Oxford University Press's
Academic Insights for the Thinking World

  • Language /
  • Dictionaries & Lexicography

Learning about lexicography: A Q&A with Peter Gilliver (Part 1)

Peter Gilliver has been an editor of the Oxford English Dictionary since 1987, and is now one of the Dictionary’s most experienced lexicographers; he has also contributed to several other dictionaries published by OUP. In addition to his lexicographical work, he has been writing and speaking about the history of the OED for over fifteen years. In this two part Q&A, we learn more about how his passion for lexicography inspired him.

Read More

Blessing and cursing, part 2: curse

Curse is a much more complicated concept than blessing, because there are numerous ways to wish someone bad luck. Oral tradition (“folklore”) has retained countless examples of imprecations. Someone might want a neighbor’s cow to stop giving milk or another neighbor’s wife to become barren.

Read More

Etymology gleanings for September 2016

As usual, let me offer my non-formulaic, sincere thanks for the comments, additions, questions, and corrections. I have a theory that misspellings are the product of sorcery, as happened in my post on the idiom catch a crab (in rowing). According to the routine of many years, I proofread my texts with utmost care.

Read More

Our habitat: booth

This post has been written in response to a query from our correspondent. An answer would have taken up the entire space of my next “gleanings,” and I decided not to wait a whole month.

Read More

Esperanto, chocolate, and biplanes in Braille: the interests of Arthur Maling

The Oxford English Dictionary is the work of people: many thousands of them. In my work on the history of the Dictionary I have found the stories of many of those people endlessly fascinating. Very often an individual will enter the story who cries out to be made the subject of a biography in his or her own right; others, while not quite fascinating enough for that, are still sufficiently interesting that they could be a dangerous distraction to me when I was trying to concentrate on the main task of telling the story of the project itself.

Read More

Sartor resartus, or some thoughts on the origin of the word “cloth” and the history of clothes

I keep clawing at the bars of the cage I built for myself. But first a digression. Walter W. Skeat wrote numerous notes on English etymology, some of which he eventually put together and published in book form. Much to my regret, not too many kl-words attracted his attention. But I was amused to discover that the verb clop means not only the sound made by shoes or hoofs but also “to cling, adhere to.”

Read More

Recognizing Robert Whitman

Born in 1935, Robert Whitman was a member of an influential, innovative group of visual artists– Allan Kaprow, Red Grooms, Jim Dine, and Claes Oldenburg– who presented theater pieces on the lower east side in Manhattan in the early 1960s. Whitman has presented more than 40 theater pieces in the United States and abroad, including The American Moon, Flower, Mouth, and most recently Passport (2011) and Swim (2015).

Read More

Robert Whitman – Episode 36 – The Oxford Comment

Robert Whitman is a pioneering American artist who, in the company of other groundbreaking figures including Claes Oldenberg, Jim Dine, and Allan Kaprow, performed experimental performance art pieces in New York in the 1960s. In 1966, Whitman would become a founding member of the collective Experiments in Art and Technology (E.A.T.), along with Bell Labs engineers Billy Klüver and Fred Waldhaur and artist Robert Rauschenberg.

Read More

Clouds with and without a silver lining

Engl. cloud belongs so obviously with clod and its kin that there might not even be a question­­­­ of its origin (just one more lump), but for the first recorded sense of clūd in Old English, which was “rock, cliff.”

Read More

A story of how a cluttered mind can find itself in clover

Once again, no gleanings: the comments have been too few, and there have been no questions. Perhaps when the time for a real rich harvest comes, I’ll start gleaning like a house on fire. When last week I attacked the verb clutter, I planned on continuing with the kl-series; my next candidates were cloud and cloth.

Read More

God and clod

In an old post, I once referred to Jack London’s Martin Eden, a book almost forgotten in this country and probably in the rest of the English-speaking world. Martin is not Jack London’s self-portrait; yet the novel is to a great extent autobiographical.

Read More

Dublin on Bloomsday: James Joyce and the OED

The sixteenth of June is the day on which James Joyce fans traditionally email each other their Bloomsday greetings. And nowadays it has become the focus for a global celebration of Joyce’s work, marked by readings and performances, and many other acts of Joycean homage.

Read More