Oxford University Press's
Academic Insights for the Thinking World

Devising data structures for scholarly works

For over 100 years, Oxford University Press has been publishing scholarly editions of major works. Prominent scholars reviewed and delivered authoritative versions of authors’ work with notes on citations, textual variations, references, and commentary added line by line—from alternate titles for John Donne’s poetry to biographical information on recipients of Adam Smith’s correspondence.

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The 34 most popular OUPblog posts of the last ten years

Yesterday we shared 34 selections of the OUPblog’s best work as judged by sharp editorial eyes and author favorites. However, only one of those selections coincides with the most popular posts according to pageviews. Does Google Analytics know something that our editors do not? Do these articles simply “pop” (and promptly deflate)? Or are there certain questions to which people always demand an answer?

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The best of a decade on the OUPblog

Wednesday, 22 July 2015, marks the tenth anniversary of the OUPblog. In one decade our authors, staff, and friends have contributed over 8,000 blog posts, from articles and opinion pieces to Q&As in writing and on video, from quizzes and polls to podcasts and playlists, from infographics and slideshows to maps and timelines. Anatoly Liberman alone has written over 490 articles on etymology. Sorting through the finest writing and the most intriguing topics over the years seems a rather impossible task.

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Getting to know our Institutional Marketing team for Latin America

From time to time, we try to give you a glimpse into our offices around the globe. This week, we are excited to introduce three members of our Institutional Marketing team for Latin America. Seth, Molly, and Juan work with libraries and other institutions around the world, from setting up educational webinars to holding Library Advisory councils, from updating librarians on new journals and websites to providing them with tools to help faculty and students.

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Hey everybody! Meet Yasmin!

Please welcome another newbie to the Social Media team at Oxford University Press, Yasmin Coonjah, who joined the gang in May 2015 as an OUPblog Editor and Social Media Marketing Assistant!

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A behind-the-scenes look at OUP’s recording sessions of new choral music for 2015

Bob Chilcott, as conductor, and John Rutter, as producer and engineer, join forces with some talented freelance professional singers in a church in Highgate, London every February. For three days these singers become The Oxford Choir, formed to record Oxford University Press’s latest choral publications so that choral directors worldwide can discover new repertoire.

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Getting to know Sara McNamara, Associate Editor

From time to time, we try to give you a glimpse into our offices around the globe. This week, we are excited to bring you an interview with Sara McNamara, an Associate Editor on our Journals team in New York. Sara has been working at the Oxford University Press since September 2012.

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The History of Grove Music: an interactive timeline

Since 1873, Grove Music has expanded from one piece of hardbound reference detailing the work and lives of musicians to becoming a powerful online encyclopedic database that serves to educate the world about music. George Grove, founder of the Grove dictionaries, was motivated by the lack of music reference works available to scholars and music professionals.

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Which Shakespeare performance shocked you the most?

Inspired by Stanley Wells’ recent book on Great Shakespeare Actors, we asked Oxford University Pressstaff members to remember a time when a theatrical production of a Shakespeare play shocked them. We discovered that some Shakespeare plays have the ability to surprise even the hardiest of OUP employees. Grab an ice-cream on your way in, take a seat, and enjoy the descriptions of shocking Shakespeare productions.

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Learning country music in the digital age

Recently reading through the Notes and Discographies section of Greil Marcus’s book Mystery Train (first published in 1975), I was struck by Marcus’s meticulousness when it came to recommending records.

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