Oxford University Press's
Academic Insights for the Thinking World
What is your earliest musical memory? How has it formed your creativite impulse? Jeanna Bamberger’s research focuses on cognitive aspects of music perception, learning, and development, so when it came to reviewing her work, she thought of her own earliest musical experiences. The following is an adapted extract from Discovering the musical mind: A view of creativity as learning by Jeanne Bamberger.
By Anna-Lise Santella
After nearly a decade of work, the second edition of The Grove Dictionary of American Music—often called AmeriGrove—is finished. In September 2013, shortly before publication, I talked with Editor in Chief Charles Hiroshi Garrett about the project.
It is finally here. The big anniversary. The bicentennial. Today, Giuseppe Verdi turns 200. There has been excitement in the air for quite some time—leading opera houses presenting new productions and outreach initiatives to honor the great composer, publishing companies rushing to release a host of new books for all sorts of readerships, and public and private organizations around the world (governments and municipalities, research centers and fan clubs) working to celebrate the occasion as it deserves.
We’re told many stories about the 1960s, typically clichéd tales of excess and revolution. But there’s more to the popular music of the 1960s. There are many ways in which rock music has shaped our ideas of individual freedom and collective belonging. Rock became a way for participants in American culture and counterculture to think about what it meant to be an American citizen, a world citizen, a citizen-consumer, or a citizen-soldier.
In Anything Goes, Broadway historian Ethan Mordden takes us on a tour of the history of Broadway musicals over the past 100 years. From classical shows to Bernadette Peter’s recent turn in the 2011 production of Follies, take a tour of the evolution of the musical through the years and “all that jazz” that is has captivated audiences for ages.
By Tony Whyton
Created by the Berlin-based street artist MTO, a graffiti artwork was painted on a Parisian wall a few years ago and only on display for a few days before being painted over. A few photographs of the image, taken by MTO at the scene, are all that remain of the work.
In a Reddit AMA session a few months ago, Bryan Cranston was asked when he thought his character on Breaking Bad broke bad. His response: “My feeling is that Walt broke bad in the very first episode. It was very subtle but he did because that’s when he decided to become someone that he’s not in order to gain financially. He made the Faustian deal at that point and everything else was a slippery slope.”
Reflecting on his futuristic 2002 film Minority Report, Steven Spielberg said “one of the most exciting scenes” he had to shoot was this action scene – in which two characters (John and Agatha) traverse a busy shopping mall with armed police in pursuit, relying on Agatha’s ability to see into the future in order to hide and successfully evade capture.
By Ayana Young
As one of the most renowned and recognizable instruments in the modern orchestra, the violin’s petite shape and magnified sound charms listeners, players and dreamers alike. Beyond the aesthetic and captivating sound, the history of the violin is just as enticing.
Viennese composer Alban Berg played a major role in the transformation of serious music as it entered the modern period. He was also a skilled, analytic writer, whose essays, lectures, and polemics provide a unique perspective on classical music in transition. A new English edition of his Pro Mundo – Pro Domo. edited by Bryan R. Simms, contains 47 essays, many of which are little known and have not been previously available in English. Below is a brief extract from one of his dialogues with critic Julius Bistron.
By Jill Timmons
Leaves are changing, temperatures are cooling, and students are returning to the rigors of school. For those of us in the music industry, fall can also be a time of personal renewal. As autumn commences, we have the opportunity to turn the page from summer pursuits and ignite fresh and innovative initiatives.
In my last post I wrote about little known composer Sophie Elisabeth. Today’s subject, Francesca Caccini, is somewhat better known. The last decade or so has seen a renewed interest in her work.
By Laura Davis
You know that stress dream that everyone has at one time or another? The one where you’re standing up in front of a giant group of people and something goes horribly wrong? You forget your speech, your voice cracks, you’re not wearing pants.
By Alyn Shipton
When Harry Nilsson took a call on 7 September 1978 to tell him that the Who’s drummer Keith Moon had been found dead in Nilsson’s London apartment, it was a shock for two reasons.
On Saturday 7 September 2013, lovers of classical music will gather together once again for the final performance in this year’s momentous Proms season. Alongside the traditional pomp and celebration of the Last Night, with Rule, Britannia!, Jerusalem, and the like, we are promised a number of more substantial works, including Bernstein’s Chichester Psalms and the overture to Wagner’s The Mastersingers of Nuremberg.
One of the fascinating things about being a musician is that I can perform the same Chopin piece that has been played by thousands of pianists for almost two centuries and breathe life into it in a way that no one has ever done before. Tomorrow, I will play the same piece and know it will be different again.