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Academic Insights for the Thinking World
In 1958, Henry Cabot Lodge Jr., the US ambassador to the United Nations, summarized the role of the world organization: “The primary, the fundamental, the essential purpose of the United Nations is to keep peace. Everything which does not further that goal, either directly or indirectly, is at best superfluous.” Some 30 years later another ambassador expressed a different view
Angus studied at the Canterbury School of Art, Christchurch (1927–33). In 1930 she married the artist Alfred Cook (1907–70) and used the signature Rita Cook until 1946; they had separated in 1934. Her painting Cass (1936; Christchurch, NZ, A.G.) is representative of the regionalist school that emerged in Canterbury during the late 1920s, with the small railway station visualizing both the isolation and the sense of human progress in rural New Zealand.
A time-traveler, visiting from 1970s Britain, would be surprised by pretty much everything on the modern high street. While prestige brands such as Rolls Royce and Berry Bros. & Rudd have formed part of a much older landscape, the discriminating buyer of the Wilson and Heath eras would be astounded by the topsy-like growth of the modern luxury market.
We have all experienced the effect music can have on our emotions and state of mind. We have felt our spirit lift when a happy song comes on the radio, or a pinging sense of nostalgia when we hear the songs of our childhood. While this link between music and emotion has long been a part of human life, only in recent decades have we had the technology and foundational knowledge to understand music’s effect on our brains in concrete terms.
I’m writing from Palermo where I’ve been teaching a course on the legacy of Troy. Myths and fairy tales lie on all sides in this old island. It’s a landscape of stories and the past here runs a live wire into the present day. Within the same hour, I saw an amulet from Egypt from nearly 3000 years ago, and passed a young, passionate balladeer giving full voice in the street to a ballad about a young woman – la baronessa Laura di Carini – who was killed by her father in 1538. He and her husband had come upon her alone with a man whom they suspected to be her lover.
At the Conference on Open Access Scholarly Publishing in Paris last month, Claudio Aspesi, Senior Analyst at Sanford C. Bernstein, raised an uncomfortable question. Did the continuing financial health of traditional publishers like Elsevier indicate that open access had “failed”?
If you ask many people about nurses, they will tell you how caring and kind nurses are. The word “angel” might even appear. Nursing consistently tops the annual Gallup poll comparing the ethics and honesty of different professions.
If you have read the previous parts of this “study,” you may remember that brown is defined as a color between orange and black, but lexicographical sources often abstain from definitions and refer to the color of familiar objects. They say that brown is the color of mud, dirt, coffee, chocolate, hazel, or chestnut.
A ten-year anniversary seems an opportune time to take stock. Much has been said already about Oxford Scholarship Online (OSO) as it moves into its second decade, and let’s cast the net a bit wider and focus not on OSO, per se, but on what the academic publishing industry has gotten right and what we’ve missed since OSO was in its infancy.
Throughout history and across cultures, marriage has often been accompanied by substantial exchange of wealth. However, the practice has mostly died out in western societies, which is perhaps why the meanings of these marital transfers are often not well understood. In anthropological terms, a dowry can be seen as a form of pre-mortem bequest to the bride from her parents, while bride-price or groom-price is a transaction between the kin of the groom and the kin of the bride.
A human eyeball shoots out of its socket, and rolls into a gutter. A child returns from the dead and tears the beating heart from his tormentor’s chest. A young man has horrifying visions of his mother’s decomposing corpse. A baby is ripped from its living mother’s womb. A mother tears her son to pieces, and parades around with his head on a stick.
Preparing a new edition of an oral history manual, a decade after the last appeared, highlighted dramatic changes that have swept through the field. Technological development made previous references to equipment sound quaint. The use of oral history for exhibits and heritage touring, for instance, leaped from cassettes and compact disks to QR codes and smartphone apps. As oral historians grew more comfortable with new equipment, they expanded into video and discovered the endless possibilities of posting interviews, transcripts, and recordings on the Internet.
The Salem Witch Trials of 1692-1693 were by far the largest and most lethal outbreak of witchcraft hysteria in American history. Yet Salem was just one of many incidents during the Great Age of Witch Hunts which took place throughout Europe and her colonies over many centuries. Indeed, by European standards, Salem was not even a large outbreak. But what exactly were the factors that made Salem stand out?
Beginning in the early 1920s, and continuing through the mid 1940s, record companies separated vernacular music of the American South into two categories, divided along racial lines: the “race” series, aimed at a black audience, and the “hillbilly” series, aimed at a white audience. These series were the precursors to the also racially separated Rhythm & Blues and Country & Western charts.
The business press and general media often lament that firm executives are exhibiting “short-termism”, succumbing to the pressure by stock market investors to maximize quarterly earnings while sacrificing long-term investments and innovation. In our new article in the Socio-Economic Review, we suggest that this complaint is partly accurate, but partly not.
Open access (OA) publishing stands at something of a crossroads. OA is now part of the mainstream. But with increasing success and increasing volume come increasing complexity, scrutiny, and demand. There are many facets of OA which will prove to be significant challenges for publishers over the next few years