Oxford University Press's
Academic Insights for the Thinking World
“The answers are in Washington’s Bible!” Katrina shouts as Moloch stirs the dark, swirling clouds that will seal her once again in Purgatory. Her husband, Ichabod Crane, stands watching, unable to help as his wife is swallowed up in a world that he can only reach in dreams and visions. Ichabod has been resurrected from the dead in the twenty-first century and faces Death himself in the form of the headless horseman of Sleepy Hollow.
The newest knockout competition on British television is The Great Pottery Throw Down (GPTD), in which an initial ten potters produce a variety of ceramic work each week, the most successful being declared Top Potter, and the least successful being ‘asked to leave’. The last four then compete in a final […]
Think the life of a doctor is dull? Think again! In a previous post, I recommended ten books by medical men which all doctors should read. Today, it’s the turn of medical movies. By focusing on the extremes of human life – birth, death, suffering, illness, and health – such films provide insight into the human condition and the part that we as doctors play in this never-ending theatre.
The most striking aspect of Shakespeare in India today is that it seems to have at last got over its colonial hangover. It is well known that Shakespeare was first introduced to Indians under the aegis of colonialism: first as an entertainer for the expatriates, then soon incorporated into the civilizing mission of the empire. This resulted in Indians being awed by Shakespeare, taking him too respectfully, especially in academia.
The film Risen retells the story of Jesus’ resurrection and ascension through the fictional Roman tribune Clavius, who supervises both Jesus’ crucifixion and the investigation into what happened to his missing body.
In 1996, decades before the trending hashtag, Reverend Jesse Jackson led a boycott protesting the lack of diversity at the Oscars. Having encouraged attendees to wear a rainbow ribbon in support of the issue, he was ridiculed for his efforts.
When the Academy of Motion Picture Arts and Sciences announced its nominees for the 2015 Academy Awards, the James Franco/Seth Rogen comedy The Interview wasn’t on the list. That Oscar spurned this “bromance” surprised nobody. Most critics hated the film and even Rogen’s fans found it one of his lesser works. Those audiences almost didn’t have a chance to see the film.
For some time now, I have been among those who have argued that the fandom associated with the Star Wars franchise is akin to a religion. There are those who will quarrel with the word choice, but it is hard to gainsay the dedication of fans to the original films
London. Michaelmas term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill.
Nowhere is media’s influence on social attitudes more evident than among the millions of fans following Star Wars. Decades after the franchise’s creator, George Lucas, made his first iteration of the fictional galaxy filled with aliens, Stormtroopers, and the Force, his vision has captivated fans with countless iconic moments.
The star-studded new film The Big Short is based on Michael Lewis’s best-selling expose of the 2008 financial crisis. Reviewers are calling it the “ultimate feel-furious movie about Wall Street.” It emphasizes the oddball and maverick character of four mid-level hedge fund managers in order to explain what it would take to ignore the rating agencies’ evaluations and bet against the subprime industry—that is, their own industry.
Todd Haynes’ new film Carol is an adaptation of Patricia Highsmith’s semi-autobiographical novel The Price of Salt, first published in 1952 under the pseudonym Claire Morgan. Daring for its time, the novel depicts a passionate lesbian romance between Carol Aird (Cate Blanchett), a well-off middle-aged New Jersey housewife divorcing her husband, and nineteen-year-old Therese Belivet (Rooney Mara), who works as a department store salesclerk.
‘What connexion can there be between the place in Lincolnshire, the house in town, the Mercury in powder, and the whereabouts of Jo the outlaw with the broom,’ asks Dickens’s narrator in Bleak House. As the novel develops, it offers various possible answers, including disease, family, money, and friendship.
People often find their interest in a cause awakened by a dramatization on stage, screen, between the pages of a book or, these days, on YouTube. This fall, Americans are learning about the highly dramatic battle in Britain to win the vote for women.
Say you wanted to take over the world—how would you do it? Let’s agree it looks much like the world we live in today, where some countries hold inordinate power over the lives of people in others; where global systematic racism, the shameful legacy of colonization and imperialism, has contrived to keep many humans poor and struggling.
When the late Ken Harper first began pitching his idea for a show featuring an all black cast that would repeat and revise the popular plot of L. Frank Baum’s The Wonderful Wizard of Oz, augmenting it with a Hitsville USA-inspired score, he had television in his sights.