Not many, however, noted that Stranger Things, with its murderous, tentacled creature unleashed through a trans-dimensional portal into a small town by the experiments of a mad professor, owed virtually everything to the imagination of H. P. Lovecraft. He composed these scenarios over eighty years ago in classic stories like ‘The Dunwich Horror’ and ‘The Shadow over Innsmouth’.
This week, Oxford University Press (OUP) and The Reader announced an exciting new partnership, working together to build a core classics library and to get great literature into the hands of people who need it most, with the Oxford World’s Classics series becoming The Reader’s “house brand” for use in their pioneering Shared Reading initiatives.
As a young woman, Virginia Woolf toured London’s National Portrait Gallery and grieved to find that almost all the portraits in the collection were of men. Woolf was so resentful that she later refused to sit for a drawing commissioned by the gallery, seemingly renouncing an opportunity to add her own portrait to its walls.
Judging a book by its cover has turned out to be a necessity in life. We’ve all perused book shops and been seduced by a particularly intriguing cover–perhaps we have even been convinced to buy a book because of its cover. And, truly, there is no shame in that. It takes skill and artistry to craft a successful book cover, and that should be acknowledged.
In times of political change and upheaval, as we’ve seen around the world through the last five years, I take great comfort in reading the works of political writers of various ages.
Pride encounters prejudice, upward-mobility confronts social disdain, and quick-wittedness challenges sagacity, as misconceptions and hasty judgments lead to heartache and scandal, but eventually to true understanding, self-knowledge, and love. In this supremely satisfying story, Jane Austen balances comedy with seriousness, and witty observation with profound insight. If Elizabeth Bennet returns again and again to her letter from Mr Darcy, readers of the novel are drawn even more irresistibly by its captivating wisdom.
National Friendship Day was originally founded by Hallmark as a promotional campaign to encourage people to send cards, but is now celebrated in countries across the world on the first Sunday in August. This post celebrates the friendship of two of our favorite characters from classic literature, Rat and Mole from The Wind in the Willows.
In a recent article for The Huffington Post, journalist Erin Schumaker advises students not to let their brains waste away over the summer: “you might be better off skipping the beach read this summer in favor of something a little more substantive.” Yet some of us might find the idea of settling down on a sun lounger with War and Peace less than appealing. To help you out, we asked staff at Oxford University Press for a list of summer classics that will help you relax without letting your brain get lazy!
The first thing you need to know about the Bryant Park Reading Room is that it isn’t a room. Located behind the New York Public Library in Manhattan, this open-air Reading Room sits under a leafy canopy of plane trees at the 42nd Street entrance to Bryant Park.
Two hundred years ago today Lord Byron wrote a brief, untitled Gothic fragment that is now known as ‘Augustus Darvell’, the name of its central character. The most famous author in the world at the time, Byron produced the tale when he was living at the Villa Diodati, on the shores of Lake Geneva, and in the daily company of Percy Bysshe Shelley, Mary Godwin (the future Mary Shelley), and John Polidori, Byron’s personal physician.
I congratulate you and Mr. Vernon on being about to receive into your family, the most accomplished Coquette in England. As a very distinguished Flirt, I have been always taught to consider her; but it has lately fallen in my way to hear some particulars of her conduct at Langford, which prove that she does not confine herself to that sort of honest flirtation which satisfies most people, but aspires to the more delicious gratification of making a whole family miserable.
The second series of the BBC Radio 4 dramatization of the novels of Émile Zola (Blood, Sex and Money) is just coming to a close. The central theme of the present series is Sex. Sex is all-pervasive in Zola. It encapsulates the themes of desire, pleasure, and perversion; and it is inseparable from Zola’s social themes.
Listen to, and read a transcript of an interview from Nicola Barringer with Valerie Minogue, translator of Money by Émile Zola, part of the Rougon-Macquart cycle. In the interview, she introduces the Rougon-Macquart, Zola’s epic cycle of twenty novels.
The portrait of Tolstoy currently on view at London’s National Portrait Gallery as part of the ‘Russia and the Arts: The Age of Tolstoy and Tchaikovsky’ exhibition shows the writer sitting at his desk, pen in hand, head bowed. Only six years after Anna Karenina was first published as a complete novel, Tolstoy had already cast aside his career as a professional writer in favour of proselytizing his ethics-based brand of Christianity.
I’m 15 years old and I have just thrown up in the lavatory at the movie theater. Shaking too hard to reach the paper towels, I need to hide out there for the entire intermission of the third installment of Sergei Bondarchuk’s epic 1967 film adaptation of War and Peace.
Season Six of Game of Thrones is about to air. One of the great pleasures of watching the show is the way in which George R. R. Martin, the author of the A Song of Ice and Fire series, and the show-producers, David Benioff and Dan Weiss, build their imagined world from the real and imagined structures of medieval history and literature.