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Book vs. Movie: Far From the Madding Crowd

A new film adaptation of Far From the Madding Crowd  by Thomas Hardy was recently released, starring Carey Mulligan as the beautiful and spirited Bathsheba Everdene and Matthias Schoenaerts, Tom Sturridge, and Michael Sheen as her suitors. In this classic Victorian-era romance, Bathsheba is courted by these three, distinctly different suitors. As they all compete for her hand in marriage, she must choose between them, and eventually face the consequences of her fickle heart.

Have you seen the film? How does it compare to the novel? Compare this clip from the film with a corresponding excerpt from the Oxford World’s Classics edition of the novel, and let us know what you think.

Bathsheba’s aunt was indoors. “Will you tell Miss Everdene that somebody would be glad to speak to her?” said Mr Oak. (Calling one’s self merely Somebody, without giving a name, is not to be taken as an example of the ill-breeding of the rural world: it springs from a refined modesty of which townspeople with their cards and announcements have no notion whatever.)

Bathsheba was out. The voice had evidently been hers.

“Will you come in, Mr Oak?”

“Oh thank ’ee,” said Gabriel, following her to the fireplace. “I’ve brought a lamb for Miss Everdene. I thought she might like one to rear: girls do.”

“She might,” said Mrs Hurst musingly; “though she’s only a visitor here. If you will wait a minute Bathsheba will be in.”

“Yes, I will wait,” said Gabriel sitting down. “The lamb isn’t really the business I came about, Mrs Hurst. In short I was going to ask her if she’d like to be married.”

“And were you indeed.”

“Yes. Because if she would I should be very glad to marry her. D’ye know if she’s got any other young man hanging about her at all?”

“Let me think,” said Mrs Hurst, poking the fire superfluously . . . . . .

“Yes––bless you, ever so many young men. You see, Farmer Oak, she’s so good-looking and an excellent scholar besides––she was going to be a governess once, you know, only she was too wild. Not that her young men ever come here––but, Lord, in the nature of women she must have a dozen!”

“That’s unfortunate,” said Farmer Oak contemplating a crack in the stone floor with sorrow. “I’m only an everyday sort of man, and my only chance was in being the first comer . . . Well, there’s no use in my waiting, for that was all I came about: so I’ll take myself off home-along, Mrs Hurst.”

When Gabriel had gone about two hundred yards along the down he heard a “hoi-hoi!” uttered behind him in a piping note of more treble quality than that in which the exclamation usually embodies itself when shouted across a field. He looked round and saw a girl racing after him, waving a white handkerchief.

Oak stood still––and the runner drew nearer. It was Bathsheba Everdene. Gabriel’s colour deepened: hers was already deep, not as it appeared from emotion, but from running.

“Farmer Oak––I––” she said, pausing for want of breath, pulling up in front of him with a slanted face, and putting her hand to her side.

“I have just called to see you,” said Gabriel, pending her further speech.

“Yes––I know that,” she said panting like a robin, her face red and moist from her exertions, like a peony petal before the sun dries off the dew. “I didn’t know you had come to ask to have me, or I should have come in from the garden instantly. I ran after you to say––that my aunt made a mistake in sending you away from courting me––”

Gabriel expanded. “I’m sorry to have made you run so fast, my dear,” he said, with a grateful sense of favours to come. “Wait a bit till you’ve found your breath.”

“––It was quite a mistake––aunt’s telling you I had a young man already,” Bathsheba went on. “I haven’t a sweetheart at all––and I never had one, and I thought that, as times go with women, it was such a pity to send you away thinking that I had several.”

“Really and truly I am glad to hear that!” said Farmer Oak, smiling one of his long special smiles, and blushing with gladness. He held out his hand to take hers, which, when she had eased her side by pressing it there, was prettily extended upon her bosom to still her loud-beating heart. Directly he seized it she put it behind her, so that it slipped through his fingers like an eel.

“I have a nice snug little farm,” said Gabriel, with half a degree less assurance than when he had seized her hand.

“Yes: you have.”

“A man has advanced me money to begin with, but still, it will soon be paid off, and though I am only an everyday sort of man I have got on a little since I was a boy.” Gabriel uttered “a little” in a tone to show her that it was the complacent form of “a great deal.”

He continued: “When we be married, I am quite sure I can work twice as hard as I do now.”

He went forward and stretched out his arm again. Bathsheba had overtaken him at a point beside which stood a low, stunted holly bush, now laden with red berries. Seeing his advance take the form of an attitude threatening a possible enclosure if not compression of her person, she edged off round the bush.

“Why Farmer Oak,” she said, over the top, looking at him with rounded eyes, “I never said I was going to marry you.”

“Well––that is a tale!” said Oak, with dismay. “To run after anybody like this––and then say you don’t want him!”

“What I meant to tell you was only this,” she said eagerly, and yet half-conscious of the absurdity of the position she had made for herself: “that nobody has got me yet as a sweetheart, instead of my having a dozen as my aunt said; I hate to be thought men’s property in that way––though possibly I shall be had some day. Why, if I’d wanted you I shouldn’t have run after you like this; ’twould have been the forwardest thing! But there was no harm in hurrying to correct a piece of false news that had been told you.”

“O no––no harm at all.”

But there is such a thing as being too generous in expressing a judgment impulsively, and Oak added with a more appreciative sense of all the circumstances––“Well I am not quite certain it was no harm.”

“Indeed, I hadn’t time to think before starting whether I wanted to marry or not, for you’d have been gone over the hill.”

“Come,” said Gabriel, freshening again; “think a minute or two. I’ll wait a while, Miss Everdene. Will you marry me? Do Bathsheba. I love you far more than common!”

“I’ll try to think,” she observed rather more timorously: “if I can think out of doors; my mind spreads away so.”

“But you can give a guess.”

“Then give me time.” Bathsheba looked thoughtfully into the distance away from the direction in which Gabriel stood.

“I can make you happy,” said he to the back of her head across the bush. “You shall have a piano in a year or two––farmers’ wives are getting to have pianos now, and I’ll practise up the flute right well to play with you in the evenings.”

“Yes: I should like that.”

“And have one of those little ten-pound gigs for market––and nice flowers, and birds––cocks and hens I mean, because they be useful,” continued Gabriel, feeling balanced between poetry and practicality.

“I should like it very much.”

“And a frame for cucumbers––like a gentleman and lady.”


“And when the wedding was over, we’d have it put in the newspaper list of Marriages.”

“Dearly I should like that.”

“And the babies in the Births––every man-jack of ’em! And at home by the fire, whenever you look up there I shall be––and whenever I look up there will be you.”

“Wait, wait, and don’t be improper!”

Her countenance fell, and she was silent awhile. He regarded the red berries between them over and over again to such an extent that holly seemed in his after life to be a cypher signifying a proposal of marriage. Bathsheba decisively turned to him.

“No: ’tis no use,” she said. “I don’t want to marry you.”


“I have tried hard all the time I’ve been thinking; for a marriage would be very nice in one sense. People would talk about me, and think I had won my battle, and I should feel triumphant, and all that. But a husband––”


“Why he’d always be there, as you say: whenever I looked up, there he’d be.”

“Of course he would––I, that is.”

“Well, what I mean is that I shouldn’t mind being a bride at a wedding if I could be one without having a husband. But since a woman can’t show off in that way by herself I shan’t marry––at least yet.”

“That’s a terrible wooden story!”

At this criticism of her statement Bathsheba made an addition to her dignity by a slight sweep away from him.

“Upon my heart and soul, I don’t know what a maid can say stupider than that,” said Oak. “But dearest,” he continued in a palliative voice, “don’t be like it!” Oak sighed a deep honest sigh––none the less so in that, being like the sigh of a pine plantation, it was rather noticeable as a disturbance of the atmosphere. “Why won’t you have me?” he appealed, creeping round the holly to reach her side.

“I cannot,” she said retreating.

“But why?” he persisted, standing still at last in despair of ever reaching her, and facing over the bush.

“Because I don’t love you.”

“Yes, but––”

She contracted a yawn to an inoffensive smallness so that it was hardly ill-mannered at all. “I don’t love you,” she said.

“But I love you––and as for myself, I am content to be liked.”

“O Mr Oak––that’s very fine! You’d get to despise me.”

“Never,” said Mr Oak, so earnestly that he seemed to be coming by the force of his words straight through the bush and into her arms. “I shall do one thing in this life––one thing certain––that is, love you, and long for you, and keep wanting you till I die.” His voice had a genuine pathos now, and his large brown hands perceptibly trembled.

“It seems dreadfully wrong not to have you when you feel so much,” she said with a little distress, and looking hopelessly around for some means of escape from her moral dilemma. “How I wish I hadn’t run after you.” However she seemed to have a short cut for getting back to cheerfulness, and set her face to signify archness. “It wouldn’t do, Mr Oak. I want somebody to tame me: I am too independent: and you would never be able to, I know.”

Oak cast his eyes down the field in a way implying that it was useless to attempt argument.

“Mr Oak,” she said with luminous distinctness and common sense: “You are better off than I. I have hardly a penny in the world––I am staying with my aunt for my bare sustenance––I am better educated than you––and I don’t love you a bit: that’s my side of the case. Now yours: you are a farmer just beginning, and you ought in common prudence if you marry at all (which you should certainly not think of doing at present) to marry a woman with money, who would stock a larger farm for you than you have now.”

Gabriel looked at her with a little surprise and much admiration. “That’s the very thing I had been thinking myself !” he naively said.

Farmer Oak had one-and-a-half Christian characteristics too many to succeed with Bathsheba: his humility, and a superfluous moiety of honesty. Bathsheba was decidedly disconcerted.

“Well then, why did you come and disturb me!” she said, almost angrily if not quite, an enlarging red spot rising in each cheek.

“I can’t do what I think would be . . . would be . . .”


“No: wise.”

“You have made an admission now, Mr Oak,” she exclaimed, with even more hauteur, and rocking her head disdainfully. “After that, do you think I could marry you? Not if I know it.”

He broke in, passionately. “But don’t mistake me like that. Because I am open enough to own what every man in my shoes would have thought of, you make your colours come up your face and get crabbed with me. That about you not being good enough for me is nonsense. You speak like a lady––all the parish notice it, and your uncle at Weatherbury is, I’ve heerd, a large farmer––much larger than ever I shall be. Mid I call in the evening––or will you walk along with me o’ Sundays? I don’t want you to make up your mind at once, if you’d rather not.”

“No––no––I cannot. Don’t press me any more––don’t. I don’t love you––so ’twould be ridiculous!” she said, with a laugh.

No man likes to see his emotions the sport of a merry-go-round of skittishness. “Very well,” said Oak, firmly, with the bearing of one who was going to give his days and nights to Ecclesiastes for ever. “Then I’ll ask you no more.”

Featured image: Far From the Madding Crowd by Alex Bailey. (c). Fox Searchlight Pictures via Vulture.com

Recent Comments

  1. Matthew Selwyn

    I haven’t yet seen the film but reviews from friends have been very good. Hardy is an author whose work can stand some editing down, and I think Far From the Madding Crowd in particular could be made a fair bit tighter and so I have high hopes for the film. Of course, hard to beat the book!

    My review of the book: Far From the Madding Crowd by Thomas Hardy

  2. Evelyn

    Schoenearts seems to be making a line of being miscast in costume dramas after Suite Francaise, although he alternates it with better villain roles in hard boiled crime dramas like Blood Ties and The Drop. This is pretty much the response I expected of this film, patchy, a few roles mis-cast and Carey Mulligan (http://careymulligan.org/) bloody marvellous as always.

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