Susan Butterworth discusses the life and legacy of Zora Neale Hurston. A vibrant figure of the Harlem Renaissance, a fertile interpreter of black folklore, and a lyrical writer – Hurston had a fascinating career. By the time of her death however, she had sadly disappeared into poverty and obscurity.
In this article from “Black Women in America” (2nd Ed.), Margaret B. Winkerson looks at the life and works of Lorraine Hansberry, author of “A Raisin in the Sun.”
Like all of her heroines, Alice Walker is herself an agent of change. Walker once said that the best role model is someone who is always changing. Instead of desiring a long shelf life, Walker asserts that she wants to remain fresh. This commitment to fluidity and evolution characterizes both her life and her work.
This March, in honour of Women’s History Month, and in celebration of the achievements and contributions of women to the field of philosophy, the OUP philosophy team honours Philippa Foot (1920–2010) as its Philosopher of the Month. Philippa Foot is widely regarded as one of the most distinctive and influential moral philosophers of the twentieth-century.
Though history favours the warriors, monarchs, and rebels, female pacifists and mediators behind the scenes were just as vital in the fight for equality.
The Women’s Suffragist movement spans multiple generations. 72 years passed between the Seneca Falls convention in 1848 and the passage of the Nineteenth Amendment in 1920. During that time, women skillfully organized, mobilized, and built a powerful social movement to achieve their long-sought goal. Let’s look back at the events that led up to that […]
Tiff Massey is a young artist whose work ranges from wearable sculpture to large-scale public interventions. In the first of this two-part interview, Massey spoke with Benezit Dictionary of Art editor Kathy Battista about her work as well as her vision for bringing art education to underserved areas of Detroit. In the second part of the interview, Massey speaks about her influences and beginnings as an artist.
Tiff Massey is a young artist whose work ranges from wearable sculpture to large-scale public interventions. She is the first African-American woman to graduate from Cranbrook Academy of Art’s MFA in Metalsmithing. She cites her influences as ranging from 1980s hip-hop culture and her hometown of Detroit to African art and Japanese fashion.
Our host for this episode is William Beezley, Professor of History at the University of Arizona and Editor in Chief of the Oxford Research Encyclopedia of Latin American History. He moderates a roundtable discussion with historians Stephanie Wood and Susie Porter about Mexican women’s self-expression through textiles and dress throughout history to the present day.
Zoe Buckman is a young artist and activist whose work in sculpture, photography, embroidery, and installation explores issues of feminism, mortality, and equality. She was born in London in 1985 and lives and works in Brooklyn, New York. Buckman was a featured artist at Pulse Projects New York 2014 and Miami 2016, and was included in the curated Soundscape Park at Art Basel Miami Beach 2016. Her new public work, Champ, produced in collaboration with the Art Production Fund, is located on the corner of Sunset Boulevard and Sweetzer Avenue in front of The Standard in West Hollywood.
Achievements, contributions, and developments made by women have often gone overlooked or unacknowledged throughout world history. In 1909, “National Women’s Day” was held on 28 February in New York, which was amended to “International Women’s Day” two years later.
As a current fourth year medical student in the United Kingdom, I am in a year in which the number of females supersedes the number of males. This trend certainly isn’t unique to my own medical school, with a General Medical Council (GMC) report stating that women now make up 55% of all undergraduate medical students. This current trend is a change, as in the past medicine has always been a male-dominated profession.
With every generation comes difficult and contested times that shape history. In the United States, where we are experiencing one of the most divided society in decades, the sentiment feels omnipresent and pervasive. For women and those of nonconforming gender, the issues at stake are even more expansive than the gun laws, environmental concerns, or tax reforms that are on the minds of our citizens.
The historical record of women making music extends back as far as the earliest histories and artifacts of musical performance. For example, artwork from Ancient Greece and Rome suggest that women’s choruses were featured in rituals and festivals. And throughout Chinese imperial history the courts, civil and military officials and wealthy households employed women to sing, dance, and play musical instruments.
Narcissister is a Brooklyn based artist whose work includes performance, dance and activism as essential elements. She continues the tradition of second wave feminist artists, such as Adrian Piper, Lorraine O’Grady, Carolee Schneemann, etc., who challenged the status quo in their examination of gender roles, sexuality and equal rights. Narcissister wears a trademark vintage mask in most works, obscuring her identity and provoking the viewer to think of the artist as an “everywoman” rather than about an individual experience.
During the Enlightenment era, the term “man of letters” (deriving from the French term belletrist) was used to distinguish true scholars—independent thinkers who relished debate, conversation and learning. In an age when literacy was a distinct form of cultural capital, it served to identify the literati, often the French members of the “Republic of Letters,” who met in “salons” designed for the elevation, education, and cultural sophistication of the participants.