Oxford University Press's
Academic Insights for the Thinking World
By Ian Gadd
Determining the precise beginning of Oxford University Press is not as easy a question as it may seem. It’s not enough to brandish triumphantly the first book printed in Oxford, Expositio in symbolum apostolorum, as all that proves is that there was a printing press in Oxford in 1478…
By David Constantine
In Cornish towns and villages you may find a street or a district called Plain-an-Gwarry. The name (in the old tongue plân-an-guare), means ‘a playing place’, and it commemorates the former existence of a round, or small amphitheatre, in which entertainments of one sort and another – including the miracle plays – were staged and public meetings held.
By Kandice Rawlings
The port city of Shanghai is poised to become another major center of the global art world, possibly even displacing Beijing as China’s artistic capital. Since founding a biennial and art fair in 1996 and 1997, respectively, major institutions supporting the visual arts have sprung up or expanded.
By Ian Gadd
‘This Lane is commonly called Pie Lane, but I will call it Winking Lane’. So noted the Christ Church canon, Leonard Hutten, in his perambulatory Antiquities of Oxford, written at some point in the early seventeenth century.
By Ian Woodfield
Fathers do not always receive the kindest press, but any man who unwittingly produces an icon of western culture will find his parental techniques under an especially harsh spotlight. Such was the fate of Johann van Beethoven, a singer of modest achievements, who ended up dividing his time unequally between the Bonn Hofkapelle and the local taverns.
By Michael R. Katz
In his classic study Problems of Dostoevsky’s Poetics (1929), the literary theorist, scholar, and philosopher of language, Mikhail Bakhtin included a brilliant “exercise” in literary “what-ifs.” In the chapter entitled “The Hero in Dostoevsky’s Art,” Bakhtin analyzes as a characteristic example of the Leo Tolstoy’s “monologic manner” and poses the following question
Michael S. A. Graziano
Each one of us has an inner feeling, an experience that is private. Consciousness, awareness, qualia, mind, call it what you will, it is the subtle distinction between merely computing information and feeling.
To celebrate the publication of the first three volumes of The History of Oxford University Press on Thursday and University Press Week, we’re sharing various materials from our Archive and brief scholarly highlights from the work’s editors and contributors. To begin, we’d like to introduce a silent film made in 1925 by the Federation of British Industry.
By Jean Adams
When we set out to quantify the volume of alcohol marketing in televised English football, I knew there would be some, but I was caught off guard by quite how much there was.
By Anjan Chatterjee
Facing The City painted by Léger in 1919 can be an overwhelming experience. Geometry of bright colors, bits of human figures, mechanical structures, columns, stairs, lettering all crowd the painting and beyond into an immersive experience.
If you watched the World Series this year, you may have noticed a trend in the nightly renditions of “God Bless America” during the seventh inning stretch: all five performances were by soldiers in uniform.
ADHD: Time to Change Course
In March 2013 we learned that 11% of US children and teens have received an ADHD diagnosis, an increase of 41% in 10 years. Diagnoses among adults have sharply increased as well. Some ADHD experts welcome this change.
In the first book of The Iliad, Homer calls for a muse to help him recount the story of Achilles, the epic Greek hero of the Trojan War. The poet begins his account nine years after the start of Trojan war, with the capture of two maidens, Chryseis by Agamemnon, the commander of the Achaean Army, and Briseis by the hero Achilles.
By Paul Cartledge
In 2006 the Frank Miller-Zack Snyder bluescreen epic ‘300’ was a box office smash. The Battle of Thermopylae – fought between a massive Persian invading army and a very much smaller Greek force led by King Leonidas and his 300 Spartans in a narrow pass at the height of summer 480 BC – had never been visualised quite like that before.
By Tim Allen
Albert Camus, author of those high school World Literature course staples The Stranger and The Myth of Sisyphus, would have been 100 years old today.
By Nick Wilson
As a musician myself I have certainly received my fair share of warranted (and un-warranted) criticism over the years. There is nowhere to hide on the concert platform. Performing music necessarily requires being open to others, exposing more of the self than is demanded in most other walks of life. It is perhaps only natural, therefore, that the controversial subject of authenticity should remain so stubbornly relevant to our understanding and pleasure of (musical) performance.