So Long, Farewell
Dearest readers, I am sorry to say that the time has come for me to say goodbye. I have had a wonderful time meeting you all, not to mention learning more than I ever thought I would know about the fantastic field of oral history.
Dearest readers, I am sorry to say that the time has come for me to say goodbye. I have had a wonderful time meeting you all, not to mention learning more than I ever thought I would know about the fantastic field of oral history.
In a few months, Troy and I hope to welcome you all to the 2014 Oral History Association (OHA) Annual Meeting, “Oral History in Motion: Movements, Transformations, and the Power of Story.” This year’s meeting will take place in our lovely, often frozen hometown of Madison, Wisconsin, from 8-12 October 2014.
There are many exciting things coming down the Oral History Review pipeline, including OHR volume 41, issue 2, the Oral History Association annual meeting and a new staff member.
Happy 2014, everyone! To kick off the new year, we have a podcast with managing editor Troy Reeves and 40.2 contributor Ken Woodard. Woodard is the author of “The Digital Revolution and Pre-Collegiate Oral History: Meditations on the Challenge of Teaching Oral History in the Digital Age.” In this podcast, Woodard talks about confronting the digital native stereotype, building the oral history program at Stone Ridge School of the Sacred Heart, and the importance of collaboration. Enjoy!
About a month ago, when we celebrated the release of the Oral History Review Volume 40.2, we mentioned that one of the goals in putting together the issue was to expand the journal’s geographical scope. Towards that end, we were excited to publish Claire Payton’s “Vodou and Protestantism, Faith and Survival: The Contest over Spiritual Meaning of the 2010 Earthquake in Haiti.” The following, is an interview with the author.
By Caitlin Tyler-Richards
In celebration of Veterans Day, we’re pleased to share a conversation between OHR managing editor Troy Reeves and Dr. Robert P. Wettemann Jr., director of the U.S. Air Force Academy Center for Oral History.
By Caitlin Tyler-Richards
In our first podcast of the season, managing editor Troy Reeves speaks with the newest addition to the Oral History Review (OHR) editorial staff, David J. Caruso. As you will learn, David wears a number of hats in the oral history community.
By Caitlin Tyler-Richards
As regular readers might have guessed, the Oral History Review staff has spent the last few months obsessing over oral history’s bright, digital future. However, now that special issue 40.1, Oral History in the Digital Age, is out, we’re taking a break — just a break! — to recall the oral history projects that run on something other than tagging and metadata. To that end, we were lucky enough to catch up with Professor Paul Ortiz, director of the Samuel Proctor Oral History Program (SPOHP) at the University of Florida.
After listening to this week’s podcast with managing editor Troy Reeves and oral historian extraordinaire Doug Boyd, you might think the Oral History Review has fallen prey to corporate sponsorship. Let me assure you, dear audience, that we are not in bed with Starbucks, E-Harmony, or General Mills. Instead, it seems Doug, guest editor of our special issue “Oral History in the Digital Age” and author of “OHMS: Enhancing Access to Oral History for Free,” is prone to elaborate metaphors when describing oral history best practices.
By Caitlin Tyler-Richards
Continuing our celebration of the release of 40.1, today we’re excited to share a conversation between managing editor Troy Reeves and contributors Anne Valk and Holly Ewald. Valk and Ewald are the authors of, “Bringing a Hidden Pond to Public Attention: Increasing Impact through Digital Tools,” which describes the origins and methods of the Mashapaug Project, a collaborative community arts and oral history project on a pond in Providence, Rhode Island.
By Caitlin Tyler-Richards
This week, in the spirit of our upcoming special issue on oral history’s evolving technologies, we want to (re)introduce everyone to the website Oral History in the Digital Age, a substantial collaboration between several institutions to “put museums, libraries, and oral historians in a position to address collectively issues of video, digitization, preservation, and intellectual property.