Arts & Humanities

What can we learn from Buddhist moral psychology?

By Jay L. Garfield

Buddhist moral psychology represents a distinctive contribution to contemporary moral discourses. Most Western ethicists neglect to problematize perception at all, and few suggest that ethical engagement begins with perception. But this is a central idea in Buddhist moral theory. Human perception is always perception-as. We see someone as a friend or as an enemy; as a stranger or as an acquaintance. We see objects as desirable or as repulsive. We see ourselves as helpers or as competitors, and our cognitive and action sets follow in train.

Literary fates (according to Google)

By Richard Lansdown

Where would old literature professors be without energetic postgraduates? A recent human acquisition, working on the literary sociology of pulp science fiction, has introduced me to the intellectual equivalent of catnip: Google Ngrams. Anyone reading this blog must be tech-savvy by definition; you probably contrive Ngrams over your muesli. But for a woefully challenged person like myself they are the easiest way to waste an entire morning since God invented snooker.

How can we reconstruct history on the silver screen?

By Seamus O’Malley

A perpetual lament of historians is that so many people get their historical knowledge from either Hollywood or the BBC. The controversies that surrounded Lincoln and Selma will no doubt reappear, in other guises, with the release of Wolf Hall, based on Hilary Mantel’s popular historical novel. Historical films play an outsize role in collective historical knowledge, and historians rightly bemoan the inaccuracies and misleading emphases of popular film and television: no doubt a generation of viewers believe that the Roman Republic was restored by a dying gladiator.

What if printed books went by ebook rules?

By Dennis Baron

I love ebooks. Despite their unimaginative page design, monotonous fonts, curious approach to hyphenation, and clunky annotation utilities, they’re convenient and easy on my aging eyes. But I wish they didn’t come wrapped in legalese. Whenever I read a book on my iPad, for example, I have tacitly agreed to the 15,000-word statement of terms and conditions for the iTunes store. It’s written by lawyers in language so dense and tedious it seems designed not to be read, except by other lawyers, and that’s odd, since these Terms of Service agreements (TOS) concern the use of books that are designed to be read.

The History of Grove Music: an interactive timeline

By Miki Onwudinjo

Since 1873, Grove Music has expanded from one piece of hardbound reference detailing the work and lives of musicians to becoming a powerful online encyclopedic database that serves to educate the world about music. George Grove, founder of the Grove dictionaries, was motivated by the lack of music reference works available to scholars and music professionals.

Afterwar – Episode 22 – The Oxford Comment

As 2.6 million men and women return home from war, the prevalence of veteran suicide and post-traumatic stress is something that is frequently discussed by civilians, politicians, and the media, but seldom understood. These changes extend beyond psychological readjustment, physical handicap, and even loss of life. The greatest wounds, in fact, may not even be visible to the naked eye. While the traditional dialogue concerning veteran assistance typically involves the availability of institutional services, military hospitals, and other resources, there is an increasing need to address what many call the “moral injuries” sustained by soldiers during combat.

The role of marijuana in your coffee addiction

By Gary L. Wenk

Does coffee enhance marijuana? A study published recently in the Journal of Neuroscience by neuroscientists from the Integrative Neurobiology Section of the National Institute on Drug Abuse, a branch of the National Institutes of Health, has finally provided a definitive answer: Yes, No, and it depends.

Orson Welles at 100

By Catherine L. Benamou

Today, 6 May 2015 marks the 100th anniversary of the birth of George Orson Welles in Kenosha, Wisconsin, to concert pianist Beatrice Welles and inventor Richard Head Welles. Widely recognized as a child prodigy, Welles exhibited musical talent, a fascination with magic, and the ability to recite Shakespeare all before the age of ten. At age sixteen, he traveled to Ireland, where he seized the opportunity to appear on the professional stage in a production of Jew Süss at the Gate Theatre in Dublin.

The “Blurred Lines” of music and copyright: Part two

By Neil Wilkof

The infrequency of two high-profile songsters or their representatives going all the way to trial over claims of copyright infringement means that such a case usually receives heightened public scrutiny. This is especially so when mere sampling of the plaintiff’s song is not at issue. In recent years, few cases have drawn more public attention than the dispute between the Marvin Gaye estate and singer/songwriter Robin Thicke and song producer Pharrell Williams, over whether the song “Blurred Lines” infringed Marvin Gaye’s 1977 hit, “Got to Give It Up.”

May the Fourth be with you!

By Michael Adams

May the Fourth be with you! Playing off a pun on one of the movie’s most famous quotes, May the 4th is the unofficial holiday in which Star Wars fans across the globe celebrate the beloved blockbuster series. The original Star Wars movie, now known as Star Wars IV: A New Hope, was released on 25 May 1977, but to those of us who waited in line after line to see it again and again in theaters, it will always be just Star Wars.

In memoriam of M.H. Abrams

By Ira Nadel

My first encounter with M.H. Abrams involved a bicycle. In a Beckettian scene in Goldwin Smith Hall at Cornell, I stopped a gentleman in shorts one spring morning with a bicycle. “Excuse me, do you know a Professor Abrams?” Removing a pipe from his mouth, he smiled and said “Follow me.” I did, and he stopped at an office door, asked me to hold the bike, fished out a key, and directed me to bring the bike in and sit down. “But what about Professor Abrams? I’m to be his new assistant,” I added nervously. The cyclist sat down among the piles of books, relit his pipe, and said through a grin, “Let’s get started.”

Reference and the election of the new Italian President

By Andrea Bianchi

After three inconclusive rounds in the preceding days, in which nobody secured the two-thirds majority needed to win, on the morning of 31 January 2015 a fourth round of voting was held in the Italian Parliament to elect the country’s President. This time, a simple majority of the 1,009 eligible voters (the members of both Chambers of the Parliament plus some delegates from the Regions) was enough to decide the election.

Kurt Cobain, making comedy of commercialism

By Rob Heinrich

The release of Brett Morgen’s documentary Montage of Heck has inspired new discussions of the legacy of Kurt Cobain, the Nirvana frontman who upended popular music before committing suicide in 1994. Few artists have straddled the line between nonconformity and commercialism like Cobain. Consider the three-album arc of his band’s life: though Nirvana boasted of producing its debut album Bleach for $600, Cobain became a Generation X icon by releasing its follow-up, Nevermind, on a major label, and by having a hit single, “Smells Like Teen Spirit,” that dominated MTV.

Which Shakespeare performance shocked you the most?

Inspired by Stanley Wells’ recent book on Great Shakespeare Actors, we asked Oxford University Pressstaff members to remember a time when a theatrical production of a Shakespeare play shocked them. We discovered that some Shakespeare plays have the ability to surprise even the hardiest of OUP employees. Grab an ice-cream on your way in, take a seat, and enjoy the descriptions of shocking Shakespeare productions.

The truth will set you free

By David Ostwald

First of all, gratitude. Gratitude to Opera Parallèle for its consistently high quality productions of contemporary works, and for their extensive educational outreach program; more specifically, for its new production of Jake Heggie’s Dead Man Walking, featuring revised scoring for smaller orchestral ensembles—a revision that loses nothing and makes the piece more accessible for smaller companies.

The “Blurred Lines” of music and copyright: Part one

By Alex Sayf Cummings

A peppy beat and bassline. Cowbell. An ecstatic whoop in the background. Make a note, because all these elements now belong to family of Marvin Gaye. Or do they? The recent verdict against Robin Thicke and Pharrell Williams in the ‘Blurred Lines’ case has perplexed followers of the music industry. One might think the ruling was a vindication of the rights of artists, but composers like Bonnie McKee see it differently.