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Alfred Hitchcock’s films foreground a conflict that I call “the feminine versus the queer.” The heterosexual heroine, fighting for love and often for her own survival, finds a surprising rival in a queer character, who simultaneously understands and thwarts her.
Hitchcock’s famous Psycho (1960) has an enduring legacy in the slasher-horror genre. Its impact on this genre is an enduring one, as suggested by the A&E series Bates Motel, culminating with Rihanna cast in Janet Leigh’s indelible role (Figure 1). Perhaps its most striking contribution, however, is its thematization of a figure I call the death-mother.