Tawnie Olson: re-imagining the Magnificat
Several years ago, a choir in which I sang premiered a piece by a successful male composer. The music and text combined to suggest a Blessed Virgin who was inoffensively meek, sweet, and… small. I was not the only singer who found this composer’s vision unsatisfying. After one rehearsal, a normally-reserved alto walked up to me and fumed, “Tawnie, you have to compose a feminist Magnificat!”