Oxford University Press's
Academic Insights for the Thinking World

  • Arts & Humanities

At least in Green Book, jazz is high art

I’m anxiously awaiting the release of Bolden, a film about the New Orleans cornettist Buddy Bolden (1888 – 1933) who may actually have invented jazz. But since Bolden will not be released until May, and since April is Jazz Appreciation Month, now is a good time to talk about the cultural capital that jazz has recently acquired, at least in that […]

Read More

12 of the most important books for women in philosophy

To celebrate women’s enormous contributions to philosophy, here is a reading list of books that explore recent feminist philosophy and women philosophers. Despite their apparent invisibility in the field in the past, women have been practising philosophers for centuries.

Read More

Is it right to use intuition as evidence?

Dr. Smith is a wartime medic. Five injured soldiers are in critical need of organ transplants: one needs a heart, two need kidneys, and two need lungs. A sixth soldier has come in complaining of a toothache. Reasoning that it’s better that five people should live than one, Smith knocks out the sixth soldier with […]

Read More

National Women’s History Month: A Brief History

Every year, I teach a course on U.S. women’s history. Every year, I poll my students to find out how many of them encountered any kind of women’s history in their pre-college educations. They invariably say that they didn’t learn enough about women (this is a self-selecting group after all), but they also easily recite key components of U.S. women’s history: the Salem witch trials, Sojourner Truth, the nineteenth amendment, Rosie the Riveter, second-wave feminism, among others.

Read More

What makes arrogant people so angry?

Arrogant people are often intolerant of questioning or criticism. They respond to genuine and even polite challenges with anger. They are bullies that attempt to humiliate and intimidate those who do not agree with, or explicitly defer to, their opinions. The arrogant feel superior to other people and arrogate for themselves special privileges. This sense of entitlement […]

Read More

What can we learn from meme culture?

If you go on-line, the chances are that you have encountered memes. What exactly is a meme? Some people take memes to be simply images with added text. The artist Barbara Kruger is often cited as a pre-internet forerunner of this practice.

Read More

Celebrating notable women in philosophy: Philippa Foot

This March, in honour of Women’s History Month, and in celebration of the achievements and contributions of women to the field of philosophy, the OUP philosophy team honours Philippa Foot (1920–2010) as its Philosopher of the Month. Philippa Foot is widely regarded as one of the most distinctive and influential moral philosophers of the twentieth-century.

Read More

What Fanny Mendelssohn Hensel tells us about women’s music

Everyone loves a good plot twist. And what better plot twist than finding out that a work of art, scientific discovery, or other creation was the achievement not of a well-known man, but rather a woman? Fanny Mendelssohn Hensel was a talented composer of the early 19th century who worked mostly in private. As an upper-class woman with […]

Read More

The ethics of the climate emergency

During the last few days of February we experienced the warmest Winter day since records began, with a high of 20.6 degrees (Celsius) at Trawscoed in mid-Wales. As if that was not enough, the record was broken again the next day with 21.2 degrees at Kew Gardens.

Read More

Women of substance in Homeric epic

Men carve meaning into women’s faces; messages addressed to other men. In Achilles’ compound, the message had been: Look at her. My prize awarded by the army, proof that I am what I’ve always claimed to be: the greatest of the Greeks.  Pat Barker’s book The Silence of the Girls is one of a wave of novels giving a […]

Read More

Reconsidering the period room as a museum-made object

Period rooms were widespread among European museums during the last decades of the nineteenth century, and became popular in North American institutions in the early twentieth. But the debate about whether period rooms are “authentic” or “fake” tends to ignore what they really are: a museum-made object.

Read More