Oxford University Press's
Academic Insights for the Thinking World
On 16 June 1871 the Prussian army, 42,000 strong, entered Berlin in triumph. Wilhelm I, King of Prussia, had been proclaimed German Emperor five months before in Versailles.
How did the Peanuts gang respond to–and shape–postwar American politics? How has a single game become a cultural touchstone for urban Chinese Americans in the 1930s, incarcerated Japanese Americans during World War II, and Jewish American suburban mothers? Were 19th Century Brits very deeply bored? Cultural and social history bring to life the beliefs, understandings, and motivations of peoples throughout time. Explore these nine books to expand your understanding of who we are.
In January, Oxford University Press announced its support for SHAPE, a new collective name for the humanities, arts, and social sciences and an equivalent term to STEM. SHAPE stands for Social Sciences, Humanities, and the Arts for People and the Economy and aims to underline the value that these disciplines bring to society. Over the last year or so, huge attention has—rightly—been placed on scientific and technological advancement but does that mean we’re overlooking the contribution of SHAPE in finding solutions to global issues?
The coronavirus pandemic greatly impacted traditional universities, with closures happening globally and students turning to remote learning. But what impact is COVID-19 having on institutions that historically teach mainly online?
If you’re lucky enough to be able to simply open a webpage and engage with the content hosted there, the likelihood is that you rarely think about what it would be like if you couldn’t do that. What if you were visually impaired but the page was indecipherable to your screen reader?
Son preference is a phenomenon that has strong historical roots in many western and non-western cultures. The positions of men and women in modern societies are becoming more aligned. In this context, it is natural to ask whether son preference is yet another social phenomenon that is losing its historical ground. Could it even be that in some domains of life such preference is already a thing of the past?
At his recent press conference, President Biden said that he came to the Senate 120 years ago. I knew exactly what he meant because I got there three years after him when I joined the Senate Historical Office in 1976, and it was a different world.
This summer will mark the 85th anniversary of the start of the Spanish Civil War, a brutal struggle that began with a military uprising against the democratic Second Republic and ended, three years later, in victory for the rebels under General Francisco Franco. The enduring fascination of that conflict, its ability to grip the global imagination, belies its geographical scale and is testament to the power of art.
During the past decade, the eyes of the world have often been directed toward Gaza. This tiny coastal enclave has received a huge amount of diplomatic attention and international media coverage. The plight of its nearly two million inhabitants has stirred an outpouring of humanitarian concern, generating worldwide protests against the Israeli blockade of Gaza.
In this blog post, the Oxford Etymologist revisits the word “bodkin” and its kin.
For Fascination of Plants Day on 18 May this year, we talked to Professor Mitchell Cruzan about his research into the evolved adaptations that distinguish plants from animals.
OUP have recently announced our support for the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. To further understand the crucial role these subjects play in our everyday lives, we have put three questions to four British Academy SHAPE authors and editors—social and cultural historian Lucy Noakes, historian of objects and faith Eyal Poleg, historical sociolinguist Laura Wright, and Lecturer in Contemporary Art History Mary Kelly—on what SHAPE means to them, and to their research.
Dear Fellow Nurses, I am honored to bring Nurse Week greetings, especially in this year of unprecedented demands. You may be heaving a sigh of relief as the pandemic winds down. You are fantasizing about “getting back to normal,” whatever “normal” means to you. However, your life as a practicing nurse is forever changed as a function of living through the crisis of the COVID-19 pandemic.
It might be an exaggeration to say a boar broke the internet. But when someone posted an image of wild boar sleeping on a mattress and surrounded by garbage from a recently-raided dumpster in Haifa, Israel in March, Twitter briefly erupted. In a recent article in The New York Times, Patrick Kingsley documented the uneasy relationship, not only between people and pigs, but also between the people who want the animals eliminated and those who welcome them. But Kingsley curiously omits an important detail: the drama over the fate of Haifa’s boar plays out against a backdrop of taboo and religious law.
Two things sometimes come as a surprise even to an experienced etymologist. First, it may turn out that such words happen to be connected as no one would suspect of having anything in common. Second is the ability of words to produce one another in what seems to be an arbitrary, capricious, or chaotic way, so that the entire group begins to resemble an analog of a creeping plant.
Placing the reader in the poetic and ethical space is the first step toward direct action that affects the larger human community: a step toward activism. Activism formalizes the values that inspire and ultimately direct our will—and action—to preserve and protect. By opening new worlds, other spaces, and creating experiences for the reader—and, crucially, letting the reader explore those worlds for herself or for himself—the lyric writer has an opportunity to create a protected zone for significant communication.