians and logicians. It indicates an entirety of something.
When we think of genre, it is often in the sense of literature or film. However, rhetoricians will tell us that genre is a concept that includes any sort of writing that has well-defined conventions, such as business memos, grant proposals, obituaries, syllabi, and much more.
I considered opening this post in the style of Dashiell Hammett: Samuel Spade’s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal.
“Uh” and “um” don’t get much respect. What even are they? Toastmasters International calls them “crutch words.”
If you look up the synonym of big, you are likely to find words like large, huge, immense, colossal, enormous, and ginormous, among others. Some of these will cause you to raise an eyebrow because they are bigger than big: something can be big, but not huge or enormous.
January gets its name from Janus, the Roman god of doors and gates, and (more metaphorically) the god of transitions and transformations. What better time to talk about so-called Janus words.
In January 2024, the Linguistic Society of America celebrates its 100th anniversary. And one thing you can be sure of is that “Happy Birthday” will be sung.
As a key architect of US foreign policy during the Nixon and Ford administrations, Henry Kissinger left an indelible mark on international relations.
Interjections like oh or wow are sometimes described—too simply—as “emotion words.” They certainly can express a wide range of emotions, including delight (ah), discovery (aha), boredom (blah), disgust (blech), frustration (argh), derision of another (duh) or one’s self (Homer Simpson’s d’oh).
They certainly can express a wide range of emotions, including delight (ah), discovery (aha), boredom (blah), disgust (blech), frustration (argh), derision of another (duh) or one’s self (Homer Simpson’s d’oh).
The distinction between nouns and adjectives seems like it should be straightforward, but it’s not. Grammar is not as simple as your grade-school teacher presented it.
The distinction between nouns and adjectives seems like it should be straightforward, but it’s not. Grammar is not as simple as your grade-school teacher presented it.
Writers need to love words—the good, the bad, and the irregular. And they need to respect syntax, the patterns that give words their form. But when writers understand the power of phrases, their sentences shine.