Recently restored portraits uncover new questions about the Renaissance
By Ulinka Rublack
Unusually so, Bronzino depicted Morgante completely nude from the front and from behind. Later generations added vine-leaves, but these have now gone, while the owl Morgante carries on his shoulder has been cleaned up to startle us with its forthright gaze. The paintings lead us back into the world of the Renaissance, which closely linked the question of who we are to how we look.