This summer’s epic blockbuster, Wonder Woman, is a feast of visual delights, epic battles, and Amazons. The young Diana, “Wonder Woman,” is, we quickly learn, no ordinary Amazon. In fact, though she is raised by the Amazon queen Hippolyta and trained to be a formidable warrior by her aunt Antiope, both of whom are regularly featured Amazons in Greek myth, she turns out to be not an Amazon at all but a god, whom Zeus has given to the Amazons to raise.
Stanley Kubrick would be 89 this year. It’s quite possible were he still alive that he would have made more films. At his death in 1999, he left a legacy of just twelve works of extraordinary cinema, as well as a few interesting early short films.
But maybe the greatest horde of zombies these days is on television, from cult shows like iZombie and Santa Clarita Diet to two of the most popular shows on the planet, The Walking Dead and Game of Thrones. The Walking Dead has recently wrapped its seventh season, but Game of Thrones is getting ready to ramp up for its final two seasons, with the world premiere of its Season Seven coming tonight.
Watching Game of Thrones, and devouring the novels, made me a better medievalist. As fans of the show and novels know well, George R. R. Martin’s imaginary world offers a vibrant account of life and death, of royal power and magic, of political infighting, arranged marriages, sex, love, and despair. It is not an accurate depiction of medieval Europe, but why should it be?
In Hollywood Aesthetic: Pleasure in American Cinema, film studies professor Todd Berliner explains how Hollywood delivers aesthetic pleasure to mass audiences. The following quiz is based on information found in chapter 11, “Bursting into Song in the Hollywood Musical.”
On 25 May 1977, a small budget science fiction movie by a promising director premiered on less than 50 screens across the United States and immediately became a cultural phenomenon. Star Wars, George Lucas’ space opera depicting the galactic struggle between an evil Empire and a scrappy group of rebels, became the highest-grossing movie of the year and changed the course of movie history and American pop culture.
Inaugurating the most financially successful franchise in the history of entertainment, the original Star Wars (1977) has become one of the most widely and intensely loved movies of all time. Film scholars, however, lambasted Star Wars for its simplicity.
In Hollywood Aesthetic: Pleasure in American Cinema, film studies professor Todd Berliner explains how Hollywood delivers aesthetic pleasure to mass audiences. Along the way, Professor Berliner offers numerous aesthetic analyses of scenes, clips, and images from both routine Hollywood movies and exceptional ones. His analyses, one of which we excerpt here, illustrate how to study […]
Shadows is the first film John Cassavetes directed and, regarding the version he released in 1959, it is the only film he created that distinctly explores themes of Blackness and Black identity in an American urban landscape. Too Late Blues, A Woman Under the Influence, The Killing of a Chinese Bookie, and Love Streams all depict identity and race in different and attention-worthy ways as well, but none of Cassavetes’ directorial work after 1959 engages with these topics to the same degree or with the same immediacy.
The Russian Front, 1944. A group of German soldiers happen upon a corpse encased in snow, apparent only by a frostbitten hand reaching towards them from the ground. “Looks like spring is coming,” one of the soldiers remarks.
This January, Lemony Snicket’s first four critically acclaimed novels of the A Series of Unfortunate Events were adapted as a Netflix original series, starring Neil Patrick Harris. Although famously known as a book series built upon three children’s misery and misfortune, the stories do contain one consistent factor on which the kids can always rely: the library.
In Hollywood Aesthetic: Pleasure in American Cinema, film studies professor Todd Berliner explains how Hollywood delivers aesthetic pleasure to mass audiences. The following quiz is based on information found in chapter 12, “Complexity and Experimentation in the Western.”
On a recent trip to Hong Kong, however, I decided to take a risk by departing from my standard viewing practice to watch Oliver Stone’s Snowden, a political thriller about the whistleblower who pulled back the curtain of the surveillance state by exposing how the NSA threatens the privacy of just about everyone. Would this movie set me on edge, making me fearful and paranoid for the remainder of the flight?
Alfred Hitchcock’s films foreground a conflict that I call “the feminine versus the queer.” The heterosexual heroine, fighting for love and often for her own survival, finds a surprising rival in a queer character, who simultaneously understands and thwarts her.
This March, the Oxford University Press cinema and media studies editorial and marketing team will see you in chilly Chicago for the SCMS annual conference. We’ve listed our favorite sessions below. And, don’t forget to test your film expertise with our film quotes quiz.
Today we celebrate what would have been American composer Samuel Barber’s 107th birthday. Upon the composer’s death in 1981, New York Times music critic Donal Henahan, penned an obituary that asserted “probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim.”