Oxford University Press's
Academic Insights for the Thinking World
Children’s books are like time machines. Coming across the same edition of a much-loved book from childhood can instantly transport an individual back to the moment of reading. That visceral reaction, however, is rather different from the time-travel experienced by scholars who are working with children’s books from earlier periods.
By Kevin J. Hayes
Does anyone remember the card game Authors? I do. When we were children, my brother and sister and I had great fun playing the game. Authors was quite basic: its rules were the same as the rules for Go Fish. In Go Fish, players ask, “Do you have any aces?” or “Do you have any queens?” In Authors, alternatively, players ask, “Do you have any Shakespeares?” or “Do you have any Tennysons?”
Georges Prosper Remi, better known to the world as Hergé, was born on 22 May 1907. A Belgian comic book artist with almost no formal training, he is best remembered for the enduring character of Tintin. The boy adventurer with his trusted dog, Snowy, at his side has captured the hearts and minds of children and adults across the world. Nevertheless, from Steven Spielberg’s 3D film to the controversy over Tintin au Congo, Tintin’s creator remains elusive. We offer a glimpse into the life and personality of the “father of Tintin” with an excerpt from Hergé by Pierre Assouline.
On 22 May 1859, a Scottish doctor and writer admired the world round was born — Sir Arthur Conan Doyle. His university teacher, Dr. Joseph Bell, was a partial model for his most famous character — Sherlock Holmes. Let’s listen in as Holmes explains The Silver Blaze to Watson.
By Francis O’Gorman
When John Ruskin (1819-1900) began Praeterita (1885-9), his unfinished autobiography, he had no obvious models of what an autobiography should look like, nor a clear view of who his audience was.
On 20 May 1609, Shakespeare’s sonnets were first published in London by Thomas Thorpe (work now found in the Folger Library). The Bard was nearing the end of his play-writing career and soon to retire. A lifetime of poetry was gathered together and printed — possibly without the permission of the author. To celebrate, we’ve excerpted Sonnet 127 and additional commentary from our Oxford World Classics edition edited by Colin Burrow — The Oxford Shakespeare: The Complete Sonnets and Poems. Enjoy the Dark Lady of Shakespeare’s poetry.
By Edward Shorter and Susan Bélanger
In the fifty years since the publication of A Clockwork Orange, Anthony Burgess’s dystopian fable remains by far the best-known of his more than 60 books. It also remains controversial and widely misunderstood: assailed for inciting adolescent violence (especially following Stanley Kubrick’s explicit 1971 film adaptation) or viewed as an anti-psychiatry treatise for presenting behavioural conditioning as an instrument of social control. But this aspect of the book needs to be seen within a broader context.
By Geraldine McCaughrean
As Captain Scott sat in his tent in the Antarctic in 1912, pinioned between the dead bodies of Birdie and Uncle Bill, he wrote countless valedictory notes to people he would never see again, in places half a world away. One was to the godfather of his son, expressing his love and admiration for the man and asking him to look after the boy. A hundred years ago that letter was lying unread in the death tent. But eventually, of course, it was delivered – to J. M. Barrie, foremost playwright and author of his day.
By Ellen Gruber Garvey
May 5 is National Scrapbooking Day. Like National Fig Newton Day or National Golf Month, its purpose is mainly commercial. It was unsurprisingly started by an album company. Scrapbook making is hugely popular and profitable. Stores that sell scrapbooking supplies use the day to sponsor scrapping gatherings or crops where scrapbookers — nearly all women — get together to spread their projects out at tables with equipment for diecutting, embossing, distressing paper to make it look old, and sharing tips about layout and technique as they paste family pictures and memorabilia into their scrapbooks.
By Kathryn Sutherland
As a novelist, Jane Austen dealt in the little things that loom momentous in the everyday routines of an ordinary life: preparations for an outing, the choice of partners at a dance, the chance for intrigue in a game of cards. What we know of her life is drawn to the same miniature scale: small facts and slender insights hoarded, vetted, and handed down by a protective family who memorialized and effaced their famous aunt in equal measure.
By Peter Miles
As every schoolchild knows, never give more than one explanation: rather than uncertainty, it suggests a conscious or unconscious smokescreen. In The Interpretation of Dreams (1899), Sigmund Freud demonstrated as much by reference to a “defence offered by a man who was accused by his neighbour of having returned a kettle in a damaged condition. In the first place, he said, he had returned the kettle undamaged; in the second place it already had holes in it when he borrowed it; and in the third place, he had never borrowed it at all.”
Alice Vavasor is torn between a risky marriage with her ambitious cousin George and the safer prospect of a union with the formidably correct John Grey. Her indecision is reflected in the dilemmas of her friend Lady Glencora, confined in the proprieties of her life with Plantagenet Palliser but tempted to escape with her penniless lover Burgo Fitzgerald, and of her aunt, the irreverent widow Mrs Greenow, who must choose between a solid farmer and an untrustworthy soldier as her next husband. Each woman finds her choice bound up with the cold realities of money, and the tension between public expectation and private inclination in Anthony Trollope’s classic Can You Forgive Her?. Here is a letter from George to Alice.
By David Roberts
Natural disaster is an exciting but tricky subject. Risk to survival; extreme deprivation; families sundered and reunited; panoramic set pieces of waves crashing, meteors hurtling, or skyscrapers toppling – all the ingredients are there for a gripping narrative. But think of the technical and ethical challenges. How does a writer choose one focal point among so many? Who survives? If the subject is a real disaster, how does a novelist or screenwriter honour the memory of those who endured, and those who perished? And what about the nagging doubt that it is all an exercise in profiting from misery?
By Alice Northover
April 23rd has a touch of madness for those in book publishing. It is cause for not just one celebration, but several. It is World Book Night, an annual exchange to spread the love of reading; World Book and Copyright Day as organized by UNESCO to promote both reading and the preservation of authors’ intellectual property (take note plagiarists and book thieves!); the Death day of both the Bard himself, William Shakespeare, and el manco de Lepanto, Miguel de Cervantes, in 1616; the probable Birthday of William Shakespeare in 1564 (his baptism was the 26th of April and baptisms were traditionally held three days after birth); International Pixel-Stained Technopeasant Day, which celebrates the work of science fiction and fantasy authors and encourages the free availability of their great work online (by their own choice, not against their wishes); and finally La Diada de Sant Jordi.
Happy International Pixel-Stained Technopeasant Day! Let’s celebrate the great science fiction and fantasy writers with an excerpt from one of the earliest fantasy novels — and an Oxford World Classic — The Lost World by Arthur Conan Doyle. Professor Challenger’s claims of dinosaurs living in twentieth-century South America may seem outlandish, but even skeptics become believers in The Lost World…
Although England had colonies in Virginia and Bermuda before William Shakespeare died in 1616, he never came to America. But no Englishman ever had such a triumphant posthumous migration to America as did Shakespeare: in books (by him and about him), in performances of his dramas on virtually every stage from coast to coast, in school and college curricula from the nineteenth century to the twenty-first, in Broadway musicals, in “blackface” minstrel shows, in summer festivals, in stuffed dolls, trinkets, key rings, and tea cups. Shakespeare in America is multifaceted and ubiquitous.