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SHAPE today and tomorrow: Q&A with Sophie Goldsworthy and Julia Black (part two)

By Julia Black and Sophie Goldsworthy

This second part of our Q&A with Sophie Goldsworthy, Director of Content Strategy & Acquisitions at OUP, and Professor Julia Black CBE FCA, Strategic Director of Innovation and Professor of Law at the London School of Economics and Political Science, and President-elect of the British Academy, reflects on how SHAPE disciplines can help us to understand the impact of the events of the pandemic and look towards the future of SHAPE.

Introducing SHAPE: Q&A with Sophie Goldsworthy and Julia Black (part one)

By Julia Black and Sophie Goldsworthy

OUP is excited to support the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. SHAPE has been coined to enable us to clearly communicate the value that these disciplines bring to not only enriching the world in which we live, but also enhancing our understanding of it. In the first instalment this two-part Q&A, we spoke to Sophie Goldsworthy and Professor Julia Black to find out more about SHAPE and what it means to them.

The SHAPE of things [podcast]

By Steven Filippi and Ella Percival

In January, Oxford University Press announced its support for SHAPE, a new collective name for the humanities, arts, and social sciences and an equivalent term to STEM. SHAPE stands for Social Sciences, Humanities, and the Arts for People and the Economy and aims to underline the value that these disciplines bring to society. Over the last year or so, huge attention has—rightly—been placed on scientific and technological advancement but does that mean we’re overlooking the contribution of SHAPE in finding solutions to global issues?

Meet the cast of Illuminating Shakespeare

By Helena Palmer

Get to know the team behind the Illuminating Shakespeare project as they reveal their stand-out Shakespearean memories, performances, and quotations.

University Press Week blog tour round-up (Tuesday)

For the last few years, the AAUP has organized a University Press blog tour to allow readers to discover the best of university press publishing. On Tuesday, their theme was “The Future of Scholarly Publishing” featuring commentary on trends in the industry, the case for financial support, and the meaning of gatekeeping in a digital era.

The future of scholarly publishing

By Sophie Goldsworthy

In thinking about the future of scholarly publishing – a topic almost as much discussed as the perennially popular ‘death of the academic monograph’ – I found a number of themes jostling for attention, some new, some all-too familiar. What are the challenges and implications of open access?

What is your favourite Shakespeare adaptation?

By Helena Palmer

In anticipation of Shakespeare celebrations next year, we asked Oxford University Press and Oxford University staff members to choose their favourite Shakespeare adaptation. From classic to contemporary, the obscure to the infamous, we’ve collected a whole range of faithful and quirky translations from play text to film. Did your favourite film or television programme make the list?

The Urgenda decision: balanced constitutionalism in the face of climate change?

By Ceri Warnock

Over the coming months and years, much will undoubtedly be written about Urgenda v Netherlands, the decision by a District Court in the Hague ordering the Dutch Government to ‘limit or have limited’ national greenhouse gas emissions by at least 25% by 2020 compared to the level emitted in 1990. A full analysis of the decision is due to appear in the Journal of Environmental Law before the end of the year, but given the myriad of legal issues thrown up by the case, it deserves the close and immediate attention of a wide community of scholars and practitioners.

What good is photography?

By Sophie Goldsworthy

We’re bombarded with images today as never before. Whether you’re an avid mealtime Instagrammer, snapchatting your risqué images, being photobombed by your pets, capturing appealing colour schemes for your Pinterest moodboard, or simply contributing to the 250,000 or so images added to Facebook every minute, chances are you have a camera about your person most of the time, and use it almost without thinking to document your day.

Volume, variety, and online scholarly publishing

By John Louth
One of the questions we are asked most frequently as university press editors is whether and how our work has changed to accommodate digital publishing. That can be taken to refer to a wide range of changes, but if we mean the digital publication of scholarly monographs, the answer, thankfully, is “not much”.

Looking back: ten years of Oxford Scholarship Online

By Sophie Goldsworthy
Back in 2001, there was a whole host of reference products online, and journals were well down that digital road. But books? Who on earth would want to read a whole book online? When the idea that grew into Oxford Scholarship Online was first mooted, it faced a lot of scepticism, in-house as well as out.

Oxford Scholarly Editions Online launches today: but why?

By Sophie Goldsworthy

Today sees the launch of a major new publishing initiative from Oxford University Press – Oxford Scholarly Editions Online (OSEO). OSEO will provide trustworthy and reliable critical online editions of original works by some of the most important writers in the humanities, such as William Shakespeare and Ben Jonson, as well as works from lesser-known writers such as Shackerley Marmion.